In a rundown apartment complex in San Francisco's Tenderloin, a septuagenarian seer is waiting for his final message. For decades the eccentric recluse has chronicled the phrases of the ... See full summary »
The story of a school shooting unfolds in series of tense documentary style interviews where we learn what triggered the violent acts. These provocative and haunting interviews leave the audience with the dilemma of who is really to blame.
When recovering alcoholic Joe McNeal's nephew is abducted, his personal investigation leads him to powerhouse undercover African American Detective Marcus Knight. Together, they take on LA's seedy underbelly of child sex trafficking.
In a rundown apartment complex in San Francisco's Tenderloin, a septuagenarian seer is waiting for his final message. For decades the eccentric recluse has chronicled the phrases of the Wheel of Fortune and deciphered their hidden meaning - the details of a mission to save his neighbors from their troubles. Written by
Like many indie films, Harrison Montgomery is comprised of hit-and-miss elements. The lighting is horrible in a lot of scenes, and the (few) special effects are distractingly poor.
The real problem with Harrison Montgomery is the story. The setup is slow and moves in jumps and starts. Right when the conflict starts, the film goes off on a series of tangents that are neither interesting nor particularly relevant to the plot. You could easily leave the theater for 30 minutes and come back without missing anything. The ending is a bit confused, though I found it fun (don't worry, I won't spoil it here.) As for good points, the casting was excellent. You rarely see performances this solid in any film, let alone an independent film. I was especially impressed by Octavio Gómez and Ron Roggé.
So in summary, Harrison Montgomery is a deeply flawed film with a lot of heart and not much else.
2 of 2 people found this review helpful.
Was this review helpful to you?