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Frost/Nixon (2008)

A dramatic retelling of the post-Watergate television interviews between British talk-show host David Frost and former president Richard Nixon.

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(screenplay), (play)
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3,651 ( 835)

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Nominated for 5 Oscars. Another 21 wins & 71 nominations. See more awards »

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Storyline

Writer Peter Morgan's legendary battle between Richard Nixon, the disgraced president with a legacy to save, and David Frost, a jet-setting television personality with a name to make, in the story of the historic encounter that changed both their lives. For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans (as well as a $600,000 fee). Likewise, Frost's team harbored doubts about their boss' ability to hold his own. But as cameras rolled, a charged battle of wits resulted. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

400 million people were waiting for the truth. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »

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Details

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Release Date:

23 January 2009 (USA)  »

Also Known As:

Duel Frost/Nixon  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$180,708 (USA) (5 December 2008)

Gross:

$18,593,156 (USA) (20 March 2009)
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2.35 : 1
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Did You Know?

Trivia

All the actors were encouraged to go out and do their own research. This usually meant meeting with the real people that they were portraying. See more »

Goofs

In the scene on the final day where Brennan follows Nixon into the side room, the door is closed, and the Secret Service agent on the right hand side signals two, as in two entered the room. When the camera angle changes to get Frost reaction, the same agent is motioning two again. There would not be a need for the agent to twice motion that two people had entered the room. See more »

Quotes

David Frost: I'm in this for all I've got.
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Crazy Credits

Michael Sheen and Frank Langella are credited simultaneously before the title. Sheen's name is on a lower level, but further to the left; while Langella's is higher up, but pushed to the right. Therefore, depending on whether you read the card top-to-bottom or left-to-right, either actor can be seen as being credited first. See more »

Connections

Featured in 15th Annual Screen Actors Guild Awards (2009) See more »

Soundtracks

Love and Marriage
Written by Sammy Cahn and Jimmy Van Heusen (as James Van Heusen)
(Performed at a nightclub visited by David Frost and associates)
Lyrics rewritten as "Frost and Nixon"
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Frequently Asked Questions

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User Reviews

'Frost/Nixon' - not what you think
11 December 2008 | by (San Francisco) – See all my reviews

I almost skipped "Frost/Nixon," and I am glad I didn't. It's eminently worthwhile, one of the year's few films that deserves to be seen.

My reluctance had to do with the expectation that it will offer nothing new to somebody who lived through the Watergate years and saw the Frost interviews (although remembering surprisingly little of them).

Ron Howard's film is anything but ho-hum - if anything it's a bit too gussied up to be exciting. There is an element of discernible manipulation of the audience, but mostly it works, and you don't long resist it.

The (relatively) unsung hero of the film besides Howard, Frank Langella's tremendous Nixon, and Michael Sheen's excellent Frost is the screenwriter: once again Peter Morgan (of "The Last King of Scotland" and "The Queen") engages mind and heart, and doesn't let go. Sam Rockwell's James Reston, Jr. and Oliver Platt's Bob Zelnick (Frost's two collaborators) are outstanding, and Kevin Bacon's Nixon-worshipping Jack Brennan is the actor's best work in a long time.

Morgan and Howard manage to make the viewer think constantly of another criminal President without saying or showing anything overt - they just let history, past and present, speak.

I had a strange, uncomfortable thought watching "Frost/Nixon": even if some future film "humanizes" (not excuses) Bush the way Nixon comes through this one, W. would still remain a malevolent midget against Nixon's accomplishments and actual *brain*. How far we have fallen.


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