In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Writer Peter Morgan's legendary battle between Richard Nixon, the disgraced president with a legacy to save, and David Frost, a jet-setting television personality with a name to make, in the story of the historic encounter that changed both their lives. For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans (as well as a $600,000 fee). Likewise, Frost's team harbored doubts about their boss' ability to hold his own. But as cameras rolled, a charged battle of wits resulted. Written by
At the beginning of the film Nixon is shown with Presidential cuff links that are cobalt blue with a gold eagle and stars. Nixon wore an older style of cuff links that had the Presidential seal in color with a white border and a dark blue background. He also wore a tie clasp made this way. See more »
Michael Sheen and Frank Langella are credited simultaneously before the title. Sheen's name is on a lower level, but further to the left; while Langella's is higher up, but pushed to the right. Therefore, depending on whether you read the card top-to-bottom or left-to-right, either actor can be seen as being credited first. See more »
Frost/Nixon was indeed a good movie but the question is "will it stand the test of time?". I seriously doubt it. The performances are admirable and the writing is very good but I was not overly impressed compared to other movies I have seen.
The acting was good throughout the cast. Frank Langella was good but not spectacular as Richard Nixon. In my mind I will have Anthony Hopkins as Nixon not Langella. In Nixon strange emotions were brought up towards the man himself, in here Nixon seems to be quite a very good man. This I had a problem with, I liked the approach of him not being shown as an evil man but I did not like the fact he appeared to better than he was. I felt that Michael Sheen stole the show from Langella and in fact played better than him. His performance was more diverse and versatile and of course the movie is about him interviewing Nixon not Nixon interviewing Frost.
The directing was solid as usual of Ron Howard. Yet with the character of Nixon he seemed to be pushing the idea of sympathy upon us for Richard Nixon. When it comes to feeling emotions such as sympathy, it should not be pushed upon you. Many scenes though were quite intense but this movie was carried by the writing of Peter Morgan. The nice quick dialog between the characters is what really set the tone of the film above all.
I liked Frost/Nixon but it is not a powerful movie. It sets a good tone at the beginning and stays with it throughout. Like other Ron Howard movies it doesn't take a giant leap of greatness. It does have moments of greatness and a few memorable scenes but not enough to really stand the test of time. I do not believe it deserves its best picture, best director or best actor nominations as other men and movies have had more powerful and affecting influence this year.
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