In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Writer Peter Morgan's legendary battle between Richard Nixon, the disgraced president with a legacy to save, and David Frost, a jet-setting television personality with a name to make, in the story of the historic encounter that changed both their lives. For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans (as well as a $600,000 fee). Likewise, Frost's team harbored doubts about their boss' ability to hold his own. But as cameras rolled, a charged battle of wits resulted. Written by
The Broadway production of "Frost/Nixon" by Peter Morgan opened at the Bernard B. Jacobs Theater in New York on April 22, 2007, ran for 137 performances and was nominated for the 2007 Tony Award for Best Play. See more »
In one scene, David Frost tapes a segment with an escape artist in front of the Sydney Opera House, for his Australian talk show. The Quay Grand apartment complex, also known as "The Toaster", is in the background. It was built in 1999. See more »
[Picking up the phone, thinking it's room service]
I'll have a cheeseburger.
Mmm. That sounds good. I used to love cheeseburgers, but Dr. Lundgren made me give them up. He switched me to cottage cheese and pineapple instead. He calls them my Hawaiian burgers, but they don't taste like burgers at all. They taste like Styrofoam.
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Michael Sheen and Frank Langella are credited simultaneously before the title. Sheen's name is on a lower level, but further to the left; while Langella's is higher up, but pushed to the right. Therefore, depending on whether you read the card top-to-bottom or left-to-right, either actor can be seen as being credited first. See more »
I almost skipped "Frost/Nixon," and I am glad I didn't. It's eminently worthwhile, one of the year's few films that deserves to be seen.
My reluctance had to do with the expectation that it will offer nothing new to somebody who lived through the Watergate years and saw the Frost interviews (although remembering surprisingly little of them).
Ron Howard's film is anything but ho-hum - if anything it's a bit too gussied up to be exciting. There is an element of discernible manipulation of the audience, but mostly it works, and you don't long resist it.
The (relatively) unsung hero of the film besides Howard, Frank Langella's tremendous Nixon, and Michael Sheen's excellent Frost is the screenwriter: once again Peter Morgan (of "The Last King of Scotland" and "The Queen") engages mind and heart, and doesn't let go. Sam Rockwell's James Reston, Jr. and Oliver Platt's Bob Zelnick (Frost's two collaborators) are outstanding, and Kevin Bacon's Nixon-worshipping Jack Brennan is the actor's best work in a long time.
Morgan and Howard manage to make the viewer think constantly of another criminal President without saying or showing anything overt - they just let history, past and present, speak.
I had a strange, uncomfortable thought watching "Frost/Nixon": even if some future film "humanizes" (not excuses) Bush the way Nixon comes through this one, W. would still remain a malevolent midget against Nixon's accomplishments and actual *brain*. How far we have fallen.
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