Frost/Nixon (2008)

User Rating:

8.0/10   

Director:

Ron Howard

Writers:

Peter Morgan (screenplay)
Peter Morgan (play)

Release Date:

23 January 2009 (USA)

Genre:

Drama | History

Tagline:

400 million people were waiting for the truth.

Plot:

A dramatic retelling of the post-Watergate television interviews between British talk-show host David Frost and former president Richard Nixon.

Plot Keywords:

Interview | Watergate | Richard Nixon | David Frost | Scandal

Awards:

Nominated for 5 Oscars. Another 9 wins & 36 nominations

Cast

Frank Langella	...	Richard Nixon
Michael Sheen	...	David Frost
Sam Rockwell	...	James Reston, Jr.
Kevin Bacon	...	Jack Brennan
Matthew Macfadyen	...	John Birt
Oliver Platt	...	Bob Zelnick
Rebecca Hall	...	Caroline Cushing
Toby Jones	...	Swifty Lazar
Andy Milder	...	Frank Gannon
Kate Jennings Grant	...	Diane Sawyer
Gabriel Jarret	...	Ken Khachigian
Jim Meskimen	...	Ray Price
Patty McCormack	...	Pat Nixon
Geoffrey Blake	...	Interview Director
Clint Howard	...	Lloyd Davis

Also Known As:

Frost/Nixon, l'heure de vérité (France)

MPAA:

Rated R for some language.

Runtime:

122 min

Country:

USA | UK | France

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

USA:R (certificate #44159) | UK:15 | Australia:M | Ireland:PG | Finland:K-11 | Norway:11 | South Korea:12 | Netherlands:12 | Canada:G (Quebec) | Canada:PG (Alberta/British Columbia/Manitoba/Ontario) | Czech Republic:15 | Germany:6 | New Zealand:M | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Portugal:M/12 | Hong Kong:IIB | Sweden:7 | Singapore:NC-16 | Argentina:Atp | Brazil:12 | Denmark:11 | Austria:6 | France:U | Iceland:12 (theatrical rating) | Iceland:7 (video rating)

Filming Locations:

Beverly Hilton Hotel - 9876 Wilshire Blvd., Beverly Hills, California, USA

Company:

Universal Pictures

Trivia:

Frank Langella is four inches taller than the man he portrays, Richard Nixon.

Goofs:

Factual errors: Frost and Nixon behave as if they have never met before. But in real life, Frost had interviewed Nixon in 1968 when he was running for president. Nixon enjoyed the interview so much that after he was elected, he met with Frost in the White House to discuss producing a television special.

Quotes:

Richard Nixon: [Watching Frost head for his car] You mean to say he just paid me two hundred grand for a visit?
Jack Brennan: Yeah.
Richard Nixon: Huh. If I'd known that I would invited him for tea.

Movie Connections:

References "Frost Over America" (1970)

Soundtrack:

Victory at Sea

Great cast, excellent screenplay

The Frost/Nixon interviews are fascinating. Not every second of them, especially not when Nixon rambles on and on, avoiding questions by offering anecdotes in place of answers. Yet, they are an invaluable historical document, which allow us the rare privilege of seeing a major politician as a human being and nothing else. As interesting as the interviews themselves is the lead-up to them, the circumstances surrounding them, and the characters involved, particularly Frost and Nixon, of course. One could say that you only need to watch the actual footage, but there's ample room for a great dramatization, but it needed an even-handed approach, and certainly needed no political preaching.

I have a personal dislike for Ron Howard as a director, a result of my sensibilities mainly, I suspect. Howard strikes me as a particularly heavy-handed, didactic director who has wasted many great concepts on mediocre films (out of 18 films I've seen by him, I only genuinely liked "Apollo 13". I was expecting the worst with "Frost/Nixon", but instead was met with one of the most entertaining films in a while, and a remarkably well-acted, even-handed, quality character study. I suppose I should have been prepared for a quality screenplay given the success of this Peter Morgan play in New York and London, but I was hardly expecting something this good. It's glib, funny, well-paced, expertly-structured, clever, observant, and intelligent. It creates a fascinating Nixon, played brilliantly by the great Frank Langella, though this is not quite up there with the likes of Oliver Stone's sadly under-appreciated "Nixon" or Robert Altman's endlessly fascinating "Secret Honor". The film is almost surprisingly well-directed, although there is a bit of the old TV trick of shaking the camera a bit, panning too often, to give the illusion of motion and energy when there's really just people in a room talking. The conversation's interesting enough, there's no need for that. Oh well, I suppose I am nitpicking.

As far as Nixon movies go this is lightweight entertainment with plenty of comic moments largely leading up to two or three scenes of real human vulnerability. Aside from these scenes (which are truly, truly excellent), Peter Morgan conceives the meeting as something of a chess match with the unpredictability of a boxing match. To use J. Hoberman's words 'a prize fight between two comeback-hungry veterans, only one of whom could win'. On paper this could have been very heavy on amateur psychoanalysis and low on entertainment value but Morgan and I suppose Howard as well are clever enough to have some fun with the idea. This is not a criticism at all, the film has moments of surprisingly real depth and intellectualism, but overall the nature of the script works in its favor, makes those scenes more interesting, more ultimately rewarding.

"Frost/Nixon" is an entertaining, exciting film, around as populist as I expected but in a very different way. This is the sort of writing we don't see enough of, particularly not in today's films. It's vaguely reminiscent of a particularly good BBC television drama. The cast is certainly good enough for that. Langella and Michael Sheen are outstanding, both manage to accurately portray the real-life men they are portraying while still adding some characterization and mannerisms of their own. Langella's Tony-award winning performance might be up for Oscar consideration soon, but Sheen's Frost almost upstages him at times. No heavy-handedness, no political 'messages', just a fun, clever script and a great cast in a well-made film.