Cidade dos Homens (2007)

User Rating:

7.3/10   

Director:

Paulo Morelli

Writers:

Elena Soarez (screenplay) and
Paulo Morelli (story)

Release Date:

31 August 2007 (Brazil)

Genre:

Crime | Drama

Tagline:

An unforgettable tale of friendship and survival in a city where the greatest challenge is growing up.

Plot:

Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.

Plot Keywords:

Gang | Parole | Friendship | Missing Father | Favela

Awards:

3 nominations

Cast

Douglas Silva	...	Acerola
Darlan Cunha	...	Laranjinha
Jonathan Haagensen	...	Madrugadão
Rodrigo dos Santos	...	Heraldo
Camila Monteiro	...	Cris
Naima Silva	...	Camila
Eduardo 'BR' Piranha	...	Nefasto (as Eduardo BR)
Luciano Vidigal	...	Fiel
Pedro Henrique	...	Caju
rest of cast listed alphabetically:
Aldene Abreu	...	Soldado 1 Bete
Gabriel Aguila	...	Soldado do Madrugadao 2
Edy Argolo	...	Soldado do Madrugadao 7
Jonathan Azevedo	...	Soldado de Madrugadao 1
Andrea Bacellar	...	Patroa Cris
Marcello Barcellos	...	Policial 2
Alex Bastillo	...	Soldado do Careca 1
Bel	...	Soldado do Careca 1
Biro	...	Soldado Nefasto 4
Arthur Bispo Coutinho	...	Vapor Madrugadao 2
Black	...	Soldado Nefasto 1
Alex Borges	...	Garçon 3
Isaac Borges	...	Soldado 2 Doldinho
Barbara Borgga	...	Funciodila Presidio
Flavio Borja	...	1 Juarez
Alexandro Brito	...	Moleque da farmacia
Bronca	...	Guarda do patronato
Erik Burdon	...	Garçon 2
Wilton Campos	...	Soldado Nefasto 8
Michelle Cardoso	...	Valéria
André Carvalho	...	Soldado do Madrugadao 6
Cláudio Cinti	...	Golano Acongueiro
Márcio Costa	...	Soldado 3 Polito
Luca De Castro	...	Sindico do condominio
Dimas	...	Soldado do Morro do Careca 1
José Mario Farias	...	Helinho
Victor Fernando	...	Soldado Nefasto 2
Jonathan Gomes	...	Vapor Madrugadao 4
Michel Gomes	...	Fininho
Maurício Gonçalves	...	Cris's father
Mário Hermeto	...	Garçon 4
Eber Inacio	...	Zézé
Claudio Jaborandy	...	Complice de Heraldo
Fábio Lago	...	Ceara
Sônia Lino	...	Esmeralda
Vendedora Loja	...	Carolina Bezerra
Robson Luiz	...	Garoto novo
Shawn McGill	...	Wallace (voice)
Vinicius Messias	...	Garçon 1
Nandao	...	Soldado do Careca 1
Negao	...	Soldado do Careca 1
Brenno Neves	...	Madrugadao crianca
Vinícius Oliveira	...	Clayton
Vítor Oliveira	...	Clayton
Allan Pacheco	...	Soldado Nefasto 5
Pagodinho	...	Soldado Nefasto 7
Joao Paulo	...	Soldado do Careca 1
Alran Pinheiro	...	Funciodilo Cartolo
Avandro Ricardo	...	Soldado do Madrugadao 3
Robson Rocha	...	Soldado 4 Bulu
Kamilla Rodrigues	...	Tina
Babu Santana	...	Drug lord from Morro do Careca
André Santos	...	Soldado Nefasto 9
Rafaela Santos	...	Bela da Madrugadao
Robson Santos	...	Morro do Careca
Luisao Seixas	...	Pedrelia
Bino Silva	...	Soldado do Madrugadao 4
Tiago Souza	...	Soldado Nefasto 6
Thogun	...	Pal de ace ola
Luiz Tomaz	...	Soldado Nefasto 3
Everton Tonzao	...	Soldado do Careca 1
Charles Torres	...	Pregador
Arthur Viana	...	Soldado do Madrugadao 5
Delgresson Vieira	...	Vapor Madrugadao 3
Jersiano Vieira	...	Soldado do Morro do Careca
Luis Whellington	...	Vapor Madrugadao 1
Bebe Zao	...	Soldado do Careca 1
Zol	...	Soldado do Careca 1

Also Known As:

City of Men (International: English title)

Runtime:

106 min

Country:

Brazil

Language:

Portuguese

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

Brazil:16 | USA:R | Ireland:15A | UK:15 | Japan:PG-12 | Singapore:M18 | Australia:MA | Netherlands:12 | Netherlands:16 | Portugal:M/16 | Australia:M (TV rating)

Company:

Fox Filmes do Brasil

Goofs:

Crew or equipment visible: When Camila is showing Wallace her hair and telling him where Ace is, a leg of the tripod holding the close up camera is visible on the right side in the wide shot of them.

Movie Connections:

Features "Cidade dos Homens: Uólace e João Victor (#1.4)" (2002)

When the background takes over

Following the cult Brazilian TV series "City of Men" (2002-2005), Acerola (Douglas Silva) and Laranjinha (Darlan Cunha), two orphaned, teenage street kids living in Morro da Sinuca (one of Rio's 800+ favelas), are now about to turn eighteen and face the issues of adulthood. Fatherhood -- in a social milieu where most kids grow up fatherless -- is the key theme here: Acerola is now a teen dad who has to take care of his baby boy when his teen wife moves to São Paulo to work as a babysitter; and Laranjinha is on the search of the identity of his unknown father, only to discover he's alive and is an ex-convict on parole. On the background, the violent, destitute, lawless, drug-gang controlled life in Rio's favelas.

A sort of mix of Fernando Meirelles' (co-producer here) "City of God" in visual style and "Oliver Twist" in spirit, one of the major problems of "City of Men" is its contrived plot solutions: we have to deal with Acerola's impossibly fast finding of Laranjinha's father whereabouts. And Acerola's grandmother ending up homeless and abandoned by her family (in the film's phoniest solution). And trafficker Nefasto suddenly changing sides in the gang war; and Acerola's one-chance-in-a-million spotting trafficker Fiel still alive, and the phony solution linking Acerola's and Laranjinha's fathers in the past, etc.

Director Paulo Morelli -- who made the practically unseen "Preço da Paz" and the insipid "Viva Voz", and directed some episodes of the "City of Men" TV series -- comes from the publicity world, and it certainly shows. His images are (too) soigné: the black bodies have a golden shine, with pearly sweat drops and blazingly white teeth. He adopts cinéma-vérité style (in the camera-work, dialog, performances), now de rigueur in films dealing with "stark realities". Oscar-nominated editor Daniel Rezende ("City of God", "Motorcycle Diaries") tries to keep things moving fast so we don't have time to think about plot holes and contrivances. Antonio Pinto's music is beautiful but inexplicably old-fashioned for a movie about teenagers. On a positive note, the sound design and effects are superb.

The cast -- most of them from the TV series -- is asked to do more of the same. Douglas Silva (Acerola) relies on his intuitive acting and his big, expressive fish face. Jonathan Haagensen (as drug lord Madrugadão) again acts with his pout and bare torso in his usual laid back bad-boy style, looking suitably stoned. Babu Santana does his usual scenery-chewing in a bit as a trafficker. Camila Monteiro, Luciano Vidigal (a sensitive actor with an impossible part) and others repeat their TV roles. Eduardo BR as Nefasto suggests a blooming talent; Rodrigo dos Santos as Laranjinha's father has a great movie face, and first-timers Pedro Henrique (Caju) and Naíma Silva (Camila) are sensitively directed. The best is Darlan Cunha as Laranjinha: no-nonsense, nonplussed, witty and resourceful, his deadpan acting is the essence of the "carioca cool".

But there's something bothersome about "Cidade dos Homens": it's hard to concentrate on Acerola's sex troubles or Laranjinha's unlikely instant attachment to his shady father (are Rio's street kids really this naive?) when characters like Caju (the dim-witted, glamor-seeking teenager who joins the drug gang) or those really original characters -- the teenage girls that have "upgraded" from "gangsta molls" to becoming gangstas themselves -- screamed for attention and development. The fact is it's weird to take "City of Men" for its face value, i.e. a buddy-buddy movie with the favela drug war on the background, though we all know ordinary life somehow always goes on even in the most violent, crude realities.

By focusing on the personal problems of Acerola and Laranjinha, director Morelli and writer Elena Soárez ("House of Sand", "Eu Tu Eles", lending a sensitive touch to what could have been a stolid buddy movie) choose to concentrate on plot and characters, using a lot of big close-ups of the kids' faces so we won't be distracted by the hellish favela background -- and yet the "background" jumps right on our laps. Poverty, segregation, racism, drugs, guns and violence, the absence of schools, hospitals, formal employment or government assistance, the dire conditions of life in the favelas that affect over one million people in Rio are, in fact, the cause of most of Acerola and Laranjinha's "personal" problems. Maybe one day we'll all be desensitized enough to take that sort of background as routine scenery, but not right yet.

"City of Men" has a major asset, anyhow: the final scene is lyrical, ingenious and filled with humor -- it's a great finale for the successful series that dared put on Brazilian TV favela teenagers as protagonists, teenagers who usually just show up in movies and TV (and, many times, and tragically, in real life) as traffickers, junkies, thieves or corpses.