| Pauline Acquart | ... | Marie | |
| Louise Blachère | ... | Anne | |
| Adèle Haenel | ... | Floriane | |
| Warren Jacquin | ... | François | |
| Christel Baras | ... | L'inspectrice | |
| Marie Gili-Pierre | ... | La caissière (as Marie Gili Pierre) | |
| Alice de Lencquesaing | ... | Fille vestiaire | |
| Claire Pierrat | ... | Fille vestiaire 2 | |
| Barbara Renard | ... | Natacha | |
| Esther Sironneau | ... | La vendeuse | |
| Jérémie Steib | ... | Le masseur | |
| Yvonne Villemaire | ... | La voisine | |
| Christophe Vandevelde | ... | Type boîte (as Chrisophe Vandevelde) |
Directed by | |||
| Céline Sciamma | |||
Writing credits(in alphabetical order) | ||
| Céline Sciamma | ||
Produced by | |||
| Bénédicte Couvreur | .... | producer | |
| Jérôme Dopffer | .... | producer | |
Original Music by | |||
| Jean-Baptiste de Laubier | (as Para One) | ||
Cinematography by | |||
| Crystel Fournier | |||
Film Editing by | |||
| Julien Lacheray | |||
Casting by | |||
| Christel Baras | |||
| Laure Cochener | |||
Production Design by | |||
| Gwendal Bescond | |||
Art Direction by | |||
| Pascal Leguellec | |||
Set Decoration by | |||
| Geraldine Laferte | |||
Costume Design by | |||
| Marine Chauveau | |||
Makeup Department | |||
| Marie Luiset | .... | key makeup artist | |
Production Management | |||
| Xavier Bonnet | .... | assistant unit manager | |
| Hakim Cherikh | .... | unit manager trainee | |
| Bénédicte Couvreur | .... | production manager | |
| Maud Quiffet | .... | unit manager | |
| Bachir Sareh | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Delphine Daull | .... | first assistant director | |
| Yann Kaïm | .... | trainee assistant director | |
| Jérémie Steib | .... | second assistant director | |
Art Department | |||
| Mathieu Chatagnon | .... | ripper | |
| Pascal Leguellec | .... | first assistant production designer | |
| Olivia Talan | .... | property master | |
Sound Department | |||
| Pierre André | .... | sound editor | |
| Pierre André | .... | sound mixer | |
| Francis Bernard | .... | sound trainee | |
| Franck Duval | .... | boom operator | |
| Stéphane Le Dall | .... | boom operator | |
| Daniel Sobrino | .... | sound re-recording mixer | |
| Mathieu Villien | .... | sound trainee | |
Visual Effects by | |||
| Eric Delmotte | .... | main titles designer | |
Camera and Electrical Department | |||
| Jacques Ballard | .... | first assistant camera: underwater unit | |
| François Chevreau | .... | first assistant camera | |
| Jonas Kail | .... | grip | |
| Jérémie Leloup | .... | key grip | |
| Richard Mercier | .... | second camera operator | |
| Cyril Mousseigne | .... | best boy electric | |
| Muriel Olivier | .... | gaffer | |
| Stéphane Raymond | .... | second assistant camera | |
| Julien Saffroy | .... | additional grip | |
| Philippe Vene | .... | camera operator: underwater unit | |
Casting Department | |||
| Thomas Bidart | .... | extras casting | |
Editorial Department | |||
| Christophe Bousquet | .... | color timer | |
| Jean-Christophe Bouzy | .... | assistant editor | |
Other crew | |||
| Roselyne Bellec | .... | script supervisor | |
| Véronique Ruggia | .... | acting coach | |
| Christophe Régin | .... | production secretary | |
Thanks | |||
| Philippe Carcassonne | .... | thanks | |
| Elisabeth Depardieu | .... | thanks | |
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| Kids | Saved! | Happy Campers | But I'm a Cheerleader | The Kids Are All Right |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Three teenage girls in an incomplete triangular relation. The base of the triangle is barely there. At the apex is Marie, a serious, short and lean tomboy with a Belmondo-like facial structure. Her best friend is the physical and psychological opposite: coquette, chubby -- I dare say fat -- and desirous for her first kiss with a boy but not quite ready for her first sexual encounter. Because of her chubbiness, boys don't seem interested and it pains her.
The other leg of the apex is a beautiful "fille fatale" blonde vamp. She is deeply involved in the sport of synchronized swimming performing at competitive level. Marie sees her during a competition at the local public swimming pool. Marie insinuates herself into the life of the vamp using the desire to become a synchronized swimmer as an argument. The vamp has a reputation of being a whore, making out with any young male that orbits around her. Marie is not phased out by that reputation. Put a stress on reputation.
The first half is set up. We get to see a lot of synchronized swimming as we become familiar with the three girls. Eventually the narrative leaves synchronized swimming behind and concentrates on the topsy-turvy relations among the three. That's when unexpected things start to happen.
It is a trademark of French films to drop nuggets of wisdom on the viewer. This one is no exception. Here it is about ceilings and the dying. See the film to learn more.
The director says that the use of synchronized swimming is purposeful. That women-only sport is a metaphor for a girl's life: pretty and feminine on the surface while hard working and competitive underneath. A number of scenes drive this point: elegant moves and smiles for the public, legs kicking ungainly underwater. The title in French is also suggestive: "prieuve", or octopus, suggest an individual having to juggle many pressures simultaneously.