A group of friends travel into the Australian wilds to view ancient cave paintings but soon find a horrible sickness gripping one of their own, which leaves them with nothing in their mind but a primal blood lust.
Francesca is a pediatrician who is dedicated to both motherhood and children, married to another physician, Pedro. Following the birth of a new child, Francesca begins to suffer from ... See full summary »
Released after 12 years in an asylum, a young woman is reunited with her family and friends but soon begins to realize that the strange and gruesome events that led to her committal may not have been imaginary after all.
A couple returns to North America for a family funeral, having lived in Shanghai, China for the previous six years. Soon after they arrive, their son Jamie begins to see ghosts and suffer possession by one of the living dead, and it all ties in with the Chinese festival of Ghost Month, when the doors of hell supposedly open and angry spirits are given the chance to terrorize the living. Written by
I caught this at the Toronto Festival like the other reviewer and was very surprised by how entertaining it was. A terrific ghost story. Jaime King puts in a very strong performance and the whole cast is solid. It's been a while since I've witnessed entire audiences jumping in fright and screaming. There is incredible atmosphere in the film and the underlying story is actually quite brilliant in the way it combines multiple cultures, the immigrant experience, Chinese folklore and actual history and fuses it into a genuine crowd-pleasing genre film. Highly original on that front. I'm a pretty well-rounded J-horror freak-boy and I couldn't see any clichés here which was amazing. Great work from director Barbarash as well.
I'm giving it an 8 as it was certainly the cream of the Canadian film crop at the festival (not withstanding Eastern Promises, which is not a Canadian story with Canadian actors). There is an obvious very large audience for it and it's well made. Looking at the IMDb scores, while I write this, there's a couple dozen 1's dragging the score down. How could that be? This is a pretty good film! Is this because Uwe Boll has his name attached as an executive producer? People are rating it with 1's and trashing it on their blogs without even seeing it. Sad. What a shame for the sincere filmmakers behind this quality movie.
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