| Daniel Gillies | ... | Jack Miller | |
| Thom Irvine | ... | Young Jack (as Thomas Jones) | |
| Ethan Amis | ... | Sean Miller | |
| Maky Soler | ... | Receptionist 1 (as Maki) | |
| Tiffany Martin | ... | Receptionist 2 | |
| Ian Moore | ... | Harrison | |
| Gregory Pekar | ... | Jack's Assistant | |
| Katsuhiro Nagano | ... | Cab Driver | |
| Yoshino Kimura | ... | Yuri Saito | |
| Ryo Ishibashi | ... | Eiji Saito | |
| Miho Ninagawa | ... | Naomi Saito |
| Episode Crew |
Directed by | |||
| Norio Tsuruta | |||
Writing credits | ||
| Mick Garris | (creator) | |
| Kôji Suzuki | (short story) | |
| Naoya Takayama | (teleplay) and | |
| Norio Tsuruta | (teleplay) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Rie Arikawa | .... | associate producer | |
| Morris Berger | .... | executive producer | |
| Stephen R. Brown | .... | executive producer (as Steve Brown) | |
| Ben Browning | .... | producer | |
| Andrew Deane | .... | executive producer | |
| Shinya Egawa | .... | executive producer | |
| Mick Garris | .... | executive producer | |
| Adam Goldworm | .... | producer | |
| John W. Hyde | .... | executive producer | |
| Nobu Iizuka | .... | producer | |
| Takeo Kodera | .... | associate producer | |
| Elizabeth Kushman | .... | associate producer | |
| Jennie Lew Tugend | .... | executive producer | |
| Yosuke Nakamura | .... | producer | |
| Jernej Razen | .... | associate producer | |
| Lisa Richardson | .... | producer | |
| Tom Rowe | .... | producer | |
| Lauren Weissman | .... | executive producer (as Lauren C. Weissman) | |
Original Music by | |||
| Kôji Endô | (as Kozy Endo Jr.) | ||
Cinematography by | |||
| Tetsuro Sano | (director of photography) | ||
Film Editing by | |||
| Hiroshi Sunaga | |||
Casting by | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | (as David H. Rapaport) | ||
Production Design by | |||
| Iwao Saitô | |||
Set Decoration by | |||
| Ryoji Matsumoto | |||
Costume Design by | |||
| Kimiko Tanahashi | |||
Makeup Department | |||
| Tomo'o Haraguchi | .... | special makeup effects supervisor | |
| Asuka Hosokura | .... | assistant hair stylist | |
| Asuka Hosokura | .... | assistant makeup artist | |
| Makoto Morita | .... | special makeup effects | |
| Hiroko Nakamura | .... | hair stylist | |
| Hiroko Nakamura | .... | makeup artist | |
| Yoko Watai | .... | nails | |
Art Department | |||
| Dylan Dowd | .... | lead greens person | |
| Chihiro Ito | .... | set decorator assistant | |
| Kenjiro Kiuchi | .... | set builder | |
| Ayako Moritoki | .... | art designer | |
| Masayasu Okiyama | .... | art designer | |
| Hiromitsu Soma | .... | storyboard artist | |
| Kiyotomo Suzuki | .... | assistant set decorator | |
| Takeshi Syojima | .... | assistant set decorator | |
| Chihiro Yamashita | .... | property master | |
| Izabela Domachowski | .... | set dresser (uncredited) | |
| Les Ford | .... | computer graphics designer (uncredited) | |
| Scott Riddell | .... | second assistant props (uncredited) | |
Sound Department | |||
| Shinpei Harakawa | .... | boom operator | |
| Masaru Ohgawara | .... | sound effects editor | |
| Masaru Ohgawara | .... | sound effects | |
| Akira Rizawa | .... | re-recording mixer | |
| Kenji Shibazaki | .... | sound effects (as Kennji Shibazaki) | |
| Norihito Sorimachi | .... | boom operator | |
| Yuji Tagami | .... | audio: studio operator | |
| Fusao Yuwaki | .... | sound mixer | |
Special Effects by | |||
| Nobuhiro Ekubo | .... | special props | |
| Makoto Funabashi | .... | special effects | |
| Satoshi Narumi | .... | special effects | |
| Ichiro Yasukura | .... | special effects | |
Visual Effects by | |||
| Taro 'Kougaku' Ave | .... | visual effects | |
| Mitsuaki Hashimoto | .... | visual effects | |
| Takeshi Uchida | .... | digital effects | |
| Kazuhisa Yoshizawa | .... | digital effects | |
Stunts | |||
| Kimiko Imai | .... | stunts | |
| Tomonari Nishimura | .... | stunts | |
| Yukihiro Sakate | .... | stunts | |
| Keiya Tabuchi | .... | stunt coordinator | |
| Yûji Takatsuki | .... | stunts | |
| Tsuyoshi Tsujii | .... | stunts | |
Camera and Electrical Department | |||
| Takumi Amadaira | .... | best boy electric | |
| Toshiki Fukase | .... | camera assistant | |
| Mitsunori Goto | .... | assistant underwater camera operator | |
| Takuya Ishii | .... | electrician | |
| Yurika Kadoi | .... | still photographer | |
| Hajime Kanda | .... | camera assistant | |
| Takashi Kurihara | .... | camera assistant | |
| Hiroyuki Matsudo | .... | underwater cinematographer | |
| Aguru Miyanaga | .... | electrician | |
| Toshihiko Mori | .... | electrician | |
| Kiyohiko Moriya | .... | gaffer | |
| Nobuyuki Niibe | .... | video engineer | |
| Kazuhiro Okamoto | .... | camera assistant | |
| Rikiya Ueda | .... | electrician | |
| Akira Watanabe | .... | electrician | |
| Ayako Yamamoto | .... | still photographer | |
| Kousuke Yamamoto | .... | electrician | |
Costume and Wardrobe Department | |||
| Tomoharu Hori | .... | wardrobe | |
| Ayano Ishihara | .... | wardrobe | |
| Chikage Okajima | .... | wardrobe | |
Editorial Department | |||
| Tadashi Amano | .... | video transfer | |
| Junko Fujikake | .... | film-rise editor | |
| Megumi Hashiba | .... | negative editor | |
| Osamu Iseki | .... | color grader | |
| Satoshi Kumakura | .... | film recording operator | |
| Kenji Maejima | .... | film-rise editor | |
| Shintaro Miura | .... | assistant editor | |
| Shunichi Ogura | .... | film timer | |
| Morio Takahashi | .... | film timer | |
| Yoshinari Yamzaki | .... | on-line editor (as Yoshinari Yamazaki) | |
Music Department | |||
| Jennifer Ross | .... | music supervisor | |
| Chris Fogel | .... | theme music mixer (uncredited) | |
Transportation Department | |||
| Mitsuo Furuya | .... | driver | |
| Nobuaki Hoshino | .... | driver | |
| Shigehiko Matsumura | .... | driver | |
| Tomonori Miyoshi | .... | driver | |
| Tadahisa Omokawa | .... | driver | |
| Kazuhiro Yatsushiro | .... | driver | |
Other crew | |||
| Tomoo Fukatsu | .... | location manager | |
| Hideyuki Handa | .... | production assistant | |
| Richter Hartig | .... | production auditor: Starz Productions (as Richter Q. Hartig) | |
| Sakiko Hayashi | .... | designer: opening/end credit | |
| Elissa Howarth | .... | production administration manager: Starz Productions | |
| Andrea Kaufman | .... | production coordinator: Starz Productions (as Andrea M. Kaufman) | |
| Yukio Kumagai | .... | designer: end title text | |
| Manabu Kuwahara | .... | production assistant | |
| Sean Muramatsu | .... | dialogue coach | |
| Takashi Nakajima | .... | assistant marine coordinator | |
| Masaru Nakamura | .... | marine coordinator | |
| Kayo Nozaki | .... | production assistant | |
| Nozomi | .... | on-set interpreter | |
| Madoka Osanai | .... | labor coordinator: Imagica | |
| Nobutaka Oyoshi | .... | assistant marine coordinator | |
| Naoko Sato | .... | production accountant | |
| Eriko Shimizu | .... | production desk | |
| Christian Storms | .... | screenplay translator | |
| Makino Tanaka | .... | script supervisor | |
| Steven Vlasak | .... | operations manager | |
| Tetsuji Yamashita | .... | technical coordinator | |
| Alan Abrams | .... | business and legal affairs (uncredited) | |
| Krista Johnston | .... | clearance (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb USA section |
A man agrees to discuss business on a yacht, despite his fears of water stemming from a childhood incident. Of course, this was the wrong time to consider water a safe haven because things turn out very wrong and become quite violent. In the middle of the ocean, where do you run?
This film was made by people involved in the making of "The Grudge", "The Ring" and "Dark Water", so if you appreciate these films in any way you're already on the right page for enjoying this story. And as far as stories go, this one is alright. (Is it out of coincidence that both first and second season placed the Asian horror episode last? Will season 3 be the same?) This film worked precisely because it was an Asian horror film. That might seem odd, but I'll try to explain. In American horror films, things need explanations. Even if they're really abstract, American audiences expect some sort of logic behind what they see. Asian films (Japanese in particular) are more loose with this. Strange things just happen, and we are supposed to go along with it. People get possessed, reincarnated, spirits float around and this is normal. But American films cannot do this without trying to create elaborate back story.
All the acting is fine, although the woman seemed very odd. I think this was more due to her English rather than her acting, but she was an awkward character. There is also a subplot of infidelity that seems to be a driving force, but I was not clear on how it all tied in. You can draw your own conclusions, as some of the evidence one way or the other isn't till much later in the story and I won't reveal it.
Asian horror, and this one is no exception, is also good at leaving disturbing images in your mind. "The Eye" did this, "The Ring" as well (at least he first American film, not the second). There is a spirit in this movie that is just really creepy and in real life would scare me half to death. While American films tend to have decent gore (on occasion) they don't often leave you feeling grossed out (with "The Sixth Sense" being an exception that comes to mind).
"Dream Cruise" was a worthy finish for the second season. Strong story, decent characters and a distinctly unique feel. Not the best episode, but far from the worst. Be sure to give this one a good viewing if you have Showtime or can wait for the DVD release.