| James Van Der Beek | ... | Dan Leland | |
| Alexandra Castillo | ... | Katrina Tomas | |
| Arne MacPherson | ... | Gunnar Thorson | |
| Ryan Rajendra Black | ... | Will Neepanak (as Ryan Black) | |
| Brian Edward Roach | ... | Robbie MacGregor (as Brian Roach) | |
| Larissa Tobacco | ... | Krissy Neepenak | |
| Kyra Harper | ... | Mother Tomas | |
| Kelly Wolfman | ... | Jen Thorson | |
| Ryland Thiessen | ... | James Connor | |
| Rick Skene | ... | Mr. Connor | |
| Sharon Bajer | ... | Mrs. Connor | |
| Brooke Palsson | ... | Larissa Connor | |
| Blake Taylor | ... | Old Salt | |
| Erik Fjeldsted | ... | Jordy | |
| Stephen Eric McIntyre | ... | Spider | |
| Gabriel Daniels | ... | Ryan | |
| Akulu Meekis | ... | Jack (as Akalu Meekis) | |
| Alicia Johnston | ... | Candace | |
| Daina Leitold | ... | Lucy | |
| Tom Anniko | ... | Dr. Gorman | |
| Adriana O'Neil | ... | Dr. Perch (as Adrianna O'Neil) |
Directed by | |||
| Gary Yates | |||
Writing credits | ||
| Mark Mullin | (written by) | |
Produced by | |||
| Robert Halmi Jr. | .... | executive producer | |
| Robert Halmi Sr. | .... | executive producer | |
| Phyllis Laing | .... | producer | |
| Michael J. Taylor | .... | executive producer | |
Original Music by | |||
| Jonathan Goldsmith | |||
Cinematography by | |||
| Michael Marshall | |||
Film Editing by | |||
| Jeff Warren | |||
Casting by | |||
| Jim Heber | |||
Production Design by | |||
| Réjean Labrie | |||
Art Direction by | |||
| Larry Spittle | |||
Makeup Department | |||
| Brenda Magalas | .... | makeup department head | |
| Beth Anne McIvor | .... | first assistant makeup artist | |
| Doug Morrow | .... | special makeup effects artist | |
Production Management | |||
| Kate Harrison | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Markian Saray | .... | third assistant director | |
Art Department | |||
| Gary Barringer | .... | graphic artist | |
| Ryan Berzuk | .... | props | |
| Nick Burns | .... | storyboard artist | |
| Jim Cebrowski | .... | construction coordinator | |
| Bruce Cook | .... | set dresser | |
| Alexis Labra | .... | on-set dresser | |
| Alexis Labra | .... | props | |
| Jamie Lou Morneau | .... | art department assistant | |
| Robb Paraskevopoulos | .... | lead dresser | |
| Remi Verfaillie | .... | sets buyer | |
| Khali Wenaus | .... | art department coordinator | |
Sound Department | |||
| Russ Dyck | .... | foley artist | |
| Bruce Little | .... | sound re-recording mixer | |
| Anita Lubosch | .... | sound effects designer | |
| Anita Lubosch | .... | sound effects editor | |
| Paul Morrow | .... | dialogue editor | |
| Sacha Rosen | .... | boom operator | |
| Dino Schiavone | .... | sound mixer | |
Special Effects by | |||
| Mark Gebel | .... | special effects coordinator | |
| Jonathan Graham | .... | creature effects | |
| Tim Harding | .... | first assistant special effects | |
| Paul Jones | .... | animatronic creature designer | |
Visual Effects by | |||
| Robert Bloom | .... | compositor | |
| Robert Crowther | .... | visual effects supervisor | |
| Matt Hansen | .... | lead cgi artist | |
| Megumi Kanazawa | .... | digital compositor | |
| Teresa Kasepchuk | .... | visual effects coordinator | |
Stunts | |||
| Allan Wallace Dunkeld | .... | stunt double: Stephen Eric McIntyre | |
| Kristen Sawatzky | .... | stunt double: Alexandra Castillo | |
| Craig Skene | .... | stunt rigger | |
| Dan Skene | .... | stunt double: Brian Roach (as Daniel Skeene) | |
| Rick Skene | .... | stunt coordinator | |
| Glen Thompson | .... | stunt double: Erik Fjeldsted | |
| Lori MacKay | .... | stunt rigger (uncredited) | |
Camera and Electrical Department | |||
| François Balcaen | .... | key grip | |
| Jim Campbell | .... | generator operator | |
| Mark Chow | .... | camera operator | |
| Conroy Finnegan | .... | best boy grip | |
| Allen Fraser | .... | still photographer | |
| Jason Heke | .... | second assistant camera | |
| Joao Holowka | .... | gaffer | |
Animation Department | |||
| Gary Barringer | .... | animator | |
Casting Department | |||
| Eleanor Erum | .... | extras casting assistant | |
| Kari Rieger | .... | extras casting | |
| Joey Ritche | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lauren D. Martin | .... | daily costumer | |
Transportation Department | |||
| Dave Perich | .... | driver | |
Other crew | |||
| Rhia Alcantara | .... | office production assistant | |
| Alisson Amigo | .... | photo double | |
| Neal Baksh | .... | co-location manager | |
| Dave Brown | .... | firearms safety coordinator | |
| Paul Courchaine | .... | payroll accountant | |
| Michael Cowles | .... | location manager | |
| Wendy Gaboury | .... | key accountant | |
| Andrew Gallinger | .... | locations key | |
| Tanya Mazur | .... | script supervisor | |
| Fawnda Neckoway | .... | office production assistant intern | |
| Jennifer Omoth | .... | first assistant accountant | |
| RoseAnna Schick | .... | unit publicist | |
| Kevin Uddenberg | .... | assistant to director | |
| Michelle Walker | .... | key craft service | |
| Recent Posts (updated daily) | User |
|---|---|
| The Squid... | Supanoon |
| Unintentional comedy [spoiler alert] | Dmentis |
| Eye of the Beast remake? | NowhereGirl |
| Then and Now... | theSUMMERVILLEslasher |
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| The Monster That Challenged the World | Proteus | Jumper | The Beast | Creation |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
Out of all the really bad science-fiction creature features that I see quite regularly on the Sci-Fi Channel, there are very few of which I can describe as descent. "Eye of the Beast" is one of those few that is surprisingly good enough to be called descent. The acting is fine, the screenplay is more intelligent than others I can think of, the special effects are better than expected, and since they are mostly shown at night, they are easier to believe. The creature is effectively not shown mostly until the end. Before then, we see nothing of it except for its tentacles (rubber, inflated) that lash out and grab onto people. The plot is kind of ludicrous. A giant squid SOMEHOW gets into a lake and SOMEHOW is not seen until now when it just decides to try human fresh off the docks, but still, it's a B-movie, so can cut it SOME slack. The characterization of the characters is very good, there are some very well-done dialogue and dramatic moments, and the music score really aids it. Ultimately, we have a climax that we really care about, speeches that are actually well-written and don't outstay their welcome (as they do in another B-flick called "Sasquatch Mountain"), and overall, "Eye of the Beast" is a very well-done creature feature. I recommend it for fans of its genre.