| Kristen Breitweiser | ... | Herself | |
| George W. Bush | ... | Himself (archive footage) | |
| Patty Casazza | ... | Herself | |
| Dick Cheney | ... | Himself (archive footage) | |
| Monica Gabrielle | ... | Herself | |
| Mindy Kleinberg | ... | Herself | |
| Bob McIlvaine | ... | Himself | |
| Michael Pritchard | ... | Narrator | |
| Dan Rather | ... | Himself (archive footage) | |
| Sally Regenhard | ... | Herself | |
| Condoleezza Rice | ... | Herself (archive footage) | |
| Paul Thompson | ... | Himself | |
| Paul Thompson | ... | Himself | |
| Lorie Van Auken | ... | Herself |
Directed by | |||
| Ray Nowosielski | |||
Writing credits(in alphabetical order) | ||
| Kyle Hence | ||
| Ray Nowosielski | ||
| Paul Thompson | ||
Produced by | |||
| John Duffy | .... | producer | |
| Ken Ellis | .... | executive producer | |
| Kyle Hence | .... | executive producer | |
| Kyle Hence | .... | producer | |
| Ray Nowosielski | .... | co-producer | |
| Rory O'Connor | .... | executive producer | |
| Kozo Okumura | .... | associate producer | |
| Jason Klamm | .... | associate producer (uncredited) | |
Original Music by | |||
| Adam A. Johnson | (as Adam Johnson) | ||
| Ben Johnson | |||
Cinematography by | |||
| John Duffy | |||
Film Editing by | |||
| Kozo Okumura | |||
Production Management | |||
| Glenn Beatty | .... | post-production supervisor | |
Sound Department | |||
| Z.Z. Jadwick | .... | sound engineer | |
Camera and Electrical Department | |||
| Joe Balter | .... | camera operator | |
| Chris Belcher | .... | camera operator | |
| Mike Berger | .... | camera operator | |
| David Burns | .... | camera operator | |
| Donna Campos | .... | camera operator | |
| Robert Campos | .... | camera operator | |
| David Chai | .... | camera operator | |
| John Duffy | .... | camera operator | |
| Joe Friendly | .... | camera operator | |
| Rob Hatch | .... | camera operator | |
| Kyle Hence | .... | archival photography | |
| Ken Jenkins | .... | camera operator | |
| Alexandra Kanal Matheson | .... | camera operator (as Alexandra Kanal) | |
| Kozo Okumura | .... | camera operator | |
| Alex Simon | .... | camera operator | |
Animation Department | |||
| Christian Fleming | .... | animation graphics | |
| Erik Potter | .... | computer animation | |
| Jon Roberts | .... | animation graphics | |
Other crew | |||
| Larisa Alexandrovna | .... | story consultant | |
| Paula Buarque | .... | post production assistant | |
| Christian Fleming | .... | additional graphic artist | |
| Robert Folotico | .... | post production sound mix | |
| Robert Folotico | .... | researcher | |
| Z.Z. Jadwick | .... | post-production sound engineer | |
| Brendan McQuade | .... | researcher | |
| India Nolen-Tuleja | .... | post production assistant | |
| Kozo Okumura | .... | story consultant | |
| Jahmani Perry | .... | archival coordinator | |
| Jon Roberts | .... | additional graphic artist | |
| Ray Segal | .... | archival coordinator | |
| Paul Thompson | .... | story consultant | |
| Recent Posts (updated daily) | User |
|---|---|
| A Must See Documentary for Every World Citizen | jimjoy2u |
| Truth will out | hippocratEz |
| paul thompsons website | gofrobro18 |
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| Martial Law 9/11: Rise of the Police State | Le 11 septembre n'a pas eu lieu... | The Path to 9/11 | Celsius 41.11: The Temperature at Which the Brain... Begins to Die | DC 9/11: Time of Crisis |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
This is an incredibly well-researched and detailed documentary. Paul Thompson has done an amazing job outlining the events that preceded and followed 9/11. This is not a propaganda piece, however it does focus on the efforts of the families of the 9/11 victims to uncover the truth about that fateful day. The Bush administration and the American mainstream media do not fare well in this analysis. I felt as though I was watching Thompson try to put together a jigsaw puzzle made up of a million tiny pieces, scattered all over the globe. Many of the details he has uncovered are completely unknown to most Americans. I found myself moved at times nearly to tears, and at other times driven to anger. Not only do I recommend this documentary, I intend to buy my own copy and show it to anyone who will watch!