A drama exploring the romantic past and emotional present of Ann Grant and her daughters, Constance and Nina. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life 50 years prior, when she was a young woman. Harris is the man Ann loves in the 1950s and never forgets.
Explores Austen's adage that general incivility is at love's essence. Sylvia's husband dumps her for another woman, so Bernadette and Jocelyn organize a book club to distract her. They recruit Sylvia's daughter Allegra; Prudie, a young teacher whose marriage may be on the rocks; and Grigg, a sci-fi fan who joins out of attraction to Jocelyn. The six read and discuss one Austen novel per month. Jocelyn tries to interest Grigg in Sylvia; Allegra falls in love with a woman she meets skydiving; Prudie contemplates an affair with a student; Sylvia's ex keeps popping up. In the discussions, characters reveal themselves in their comments. By the end, are truths universally acknowledged? Written by
When Allegra is separating eggs for the flan, she puts the first couple of yolks in the bowl with the whites, defeating the purpose of separating them. She is then seen taking the yolks out with the egg shell as she does this. (The actors had a limited number of takes available and Maggie Grace was forced to do this so she would not waste a take.) See more »
[showing Dean a copy of Persuasion]
Will you do me a favor? Will you read this?
Isn't that what you're special little book club's for?
I really want you to read it. Please Dean.
Prudie, I feel like you want me to be something I'm not. I just walk around being me. I don't pretend to be anything else. You just set me up for a test, you don't want me to pass.
No, no. This isn't a test. This is something to share.
Why don't you just tell me what it's about?
It's about these two people who used to ...
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The credits are displayed next to behind-the-scenes stills of the cast and crew during the production process. See more »
Never got into Austen, but the film still read well.
This harmoniously concocted movie features as many 'novel' film making devices as it does Jane Austen novels. Although I have yet to read one Jane Austen novel -feeling like the odd one out during last night's Gala presentation at Cinefest- I very much enjoyed this movie. I think it will serve as a great conversation piece for not only movie goers, but also film and literature classes. However, it is nowhere near the likes of "Shakesphere In Love"... The acting in this film was overall good, but not great. Feist offers a nice track near the end of the movie, which was a nice surprise. Robin Swicord does a wonderful job directing her own screenplay.
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