2 items from 2014
“If a director is smart, he’ll give me the elbow room to paint.” So said Gordon Willis, who worked with some very clever directors indeed, who let him “paint” some of the most beautiful and influential movies of the 1970s and made an incalculable contribution to the Golden Age of New Hollywood. The sad news of his death yesterday at the age of 82 has robbed the world of one of the most important artists of the past fifty years.
Nicknamed ‘The Prince of Darkness’ by his fellow cinematographer Conrad Hall, Willis’s trademark was his use of shadows, not just in the composition of scenes but on actors’ faces. The interior scenes in The Godfather (1972) typify this stark technique, as do the underground car park scenes in All The President’s Men (1976), where Hal Holbrook’s “Deep Throat” is rendered faceless by Willis’s photography.
However, he was fond »
- Cai Ross
Creative England has chosen 20 new non-London films for production through its inaugural iShorts programme.
The entry level shorts initiative is aimed at film-makers outside of London who have some experience in self-funded shorts or student films, have written an unproduced screenplay, or have produced work that has not yet attracted financial support from within the industry.
Each project receives £5,000 ($8,400) towards its production budget and ongoing support. They have also received production and development training from Creative Skillset.
Film-makers have been chosen from all over the country, including Exeter, Gateshead and Brighton, with projects that include comedy, horror, magical realism, sci-fi and road movies.
Creative England head of film Chris Moll said: “Over 350 applications went through a rigorous process of assessment that included interviews and workshops at our Talent Centres in Sheffield and Brighton. For the talent we are supporting, we hope this will be a pivotal moment in their filmmaking careers.”
iShorts is supported »
2 items from 2014
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