An American teenager who is obsessed with Hong Kong cinema and kung-fu classics makes an extraordinary discovery in a Chinatown pawnshop: the legendary stick weapon of the Chinese sage and warrior, the Monkey King. With the lost relic in hand, the teenager unexpectedly finds himself traveling back to ancient China to join a crew of warriors from martial arts lore on a dangerous quest to free the imprisoned Monkey King. Written by
The filmmakers intentionally used the traditional Chinese phrase "Gung Fu" in the movie. This created problems for Jackie Chan, who was used to saying the Anglisized "Kung Fu." See more »
Jason, referring to the game Virtua Fighter 2 (1994), states that a character uses the "Buddha's Palm" technique. The only Virtua Fighter character that uses the move is Lei Fei. Lei Fei did not appear in the series until Virtua Fighter 4 (2002), and didn't get the "Buddha's Palm" move until Virtua Fighter 5 (2007). See more »
If you're not a 13 year-old boy, Forbidden Kingdom was not really made for you. I understand the appeal of Jet Li and Jackie Chan, together at last, and everyone's hopes for a harmonious combination like peanut butter and chocolate. I shared this hope, but was served something more like canned cheese with crackers. It's not that this combination is bad, just that their pairing is framed within a feeble, pointlessly enthusiastic action film.
Forbidden Kingdom follows the story of Jason (Michael Angarano), a die-hard kungfu fan and his concussion-induced journey back in time to a mythical China. Jason must return a golden staff to the Monkey King (Jet Li), who is imprisoned in stone under the evil gaze of the immortal Jade Warlord (Collin Chou). Jason meets a silent monk (Jet Li), drunken master Lu Yan (Jackie Chan), and musical assassin Golden Sparrow (Yifei Liu) who all have a vested interest in the Monkey King or the demise of the Jade Warlord. They accompany Jason on his quest and give him the skills he needs to repel his foes.
The characters are interesting but completely shallow. We're introduced to them as stock. There's an assumed level of familiarity with martial arts movies, which they're directly inspired by, but little more is given than this stereotype. Lu Yan and the Silent Monk profess death threats, engage in playful antics, and display some unknown kinship, sometimes all within the same scene. We like Golden Sparrow because she's beautiful and she's the same age as our protagonist. Beyond an obvious romantic setup, a briefly uttered revenge quest, and a catfight, she's completely pointless. It's interesting that Li and Chan both play secondary characters in this movie, and in roles that are not their traditional typecast fare. Jackie Chan is terribly sympathetic, but by his own undeniable Jackie Chan charm, not on any strength of the movie.
My biggest problem with this movie lies in Jason's story. He's sent to mythical China with more stereotypes than skills, and through truly excessive use of montage, becomes a warrior who can help the Monkey King. I suspend disbelief for fantasy films, but the montages are as repetitive and annoying as the whiny Jason. Since we're so interested in Jet Li and Jackie Chan, why make them secondary characters and give the focus to a coming-of-age quest? My rhetorical question is answered for you in the first sentence of the review. But I think this also skirts the issue of trying to give equal screen time and top billing to the two biggest martial arts stars of our age.
As repugnant as the writing and editing may be, Forbidden Kingdom makes up for this in a good dose of fight scenes. This has some of the best story-to-action ratios of any martial arts movie, hearkening back to the heyday of kung fu, where the story is minimized to make room for more action. Nothing wrong with that! It's still entertaining as always to watch Chan and Li fight. There is one very long sparring sequence and while it's nothing terribly flashy, you do get a sense that the two are very well matched. Some of the editing is sketchy, relying heavily on reaction shots rather than allowing us to see maneuvers connect. Some of the fighting is extremely theatrical and extended, in true wushu style, and beautiful to see.
The visuals have that nearly animated quality, with emphasis on glow and gold, that we've seen so often in fantasy movies lately. Combined with the cutout characters, it gives the impression that you're watching more of a video game than a movie. I like video games, but this is not necessarily a boon. I'd like to see something more original, or maybe something that draws more heavily on Chinese cinema, since the movie already borrows so liberally from those films.
Forbidden Kingdom has all of the good components of a classic action film, but together, these elements work against each other in a big way. The narrative is short, but not short enough. The general tone is more like a poor comic book movie than a kung fu fantasy. This may appeal to some, but dressing up in silks doesn't make this tired thing new again.
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