| Photos (See all 10 | slideshow) | Videos (see all 9) |
| Jon Foster | ... | Graham Sloan | |
| Austin Nichols | ... | Martin | |
| Amber Heard | ... | Christie | |
| Lou Taylor Pucci | ... | Tim | |
| Fernando Consagra | ... | Bruce | |
| Aaron Himelstein | ... | Raymond | |
| Mel Raido | ... | Bryan Metro | |
| Rhys Ifans | ... | Roger | |
| Germán Tripel | ... | Bryan's Guitarist (as German Tripel) | |
| Billy Bob Thornton | ... | William Sloan | |
| Kim Basinger | ... | Laura Sloan | |
| Winona Ryder | ... | Cheryl Moore | |
| Brad Renfro | ... | Jack | |
| Suzanne Ford | ... | Bruce's Mother | |
| Cameron Goodman | ... | Susan Sloan | |
| Mickey Rourke | ... | Peter | |
| Angela Sarafyan | ... | Mary | |
| Chris Isaak | ... | Les Price | |
| Diego Leske | ... | Gary Gray | |
| Katy Mixon | ... | Patty | |
| Stefanie Neukirch | ... | Darlene | |
| Peter Scanavino | ... | Leon | |
| Theo Rossi | ... | Spaz | |
| Daniel Rosenberg | ... | Rocko | |
| Jessica Stroup | ... | Rachel | |
| Brady Matthews | ... | Maitre D' | |
| Jeanette O'Connor | ... | Canter's Waitress (as Jeannette O'Connor) | |
| Simone Kessell | ... | Nina Metro | |
| Milena Arango | ... | Miss Nebraska | |
| Diego Klattenhoff | ... | Dirk | |
| rest of cast listed alphabetically: | |||
| Denise Bradley | ... | Memorial Service Goer (uncredited) | |
| Donovan Del Pinto | ... | Memorial Service Goer (uncredited) | |
| Ivan Doroschuk | ... | Himself (archive footage) (uncredited) | |
| Derek DuChesne | ... | Memorial Service Goer (uncredited) | |
| Kimberly Evan | ... | Red Carpet Woman (uncredited) | |
| Evans Forde | ... | Rock Journalist (uncredited) | |
| Valentina Garcia | ... | The P.A. (uncredited) | |
| Anne Bergstedt Jordanova | ... | Party Girl (uncredited) | |
| Kimberly Langley | ... | Memorial Service Goer (uncredited) | |
| Patrick Mapel | ... | Ryan (uncredited) | |
| Noli McCool | ... | Joe (uncredited) | |
| Gabriel Miller | ... | Walter (uncredited) | |
| George F. Watson | ... | Mother's Consoling Memorial Service Friend (uncredited) | |
Directed by | |||
| Gregor Jordan | |||
Writing credits(WGA) | ||
| Bret Easton Ellis | (screenplay) & | |
| Nicholas Jarecki | (screenplay) | |
| Bret Easton Ellis | (novel) | |
Produced by | |||
| Vanessa Coifman | .... | executive producer | |
| Bret Easton Ellis | .... | executive producer | |
| Jere Hausfater | .... | executive producer | |
| Nicholas Jarecki | .... | executive producer | |
| Noli McCool | .... | producer | |
| Miggel | .... | line producer: Uruguay (as Miggel Schwickerath) | |
| Samson Mucke | .... | line producer | |
| Marco Weber | .... | producer | |
| Brian Young | .... | executive producer | |
Original Music by | |||
| Christopher Young | |||
Cinematography by | |||
| Petra Korner | (director of photography) | ||
Film Editing by | |||
| Robert Brakey | |||
Casting by | |||
| John Papsidera | |||
Production Design by | |||
| Cecilia Montiel | |||
Art Direction by | |||
| Nick Ralbovsky | |||
Set Decoration by | |||
| Kathy Orlando | |||
Costume Design by | |||
| Annie Bloom | (Add'l Scenes and Re-Shoots) | ||
| Sophie De Rakoff | (as Sophie Carbonell) | ||
Makeup Department | |||
| Beatrice De Alba | .... | personal hair stylist: Kim Basinger | |
| Karyn Huston | .... | hair department head | |
| Tracy Manzo | .... | makeup artist | |
| Fabiana Moretti | .... | makeup assistant: Uruguay | |
| Juan Piccininno | .... | hair assistant: Uruguay | |
| Ronnie Specter | .... | makeup artist: Kim Basinger | |
Production Management | |||
| Ines Artagaveytia | .... | production manager: Uruguay | |
| Marjorie Chodorov | .... | production supervisor | |
| Pepe Lamboglia | .... | production executive: Uruguay (as Juan 'Pepe' Lambeglia) | |
| Tony Manzione | .... | production executive: Uruguay | |
| Samson Mucke | .... | unit production manager | |
| Tim Pedegana | .... | post-production supervisor | |
| Gabriel Rodriguez | .... | unit manager: Uruguay | |
| Rachel Rose | .... | executive in charge of production | |
Art Department | |||
| Daniel Auber | .... | conceptual design and storyboards (as Daniele Auber) | |
| Alonso Banales | .... | construction coordinator: Uruguay | |
| Stephen Bishop | .... | stand-by painter | |
| Silas Brandon | .... | gang boss | |
| Walter Brunialti | .... | set decorator: Uruguay | |
| John Brunot | .... | property master | |
| Daniel Buelmo | .... | set wrapper: Uruguay | |
| Maia Cagnola | .... | buyer: Uruguay | |
| David R. Cake | .... | swing | |
| Gabriel Chrislock | .... | set dresser (as Gabriel Crislock) | |
| Elizabeth Colomba | .... | storyboard artist | |
| Steve Coover | .... | art department | |
| Carolina de La Vega | .... | property assistant: Uruguay (as Carolina De La Vega) | |
| Gloria Duhagon | .... | assistant set decorator: Uruguay | |
| Franco Esile | .... | leadman | |
| Amanda J. Flick | .... | decorator/painter (as Amanda Flick) | |
| Kristina Fuangkasae | .... | assistant property master (as Kristina Fuangkasak) | |
| Ursula Glaviano | .... | set dresser | |
| Joshua Green | .... | buyer | |
| Sergio Gualco | .... | additional property master: Uruguay | |
| Cecilia Guerriero | .... | buyer: Uruguay | |
| Manuel Guevara | .... | assistant on-set dresser: Uruguay | |
| Ron Karkoska | .... | dead rat props | |
| Mina Kinukawa | .... | art department coordinator | |
| Pedro Martinez | .... | assistant on-set dresser: Uruguay | |
| Federico Martínez | .... | art department assistant: Uruguay (as Federico Martinez) | |
| Amanda Mendonca | .... | set dresser | |
| Ana Mieres | .... | art department coordinator: Uruguay | |
| Luli Molla | .... | art coordinator: Uruguay | |
| Jean-Gabriel Monteil | .... | on-set dresser: Uruguay (as Gabriel Montiel) | |
| Inés Olmedo | .... | art director: Uruguay (as Ines Olmedo) | |
| Fred M. Ortiz | .... | assistant property master | |
| Martin Recto | .... | assistant property master: Uruguay | |
| Diana C. Richardson | .... | assistant property master | |
| Lucia Rodriguez | .... | lead woman: Uruguay | |
| Andy Rusk | .... | art assistant | |
| Brian Seccombe | .... | property assistant (as Brian Secomb) | |
| Rene Sekula | .... | art department assistant | |
| Fiona Steffenino | .... | assistant: Ines Olmedo, Uruguay | |
| Christopher Taylor | .... | set dresser (as Chris Taylor) | |
| Michael Timman | .... | set dresser | |
| Sal Valle | .... | on-set dresser | |
| Paula Villalba | .... | property master: Uruguay | |
Sound Department | |||
| Joshua Adeniji | .... | foley editor | |
| Randy Babajtis | .... | sound designer | |
| Michael Baird | .... | supervising sound designer | |
| Dhyana Carlton-Tims | .... | supervising dialogue & adr editor | |
| David O. Daniel | .... | sound mixer | |
| Robert Dehn | .... | assistant sound editor | |
| Robert Dehn | .... | sound studio manager | |
| Levent Erdogan | .... | assistant sound editor | |
| Robert Fernandez | .... | score mixer | |
| Jason Gaya | .... | sound recordist | |
| Judah Getz | .... | adr mixer | |
| Corey J. Grasso | .... | assistant sound editor | |
| Scott Hinkley | .... | sound re-recording mixer | |
| Richard Kitting | .... | additional sound re-recording mixer | |
| Tiffany Lentz | .... | assistant sound editor | |
| Zach Michaelis | .... | foley mixer | |
| Andrew Morgado | .... | adr mixer | |
| Jonathan Wales | .... | sound re-recording mixer | |
Special Effects by | |||
| Timothy B. Graham | .... | special effects | |
Visual Effects by | |||
| J. Cody Baker | .... | digital intermediate assistant (as James Cody Baker) | |
| Michael Boggs | .... | scanning manager | |
| Sean Coonce | .... | digital compositor: Gradient FX | |
| Peter 'Beak' Cvijanovic | .... | senior flame artist | |
| Jay Frankenberger | .... | compositor | |
| Philip Fraschetti | .... | digital compositor: Gradient Effects | |
| Brad Gayo | .... | visual effects | |
| Dylan Highsmith | .... | visual effects editor | |
| Christopher Ide | .... | post production assistant | |
| Thomas Kernan | .... | digital artist | |
| Nineli Khanian | .... | digital compositor | |
| Ji Young 'Gina' Kim | .... | digital artist | |
| Pouyan Navid | .... | visual effects artist | |
| David Neuberger | .... | visual effects artist | |
| Raphael Protti | .... | digital artist | |
| Kelley Ray | .... | compositor | |
| Kelley Ray | .... | visual effects supervisor | |
| Ryan Reeb | .... | digital artist | |
| Rick Sander | .... | lighting supervisor: Gradient Effects | |
| Keith Sintay | .... | senior digital character animator | |
| Shane Strickman | .... | visual effects editor (as Shane Paugh) | |
| Olcun Tan | .... | visual effects supervisor | |
| Thomas Tannenberger | .... | visual effects producer | |
| Bob Froehlig | .... | lead systems engineer: Gradient Effects (uncredited) | |
Camera and Electrical Department | |||
| Pepe Acuña | .... | lamp operator: Uruguay (as Pepe Acuna) | |
| Javier Alonso | .... | lamp operator: Uruguay | |
| Bruno Alzaga | .... | rigging best boy electrician: Uruguay | |
| Marc Anderson | .... | company grip | |
| Shane Anderson | .... | company grip | |
| Curtis A. Andrews Jr. | .... | rigging gaffer (as Curtis Andrews) | |
| Hospecio Balani | .... | company grip (as Hospecio Balani Jr.) | |
| Douglas Blagg | .... | dolly grip: "a" | |
| Richard W. Botchlet | .... | assistant chief lighting technician | |
| Ryan Bradley | .... | company grip | |
| Bill Bridges | .... | company grip | |
| Chris Buchakjian | .... | best boy grip | |
| Ramiro Caddeo | .... | lamp operator: Uruguay | |
| Rodolfo Casamayou Larraur | .... | company grip: Uruguay (as Rodolfo Casamayou) | |
| Philippe Casseus | .... | key rigging grip (as Phillippe Casseus) | |
| Alejandro Centurion | .... | dolly grip: Uruguay | |
| Ramiro Civita | .... | additional camera operator: Uruguay | |
| Sal Cocuzza | .... | lamp operator | |
| Diego Costemale | .... | company grip: Uruguay | |
| Chris Cotterman | .... | company grip | |
| Yoston Da Fonseca | .... | lamp operator: Uruguay | |
| Sebastián Deanes | .... | rigging best boy grip: Uruguay (as Sebastian Deanes) | |
| Gabriel Dicarlo | .... | rigging grip: Uruguat | |
| Dejon Ellis Jr. | .... | company grip | |
| Owen Foye | .... | set lighting technician | |
| Jake Funk | .... | company grip (as Jow Jacob Funk) | |
| José Luis Garcia | .... | best boy grip: Uruguay (as Jose Luis Garcia) | |
| Erik Gonzales | .... | lamp operator | |
| Dylan Goss | .... | aerial director of photography | |
| Peter Graf | .... | aerial camera system tech super g | |
| Scott Graves | .... | rigging best boy electrician | |
| Robert Head | .... | rigging grip | |
| Patrick R. Heffernan | .... | key grip (as Patrick Heffernan) | |
| Danny Hernandez | .... | company grip (as Daniel S. Hernandez) | |
| Tru Herrman | .... | company grip | |
| Anibal Ibáñez | .... | lamp operator: Uruguay (as Anibal Ibanez) | |
| Darmon Johnson | .... | rigging grip | |
| Matt Kubas | .... | rigging electric | |
| Julian Lopez | .... | company grip | |
| Gary Lucas | .... | crane grip | |
| Matt McKinney | .... | company grip | |
| Matías Mesa | .... | steadicam operator: Uruguay (as Matias Mesa) | |
| Sebastian Monetti | .... | lamp operator: Uruguay (as Sebastian Moneti) | |
| Cris Moris | .... | chief lighting technician: Uruguay (as Cristian Moris) | |
| Andrew Mueller | .... | lamp operator | |
| Alejandro Noya | .... | company grip: Uruguay | |
| Gabriel Ortega | .... | rigging grip: Uruguay | |
| Brandon Ponticelle | .... | assistant camera | |
| Jeff Porter | .... | first assistant camera: "a" camera | |
| Andrew Potter | .... | company grip | |
| Dan Preiser | .... | company grip | |
| Gabriel Quevedo | .... | steadicam assistant: Uruguay | |
| Juan Carlos Qunicke | .... | rigging grip: Uruguat | |
| Chephren Rasika | .... | best boy rigging grip (as Cephran Rasika) | |
| Van Redin | .... | still photographer | |
| Gonzalo Regules | .... | second assistant camera | |
| Carlos Ritter | .... | camera operator: Uruguay | |
| Fabricio Rodriguez | .... | basecamp generator operator: Uruguay | |
| Hector Rodriguez | .... | lamp operator: Uruguay | |
| R. Dustin Sanchez | .... | lamp operator | |
| Jake Sarfaty | .... | rigging gaffer (as Jacob Sarfaty) | |
| Tito Sarti | .... | rigging gaffer: Uruguay | |
| Emiliano Silvera | .... | company grip: Uruguay | |
| Darryl St. Juste | .... | best boy rigging grip | |
| Travis Stewart | .... | lighting technician | |
| Manolo Texeira | .... | rigging electrician: Uruguay | |
| Maxwell Thorpe | .... | company grip | |
| Kevin Tiesiera | .... | rigging electric | |
| Gustavo Triviño | .... | additional steadicam operator | |
| Gianni Trocoli | .... | lamp operator: Uruguay | |
| Juan Ángel Urrozola | .... | still photographer: Uruguay (as Juan Angel Urrozola) | |
| Conner Vandeer | .... | electric | |
| Jon Weiner | .... | rigging electrician (as Jonathan M. Weiner) | |
| Vincent Wrenn | .... | set lighting | |
| Ernest Yurich | .... | company grip | |
| Diego Zalduondo | .... | loader: Uruguay (as Diego Zaldondo) | |
| Steve Zvorsky | .... | rigging electric (as Stephen Zvorsky) | |
Costume and Wardrobe Department | |||
| Jean Bone | .... | set costumer | |
| Megan Comiskey | .... | costume production assistant | |
| Linda S. Cormany | .... | costumes (as Linda Cormany) | |
| Lucia Del Bracio | .... | costumer: Uruguay | |
| Jody Felz | .... | costume supervisor | |
| Alejandro M. Hernandez | .... | set costumer | |
| Jeanne Iguchi | .... | tailor | |
| Adriana Levin | .... | costumer: Uruguay | |
| Marilyn Madsen | .... | cutter/fitter | |
| Lucía Mangado | .... | key costumer: Uruguay (as Lucia Mangado) | |
| Ann Miller | .... | costumer: Mr. Thornton (as Annie Miller) | |
| Maria Rivera | .... | costume production assistant (as Maria "Crista" Rivera) | |
| Valentina Rodriguez Amado | .... | costumer: Uruguay (as Valentina Rodriguez) | |
| Alejandra Rosasco | .... | costume supervisor: Uruguay | |
| Candice Sabbah | .... | costumer: Ms. Basinger (as Candice Dobkousky) | |
| Marian Toy | .... | associate costume designer | |
| Vanessa Van Tuyl | .... | costumer | |
| Mariela Villasante | .... | tailor: Uruguay | |
| Beverly Woods | .... | costume supervisor | |
Editorial Department | |||
| Salvatore Catanzaro | .... | on-line editor | |
| Jim Eberle | .... | digital intermediate on-line editor | |
| Dan Goslee | .... | digital intermediate assistant | |
| Michael John Koetter | .... | software engineer | |
| Bruce Lomet | .... | digital intermediate head of production: Company 3 | |
| Christopher Marquez | .... | post-production assistant | |
| Eric McClain | .... | colorist: dailies | |
| Erik Rogers | .... | senior digital intermediate producer | |
| Amber Taylor | .... | Account Manager (The Post Group ) | |
| Martin Wilson | .... | assistant editor | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 (uncredited) | |
Music Department | |||
| Mark Buys | .... | musician | |
| Mark Buys | .... | orchestrator | |
| Kevin Crehan | .... | music editor | |
| Ugo Derouard | .... | music re-recording engineer | |
| Eric Jasper | .... | computer orchestrator | |
| Sungtae Kim | .... | computer orchestrator | |
| Sean McMahon | .... | orchestrator | |
| Joohyun Park | .... | score coordinator | |
| Brian Sapp | .... | music clearance | |
| Samuel Joseph Smythe | .... | score programmer | |
| Andrew Spence | .... | computer orchestrator | |
| Andrew Spence | .... | musician | |
| Jonathan Timpe | .... | computer orchestrator | |
| Brandon K. Verrett | .... | orchestrator | |
Thanks | |||
| Danny Mandel | .... | special production thanks | |
| Brad Renfro | .... | in memory of | |
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Well I just saw this film first thing Friday (opening). I was seated near a gentlemen who was having quite a reaction to every scene, and in one scene (not a good one for the acting - but I will get there in a minute) he literally started waving his arms and shaking his head. I look over and the man was tearing up and I though he was nearly about to breakdown in full tears. Seeing such a powerful reaction to some very early scenes in the movie, I thought to myself, "Maybe this is the guy who wrote it??" The novel I thought, unaware at the time who wrote the screenplay. So immediately upon my return, I googled Bret Easton Ellis pics and reviewed many photos. I would bet my life it was him next to me today. Hair a little longer and darker than in some photos, but same nose, and face and exact same eyes. Again he was right next to me so I was not seeing him from across the theater. I asked (whispering) if he was OK. He said yes, then a moment later (after another reaction) quietly got up and moved to the back of the theater. A while later he exit in the middle of the film.
Now, for the film itself. This is no "Less Than Zero" which would be the closest genre comparison of the Ellis filmography.
While some of the veteran actors gave decent performances the material seemed more shallow than the LA socialites the film was following. But after watching the film I suspect this is much more the fault of the directing than anyone else. It takes the proper hand and understanding of Ellis material to make it work on the stage or film. Unfortunately, two of the lesser performances came from actors we see much more in the film. Foster and Raido seemed like actors "acting" like the types rather then being the types. While the veteran actors seemed to add depth to their performances (beyond the material presented) these two "acted" on a very shallow level, as though trying to imitate the type of person they thought they were playing. Apparently giving their character little thought.
The movie sets up many broken and damage relationships and a couple of potentially heated situations, before it suddenly ends.....What??? The entire film ends up being a slice of life (many tragic life's) type of film, with little story or payoff as the ending comes abruptly. At the end I could care less about there problems or issues and the story and directing doesn't help those feelings.
Now I am not a person who goes to films to see naked women (a little to old to make that the priority and was unaware of this one), but when the movie was over all I could think was "at least Amber Heard was naked / half-naked a lot and she looked good!" In the lala land of skinny, to outrageously bony women, this one has nice curves. But its sad when you leave a film thinking "where was the story" and you know you will only remember the girl who looked good in "THAT FILM" cause the title and film itself will be forgotten quickly! Now I have not read the Ellis novel, but he did help write the screenplay. Based on his reaction, I can't help to feel this film is not what he imagined it would be. It certainly was not up to what Hollywood has been able to do with some of his other works.
To Ellis (as I am sure it was), remember the feeling you had while watching the film. And make sure the next time you sell your story to Hollywood to get paid enough money so you can take it a little easier when the "Filmmakers" butcher your work (who likely did not want you interfering with them cause THEY know how to make films, not some writer)! Or in this case, they at least produced a very unsatisfying film.