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The Informers (2008)

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One week in L.A. in 1983, featuring movie executives, rock stars, a vampire and other morally challenged characters in adventures laced with sex, drugs and violence.



(screenplay), (screenplay) | 1 more credit »



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Cast overview, first billed only:
Fernando Consagra ...
Germán Tripel ...
Bryan's Guitarist (as German Tripel)
Bruce's Mother
Susan Sloan


Loosely connected stories capture a week in L.A. in 1983, featuring movie executives, rock stars, a vampire and other morally challenged characters in adventures laced with sex, drugs and violence. Written by anonymous

Plot Summary | Add Synopsis


Greed is good. Sex is easy. Youth is forever.


Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, drug use, pervasive language and some disturbing images | See all certifications »

Parents Guide:



Official Sites:





Release Date:

24 April 2009 (USA)  »

Also Known As:

Informers  »

Box Office


$18,000,000 (estimated)

Company Credits

Production Co:

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Technical Specs


Sound Mix:


Aspect Ratio:

2.35 : 1
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Did You Know?


The original script was over two hours long and featured storylines not included in the final cut. According to screenplay writer Bret Easton Ellis, early cuts of the film, though vastly different than his original screenplay, made for a tighter narrative and an overall more cohesive film. Ellis claims that the shorter the film got with every subsequent cut, the less sense it made. See more »


The first traffic scene shown there is a C-4 generation Corvette (came out in 1984 there was no 1983 model) and a first generation Ford Taurus (came out in 1986). See more »


Susan Sloan: [dryly, to a topless Christie] Nice shirt.
See more »


References Amadeus (1984) See more »


Gone for Good
Written by Justin Meldal-Johnsen
Performed by Justin Meldal-Johnsen, Jason Falkner and Justin Stanley
Recorded and Mixed by Justin Stanley
Produced by Justin Meldal-Johnsen
Published by Senator Musik
See more »

Frequently Asked Questions

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User Reviews

Classic, delicious Bret Easton Ellis
12 August 2009 | by (United States) – See all my reviews

"The Informers" is vacant, isolated and angst-ridden. Much like the '80s, it has lots of placid exteriors, broken interiors, hot bodies, vast wealth and the search for meaning.

As is usual for Ellis characters, though, no one has the equipment to find any meaning. From the beginning, it's obvious the hunt will be fruitless. These people have been so badly socialized by their alienating culture of wealth that they often can't even find an emotional response to their inability to properly feel.

Also par for the course is the easily placed blame. Parents so wrapped up in themselves that their children's existence barely registers are hardly fit to bestow morals or wisdom or emotions or anything else. Privilege has its costs. When anything is attainable, meaning evaporates. Everyone is adrift, and it's everyone's fault.

This is a movie that will likely anger, disgust or bore those not familiar with Ellis' milieu, although many of us who lived through the '80s know what he's on about. It doesn't lead anywhere, just like the characters' internal compasses. A couple of times the dialogue felt like it was trying too hard to get the point across, where if you weren't getting it, you're too stupid to be worth telling. I don't remember the book banging you on the head that way, but maybe it did.

This is not a pleasant movie, so don't make it a date night. It is a lovely, enchanting cultural study of detachment and amorality. But again, it also is everyone's fault. Self-indulgence isn't attractive and doesn't engender pity. When Graham pleads, "I need someone to tell me what is good, OK? And I need someone to tell me what's bad," you can't feel anything for him.

He's lost, they're all lost, there's no hope.

28 of 48 people found this review helpful.  Was this review helpful to you?

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