Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen, and ultimately the fall of Versailles.
Georgiana Spencer became Duchess of Devonshire on her marriage to the Duke in 1774, at the height of the Georgian period, a period of fashion, decadence, and political change. Spirited and adored by the public at large she quickly found her marriage to be a disappointment, defined by her duty to produce a male heir and the Duke's philandering and callous indifference to her. She befriends Lady Bess but finds she is once again betrayed by her husband who wields his power with the three eventually living uncomfortably together. Against this background, and with the pressures of an unfaithful husband, strict social pressures and constant public scrutiny, Georgiana falls passionately in love with Charles Grey, a rising young Whig politician. However, despite his ongoing liaison with Lady Bess, the Duke refuses to allow her to continue the affair and threatens to take her children from her. Written by
Susanne Bier wrote an early draft of the script and was originally attached to direct the film. See more »
Althorp Estate, Georgiana's childhood home (shown in the exterior shots of the foot race at the beginning of the film), was originally a red brick building. Red brick went out of style in the 1780's, at which point the entire building was altered with mathematical tile nailed onto the original red brick to give it its current gray exterior. At the time of Georgiana's marriage to the Duke in 1774, the building would still have been red brick as the architectural work started in 1788. The current Earl Spencer (Princess Diana's brother) had the mathematical tiles redone for a cool $8-9 million as many of the original nails used had rusted away, at which point the original red brick used for Althorp was also ruined. See more »
We shall take England into this brave new world and shake the thunder from the skies!
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Good story. Interesting and mostly believable in presentation.
The Duchess - Set at the end of the eighteenth century, The Duchess is based on the life of Georgiana Cavendish (Kiera Knightley), Duchess of Devonshire. The film delves into Georgiana's passionate and doomed affair with Earl Grey, the future Prime Minister, and the complex love triangle with her husband (Ralph Fiennes) and Georgiana's best friend, Lady Bess Foster (Hayley Atwell).
Kiera Knightley again does a period piece and again looks mostly out of place. She's British alright, but a few stone away from looking like she belongs in 1770's Britain. It's augmented by the fact that her character, based on a real woman, was supposed to have gone through about 6 pregnancies, 4 of them successful. Knightley's emaciated form is just wrong. What is right though, is her performance. As a mother, as a chasismatic political presence and a woman desperate for a happy life she nails it absolutely.
I could have seen a little less focus on the love triangle and a little more on the "hows" and "whys" of this woman becoming such an important and popular cultural icon in British society. The film glosses over how this came to be, and asks us to take it as a fact after one brief scene showing the Duchess's political shrewdness. It's another case of Hollywood ignoring what's different about a film, preferring the safety of delivering what people have seen before.
Fiennes gives such a quiet performance right from the start but it grows and fills the area. It's often a mesmerizing performance because of his rigid adherence to societies expectations and rules at the cost of all else. Fiennes occupies the screen whenever he's in a scene. When he and the Duchess argue, she's like water smashing up against the unyielding cliff. Ralph Fiennes is aw-inspiringly scary in one scene without seeming in anyway over the top or demonizing of what his character represents. Ultimately his character is human and believable; purely a man of his times. His character is so down to earth and in the end simple. All he wanted from his marriage was a son and to be left alone to play with his dogs.
A mesmerizing turn from Fiennes in a likable, if familiar film, The Duchess gets a B+
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