Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a ... See full summary »
Helena Bonham Carter,
Georgiana Spencer became Duchess of Devonshire on her marriage to the Duke in 1774, at the height of the Georgian period, a period of fashion, decadence, and political change. Spirited and adored by the public at large she quickly found her marriage to be a disappointment, defined by her duty to produce a male heir and the Duke's philandering and callous indifference to her. She befriends Lady Bess but finds she is once again betrayed by her husband who wields his power with the three eventually living uncomfortably together. Against this background, and with the pressures of an unfaithful husband, strict social pressures and constant public scrutiny, Georgiana falls passionately in love with Charles Grey, a rising young Whig politician. However, despite his ongoing liaison with Lady Bess, the Duke refuses to allow her to continue the affair and threatens to take her children from her. Written by
A good story beautifully filmed and with fine performances - especially from Keira Knightly.
I came away from the cinema after seeing The Duchess feeling I had had my consciousness of what life must have been like for the aristocracy of 18th century England dramatically raised (both literally and metaphorically). The story of Georgiana's marriage unfolds by subtle degrees amidst the most sumptuous of interiors and landscaped gardens - all beautifully filmed and realistically recreated. Apart from the main characters, there appear a rich selection of characters from neighbouring strata of society - aristocrats, political activists, servants and children (as babies and older) both legitimate and illegitimate - all of whom contribute to weaving the screenplay into an immensely fascinating narrative. I was already a fan of both Keira Knightly and Ralph Fiennes before seeing The Duchess, so I was pleased to find that their performances were well up to - and in the case of Ms Knightly even surpassing - my expectations. Even those who aren't normally 'into' period dramas (like me) should, I feel sure, find much to appreciate in this excellent film.
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