Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted to. While he's resisting temptation, his wife encounters her past love.
Georgiana Spencer became Duchess of Devonshire on her marriage to the Duke in 1774, at the height of the Georgian period, a period of fashion, decadence, and political change. Spirited and adored by the public at large she quickly found her marriage to be a disappointment, defined by her duty to produce a male heir and the Duke's philandering and callous indifference to her. She befriends Lady Bess but finds she is once again betrayed by her husband who wields his power with the three eventually living uncomfortably together. Against this background, and with the pressures of an unfaithful husband, strict social pressures and constant public scrutiny, Georgiana falls passionately in love with Charles Grey, a rising young Whig politician. However, despite his ongoing liaison with Lady Bess, the Duke refuses to allow her to continue the affair and threatens to take her children from her. Written by
The film was heavily marketed with links to Princess Diana (who is a direct descendant of Georgiana's family, The Spencers), using her image in the trailers, and with a tagline ("There were three people in her marriage") which is a play upon a quote attributed to the late Royal. Keira Knightley came out and denied the film had any links at all, stating that her character was interesting enough without any comparisons. See more »
Georgiana, Duchess of Devonshire was born in 1757. Charles Grey was seven years younger, born in 1764. According to the subtitle, the scene depicting a wager among the young ladies over a footrace between Charles Grey and other young men was held in 1774. Georgiana was correctly seventeen at the time, but Charles Grey was ten. He would have been a boy, not the young man about to attend Cambridge portrayed in the film. See more »
Good story. Interesting and mostly believable in presentation.
The Duchess - Set at the end of the eighteenth century, The Duchess is based on the life of Georgiana Cavendish (Kiera Knightley), Duchess of Devonshire. The film delves into Georgiana's passionate and doomed affair with Earl Grey, the future Prime Minister, and the complex love triangle with her husband (Ralph Fiennes) and Georgiana's best friend, Lady Bess Foster (Hayley Atwell).
Kiera Knightley again does a period piece and again looks mostly out of place. She's British alright, but a few stone away from looking like she belongs in 1770's Britain. It's augmented by the fact that her character, based on a real woman, was supposed to have gone through about 6 pregnancies, 4 of them successful. Knightley's emaciated form is just wrong. What is right though, is her performance. As a mother, as a chasismatic political presence and a woman desperate for a happy life she nails it absolutely.
I could have seen a little less focus on the love triangle and a little more on the "hows" and "whys" of this woman becoming such an important and popular cultural icon in British society. The film glosses over how this came to be, and asks us to take it as a fact after one brief scene showing the Duchess's political shrewdness. It's another case of Hollywood ignoring what's different about a film, preferring the safety of delivering what people have seen before.
Fiennes gives such a quiet performance right from the start but it grows and fills the area. It's often a mesmerizing performance because of his rigid adherence to societies expectations and rules at the cost of all else. Fiennes occupies the screen whenever he's in a scene. When he and the Duchess argue, she's like water smashing up against the unyielding cliff. Ralph Fiennes is aw-inspiringly scary in one scene without seeming in anyway over the top or demonizing of what his character represents. Ultimately his character is human and believable; purely a man of his times. His character is so down to earth and in the end simple. All he wanted from his marriage was a son and to be left alone to play with his dogs.
A mesmerizing turn from Fiennes in a likable, if familiar film, The Duchess gets a B+
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