Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted to. While he's resisting temptation, his wife encounters her past love.
Georgiana Spencer became Duchess of Devonshire on her marriage to the Duke in 1774, at the height of the Georgian period, a period of fashion, decadence, and political change. Spirited and adored by the public at large she quickly found her marriage to be a disappointment, defined by her duty to produce a male heir and the Duke's philandering and callous indifference to her. She befriends Lady Bess but finds she is once again betrayed by her husband who wields his power with the three eventually living uncomfortably together. Against this background, and with the pressures of an unfaithful husband, strict social pressures and constant public scrutiny, Georgiana falls passionately in love with Charles Grey, a rising young Whig politician. However, despite his ongoing liaison with Lady Bess, the Duke refuses to allow her to continue the affair and threatens to take her children from her. Written by
The film was heavily marketed with links to Princess Diana (who is a direct descendant of Georgiana's family, The Spencers), using her image in the trailers, and with a tagline ("There were three people in her marriage") which is a play upon a quote attributed to the late Royal. Keira Knightley came out and denied the film had any links at all, stating that her character was interesting enough without any comparisons. See more »
In the scene with the little girls in the carriage, when they print on the screen the names of Harryo, Little G, and Charlotte, they mix up Harryo and Little G's names. Harryo is the youngest, with the dark hair, but they put the name "Little G" in the front of this child and put "Harryo" in front of the blond older child. In a subsequent scene, Harryo, the youngest with the dark hair, falls and scrapes her knee. Georgiana specifically calls her by name, Harryo. In fact, Little G was older than Harryo. So the scene with the names is incorrect, while the scene with the scraped knee is correct. See more »
Duke of Devonshire:
I know that you've never thought much of my manners or my itellect, G. But in fact, I never do anything that serves no purpose.
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The latest slice of period drama to grace our screens is this biopic on Georgiana, Duchess of Devonshire, who during the 1770s was patroness of the Whig party and prisoner of a marriage which made her, among other things, suffer the indignity of having her husband's mistress living under the same roof. These heritage dramas are an industry all by themselves; the armies of prop hirers, wig and costume makers, researchers, production designers, location scouts and (mostly) British actors who go to make them must find themselves in almost permanent employ. The BBC does them, the Americans have a go at them, and the public can't seem to get enough of them. The Duchess is a superior example of the genre, though nowhere in the league of Kubrick's Barry Lyndon, and combines the spectacle of Keira Knightley looking glamorous in a range of frocks and wigs, while at the same time honing her acting talents (no more those rictus grins), with the guilty pleasure of following the uncomfortable parallels between the fortunes and indiscretions of the ancestress of Lady Diana Spencer with those of the Princess of Wales herself. Lowering over the whole proceedings is the truly superb presence of Ralph Fiennes's Duke of Devonshire, Fiennes an actor who can convey polite discomfiture or threatening ire with slightest twitch of the mouth. In his hands the Duke becomes far less a melodramatic villain than a product of his time, and you almost feel sorry for him. Go and see The Duchess; only those who have had children will balk at the liberties taken with childbirth and breastfeeding. But not even that will spoil the fun.
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