| Videos (see all 4) |
| Susan Sarandon | ... | Melanie Winters | |
| Christopher Plummer | ... | David Winters | |
| Gabriel Byrne | ... | Christopher Lewis | |
| Roy Dupuis | ... | Benjamin Winters | |
| Max von Sydow | ... | Jakob Bronski | |
| Dakota Goyo | ... | Timmy Winters | |
| Domini Blythe | ... | Jane Radley | |
| Kris Holden-Ried | ... | Young Jakob (as Kris Holden-Reid) | |
| Regan Jewitt | ... | Young Melanie | |
| Alexandre Nachi | ... | Young Christopher | |
| Maéva Nadon | ... | Girl on Bicycle (as Maeva Nadon) | |
| Jean-François Blanchard | ... | Red Cross Worker | |
| Renee Madeline Le Guerrier | ... | Red Cross Worker (as René-Madeleine Leguerrier) | |
| Yvon S. Aubé | ... | Gendarme | |
| Robert Richard | ... | Soldier |
Directed by | |||
| Paolo Barzman | |||
Writing credits | ||
| Matt Cohen | (novel) | |
| Jefferson Lewis | (written by) | |
Original Music by | |||
| Normand Corbeil | |||
Cinematography by | |||
| Luc Montpellier | |||
Film Editing by | |||
| Arthur Tarnowski | |||
Casting by | |||
| Andrea Kenyon | (casting: Canada) | ||
| Heidi Levitt | |||
| Randi Wells | (casting: Canada) | ||
Production Design by | |||
| Jean-François Campeau | |||
Set Decoration by | |||
| Elise de Blois | |||
Costume Design by | |||
| Nicoletta Massone | |||
Makeup Department | |||
| Ma Kalaadevi Ananda | .... | key makeup artist: for Ms Sarandon (as Marilyn Carbone) | |
| Jocelyne Bellemare | .... | key makeup artist | |
| Kathy Kelso | .... | makeup artist | |
| Félix Larivière | .... | key hair stylist | |
| Magali Métivier | .... | makeup assistant | |
| Geneviève Primeau | .... | additional hairstylist | |
| Sandy Sokolowski | .... | key hairstylist: for Ms Sarandon | |
| Jade Theoret | .... | assistant hairstylist | |
| Adrianna Velbert | .... | makeup assistant (as Adriana Verbert) | |
Production Management | |||
| Patrice Bujold | .... | assistant unit manager | |
| Claude-Andrée Du Mesnil | .... | assistant unit manager | |
| Avi Federgreen | .... | post-production supervisor | |
| José Lacelle | .... | production manager | |
| Patrick Legault | .... | unit manager | |
| Jean-Paul Mageren | .... | post-production manager | |
| Richard Watkins | .... | head of post-production | |
Second Unit Director or Assistant Director | |||
| Sandia Faucon | .... | third assistant director | |
| Jacques Laberge | .... | first assistant director | |
| Théo Thivierge | .... | second assistant director | |
Art Department | |||
| Myriam Bergeron-Fournier | .... | assistant set props | |
| Frederic Bouchard | .... | painter | |
| Nicolas Campeau | .... | swing gang | |
| Nicola Corbo | .... | swing gang | |
| Louis Gascon | .... | set props | |
| Erik Gosselin | .... | special creative props | |
| Audrey Harvey | .... | scenic painter | |
| Marie-Claude L'Heureux | .... | art department coordinator | |
| Marie-Hélène Lavoie | .... | assistant decorator | |
| Sébastien Lebeau | .... | swing gang | |
| Lise Pharand | .... | props mistress | |
| Marc Rivard | .... | painter | |
| Stéphanie Robitaille | .... | swing gang (as Stephane Robitaille) | |
| Jean-Michel Rossignol | .... | special props maker | |
| Alain Rouillier | .... | swing gang | |
| Jerome Zurfluh | .... | set dresser | |
| Jerome Zurfluh | .... | swing gang | |
Sound Department | |||
| Marc Aubin | .... | adr loop group | |
| David Boulton | .... | adr recordist (as David Bolton) | |
| Jocelyn Caron | .... | foley recording mixer (as Jo Caron) | |
| Steph Carrier | .... | sound re-recording mixer (as Stephane Carrier) | |
| Pierre Castonguay | .... | boom operator | |
| Sue Conley | .... | adr editor | |
| Jenna Dalla Riva | .... | foley recording assistant | |
| Caoimhe Doyle | .... | foley artist | |
| Luc Dubois | .... | adr loop group | |
| Guy Francoeur | .... | foley artist | |
| Jill Frappier | .... | adr loop group | |
| Louise Gauthier | .... | adr loop group | |
| Peter Gibson | .... | general manager | |
| Garnet Harding | .... | adr loop group | |
| Bill Higley | .... | adr recordist | |
| Bobby Johanson | .... | adr recordist | |
| Benoit Leduc | .... | adr recordist | |
| Mandy Ley | .... | mix assistant | |
| Dave J. MacNeil | .... | adr loop group | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| David McCallum | .... | dialogue editor | |
| Steve Medeiros | .... | second assistant sound editor | |
| Dimitri Médard | .... | sound recordist | |
| John Naslen | .... | adr recordist | |
| James Nichols | .... | dolby sound consultant | |
| Sasha Newman Oktan | .... | adr loop group | |
| Brent Pickett | .... | first assistant sound editor | |
| Nadine Rife | .... | foley assistant | |
| David Rose | .... | sound effects editor (as Dave Rose) | |
| Lou Solakofski | .... | sound mixer | |
| Jane Tattersall | .... | supervising sound editor | |
| Alex Tong | .... | sound studio coordinator | |
| Don White | .... | foley recording mixer | |
Special Effects by | |||
| Amélie Bertrand | .... | assistant to department coordinator | |
| Louis Craig | .... | special effects supervisor | |
| André Laforest | .... | special effects technician | |
| David Loveday | .... | special effects technician | |
| Luc Therrien | .... | special effects technician | |
Visual Effects by | |||
| David Alexander | .... | digital effects artist: Switch VFX | |
| Jean-François Bachand | .... | visual effects | |
| Barb Benoit | .... | digital compositor | |
| Genevieve Boisvert | .... | visual effects | |
| Jon Campfens | .... | visual effects supervisor | |
| Sonya Carey | .... | visual effects coordinator | |
| Tony Cybulski | .... | digital compositor | |
| Peter Denomme | .... | visual effects producer | |
| Gudrun Heinze | .... | senior digital compositor: Switch VFX | |
| Jef Lonn | .... | digital compositor | |
| Christian Moreton | .... | designer: text | |
| Geoff Wigmore | .... | digital compositor | |
Stunts | |||
| Alain Bérard | .... | stunt double: for Ms Sarandon | |
| Marc Désourdy | .... | stunt coordinator | |
| François Gauthier | .... | stunt double: for Mr. Byrne (as Frank Gauthier) | |
Casting Department | |||
| Lauren Fernandes | .... | casting associate | |
| Shawn Roberts | .... | assistant casting director: Canada | |
| Johanne Titley | .... | extras casting | |
Costume and Wardrobe Department | |||
| Chantal Cardinal | .... | dresser | |
| Catherina Chamberland | .... | key dresser (as Caterina Chamberland) | |
| Priscilla Collin | .... | seamstress | |
| Diane Daoust | .... | wardrobe mistress | |
| Jacques Doucet | .... | cutter | |
| Tereska Gesing | .... | dresser | |
| Geneviève Hébert | .... | assistant dresser | |
| Mathilde Lemaire-Barrette | .... | dresser (as Mathilde Lemaine-Barette) | |
| Alain Vallée | .... | costume coordinator | |
Editorial Department | |||
| Isabelle Arseneault | .... | post-production coordinator: Canada | |
| Lex Batten | .... | project supervisor | |
| Pierre Cadieux | .... | director of post-production | |
| Louis Casado | .... | color timer | |
| Rob Gyorgy | .... | on-line editor (as Rev. Rob Gyorgy) | |
| Gordon Hashimoto | .... | assistant editor | |
| Ryan Kuba | .... | digital imaging production coordinator | |
| Mark Kueper | .... | digital imaging colorist | |
| Veronique Latte | .... | post-production coordinator: Canada | |
| Eric Myles | .... | on-line editor | |
| Andrew Pascoe | .... | digital film technician | |
| Brian Reid | .... | digital imaging manager | |
| Mark Stevens | .... | video coordinator | |
| Anna Wasylenki | .... | post-production coordinator | |
Music Department | |||
| Jonathan Allen | .... | score mixer | |
| Jonathan Allen | .... | score recordist | |
| Colette Barber | .... | studio manager | |
| Andy Brown | .... | orchestra contractor | |
| Vic Fraser | .... | copyist | |
| Andy Kitchen | .... | music assistant | |
| Richard Lancaster | .... | music assistant | |
| The London Metropolitan Orchestra | .... | orchestra | |
| Jenny O'Grady | .... | contractor: metro voices | |
Transportation Department | |||
| Michel Bilodeau | .... | driver | |
| Christian Bourque | .... | cast driver | |
| Daniel Brisson | .... | driver | |
| René Brisson | .... | driver | |
| Nick Carasoulis | .... | cast driver | |
| Denis Doiron | .... | driver | |
| Philippe Gilbert | .... | cast driver | |
| Louis-Etienne Hebert-Racine | .... | office driver | |
| Steve Leblanc | .... | truck production assistant (as Steeve Leblanc) | |
| Bernard Lizé | .... | driver | |
| Richard Marsan | .... | driver | |
| Andre Michaud | .... | cast driver | |
| Stephanie Michaud | .... | additional driver: office | |
| Tony Pelletier | .... | driver | |
| Michel Perreault | .... | picture car coordinator | |
| Bernard Sills | .... | driver | |
Thanks | |||
| Matt Cohen | .... | dedicated to: 1942-1989 | |
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| Gone with the Wind | Bon voyage | In a Better World | Across the Universe | Possession |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
My first reaction to this film: It sucks beans.
But I gave it a lot of thought afterwards, and now the morning after, I think it is a very compelling picture worthy of a 2nd watch.
First I'll tell you why I initially hated it, maybe sparing you the misery. Everything about this film is extremely deceptive, setting up emotional expectations that are never fulfilled. The USA title "Autumn Hearts: A New Beginning" is way off the mark, and the DVD packaging is awful, describing it as "a tender love story of redemption, healing and reconciliation." HUH?? Did the marketing department even bother to watch the movie? If you watch this movie expecting a sentimental tear-jerker or a "tender love story", you'll find yourself hurling popcorn at the screen in disgust. It is none of those things, despite the sweeping, lush cinematography and Hallmark-greeting-card setting (complete with melodramatic musical score that does its best to yank our emotions to the surface). Whether deliberate or not, the film is very misleading in that respect.
If not a cryfest, what do you get instead? You get a marvellous, philosophical question that goes to the root of what we are as human beings. What is our job on this planet, and what are our limits of duty vs. survival? The movie investigates four major characters struggling with the same question, each taking a markedly different approach. Four peoples' lives have been twisted out of shape by the injustice of humanity. How do they react? One (Gabriel Byrne) suppresses the trauma under a veneer of British civility & reticence*. Another (Max von Sydow) has had the memories forcibly erased by chemicals and exectroshock experiments, though he still retains an inexplicable connection. A third character (Susan Sarandon) obsessively collects her memories, appointing herself as a sort of librarian of human injustice and in so doing, starts to lose her mind. And a fourth character (Christopher Plummer) is a secondary victim, suffering by association and trying his best to move ahead while realizing the impossibility of that notion.
The dynamic is incredibly well played. There is no clearcut answer, and each character plays against the others hoping to find the route to peace. I didn't find this to be an emotional film but instead a very intellectual puzzle. The original title "Emotional Arithmetic", while not as poetic or appealing as "Autumn Hearts", is definitely more appropriate if you choose to view the film as I described it. It is an almost scientific approach to the manipulation of emotions, bringing us back to the main question: is our job to hold on to the past, like living history books, toruted & martyred for the sake of teaching future generations? Or is our job to bury the ugly face of past injustice and focus on moving forward ourselves? However way you choose, the answer is represented by one (or more) of the four characters.
This film is a slow-paced philosophical soul teaser wrapped up in a bright-coloured (emotional) package. There's definitely a lot going on, much like a Wim Wenders film ("Lisbon Story", "Paris Texas") or a Hirokazu Koreeda film ("Maborosi", "After Life") though not nearly that slow. Another film I might compare it to is "The Shipping News" by Lasse Hallström but that comparison is mainly due to the director's way of using landscape & nature to create a mood. One thing about this film that no one will deny is that the setting (Quebec in the early Autumn) is about as beautiful & dreamy as any place on Earth.
*Yes, I know Gabriel Byrne is Irish, not British!