| Jake Suffian | ... | Stewart Cummings | |
| Elliot V. Kotek | ... | Travis Clyde Tuckton | |
| Dick Mullaney | ... | Grandpap Jake Martin | |
| rest of cast listed alphabetically: | |||
| Michael Philip Anthony | ... | Truck Driver | |
| Stacey Brooks | ... | Chessy Kinney | |
| Tara Brooks | ... | Betty Sue Morgan | |
| Jim Coope | ... | J.L. Peerce | |
| Bill Corry | ... | Thibald Caudill | |
| Andrew Cowen | ... | Spaz | |
| Amanda Czelinski | ... | Girl Running in Woods | |
| Stephen DeCaires | ... | Young Travis | |
| Kevin Dedes | ... | Chad Umbergy | |
| Lauren Devlin | ... | Iree Reid | |
| Ruth Dimino | ... | Hitchhiker | |
| Morris Fazzi Jr. | ... | Nedder Kinney | |
| Melody Garren | ... | Kathy | |
| Lauren Gilray | ... | Young Girl In Woods | |
| J. Malia Hawley | ... | Sarah Dawn Slade | |
| Colin Hoffmeister | ... | Captain Philip Straker | |
| Jack Ketchum | ... | State Trooper #2 | |
| Edward Lee | ... | State Trooper #1 | |
| John A. Locke | ... | Dr. Seymour (as John Locke) | |
| Alex Marthaller | ... | Point Man | |
| Patrick Nicholas | ... | Dutch | |
| Ruth Maria Nicholas | ... | Jan Beck | |
| Marc Raco | ... | Prison Inmate | |
| Terri Radowsky | ... | Dead Body in Field #2 | |
| Marcy J. Savastano | ... | Dead Body in Field #1 | |
| Christopher Woods | ... | Travis's Paw | |
Directed by | |||
| Archibald Flancranstin | |||
Writing credits(in alphabetical order) | ||
| Michael E. Kennedy | screenplay | |
| Edward Lee | story | |
Produced by | |||
| Michael Philip Anthony | .... | executive producer | |
| Michael Philip Anthony | .... | producer | |
| Michael E. Kennedy | .... | producer | |
Original Music by | |||
| Ben Goldberg | |||
Cinematography by | |||
| Archibald Flancranstin | |||
Film Editing by | |||
| Archibald Flancranstin | |||
Casting by | |||
| Michael Philip Anthony | |||
| Eric Cubitt | |||
| Michael E. Kennedy | |||
Production Design by | |||
| Christine DeCaires | |||
Art Direction by | |||
| Christine A. Kennedy | |||
Costume Design by | |||
| Christine A. Kennedy | |||
Makeup Department | |||
| Terri Radowsky | .... | makeup artist | |
Production Management | |||
| Eric Smith | .... | production supervisor | |
Sound Department | |||
| Narada Campbell | .... | boom operator | |
| John Deiure | .... | sound recordist | |
| Jennifer Erickson | .... | synch editor | |
| Ben Goldberg | .... | sound mixer | |
| Rob Moretti | .... | synch editor | |
Special Effects by | |||
| Ryan Carroll | .... | special effects | |
| Alex Marthaller | .... | special effects | |
| David Plunkett | .... | special effects | |
| Brian Ray | .... | special effects | |
Camera and Electrical Department | |||
| P.J. Gaynard | .... | camera operator | |
| P.J. Gaynard | .... | gaffer | |
| John Karyus | .... | grip | |
| Mike King | .... | key grip | |
| Daniel Ralph | .... | still photographer | |
Costume and Wardrobe Department | |||
| Stina | .... | wardrobe | |
Editorial Department | |||
| Rob Moretti | .... | sync editor | |
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| Freeway | Eyes Wide Shut | Tightrope | The Stunt Man | The Player |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
You go into a movie like HEADER, based on a novel by Edward Lee, with certain expectations. If you know *anything* about Lee's work, you go in expecting a nauseating bloodbath, a grand guignol for the 21st century. I've seen the movie a few times now, at various screenings (Rhode Island and New York City), and it stays entertaining and fun at each showing. Yes, it's about hillbilly revenge, as another reviewer stated, but it's a balls-to-the-wall, no-holds-barred gorefest and with this in mind -- and it's made clear from the start what this is about -- you go in and have a bloody good time! The performances are over the top (some are: Grandpap Jake, and Travis are wildly exaggerated in their performances, but they're effective, while Jake Suffian as Stewart was more reserved, more in control, but equally effective) but *exuberant*. These guys are having a blast playing their parts.
So why did this make the film festivals? Why not? Seriously, there's room for all forms of entertainment, and there is an audience for all of it. Take me, for example. I loved the hell out of it, and I cite My Fair Lady, The Princess Bride and Finding Nemo and some of my favorite movies. But sometimes you just have to sit back, kick up your feet, and get down and dirty with entertainment that may be a bit (or more than a bit) more extreme than most people can handle. But if you're one of those people who appreciate Edward Lee, and can appreciate a true "Backwoods Greek Tragedy," as this film is affectionately referred to, then you're going to enjoy the hell out of this one. Check it out if you get the chance, because as I've stated elsewhere, I really believe this is destined to become a cult classic.