Under constant attack by Angels, NERV introduces two new pilots: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Parallel to the incursion, Gendo Ikari and ... See full summary »
In a utopian society created at the end of the third world war, a female warrior who has been plucked from the badlands begins to see cracks in this new facade. And what does this community have planned for the rest of humankind?
Japan, 2077: A female agent named Vexille is dispatched to Tokyo to investigate whether Japanese are developing robotic technology, which has been banned by the U.N. due to its potential threat to humankind.
In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
In this prequel set one year after the fourth World War, cyborg and hacker extraordinaire Motoko Kusanagi from the military's 501st Secret Unit finds herself wrapped up in the investigation of a devastating bombing.
The fate of the world is threatened by seemingly monstrous entities known as Angels. NERV is an organisation set up to counter this threat and it is up to young pilots to protect Earth but exactly what are the real motives behind NERV?
Under constant attack by Angels, NERV introduces two new pilots: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Parallel to the incursion, Gendo Ikari and SEELE proceed the secret project that involves both Rei and Shinji. Written by
Anime News Network
In the many changes that the original plot had, the most dramatic changes are: In the anime, when the girls are in an elevator, Asuka slaps Rei for their passivity, while in this film, she tries to slap her and Rei stops the slap with her hand. In the series, Shinji only threatens to destroy the Geo-front, in the film, he does manage to meet this threat and he is seen destroying part of the Geo-front. Toji's younger sister is seen fully recovered in the film, but in the series, the fate of her is never know. In the film, Asuka is much more open with Shinji. For example, the scene of the series in which she lies beside him, she falls asleep and Shinji moves away, but the film she stays in bed and they counted each other's fears, with greater harmony between them that at other times. In the series, when the EVA-01 match against Zeruel, EVA-01 goes into Berserk mode alone, while in the film, Shinji does so at their own will. In the the series the EVA-01 also rebuilds the lost arm with a piece of Zeruel's ripped body, while in the film, the EVA 01 creates a sort of "condensed energy arm" which is also used as "cannon momentum" against Zeruel. See more »
Mari is supposed to be British, but in the scene where she speaks in English, the accent is American. See more »
Say, is Colonel Katsuragi around here?
I'm an old friend of hers. I bet we could swap stories about her snoring keeping us up an night. Right, Shinji?
See more »
At the end of the credits, there is a scene where EVA-01 is pierced with the LLance of Longinus, thrown by Kaworu Nagisa piloting the Evangelion Mark.06, who says that he will show Shinji "true happiness." See more »
This review is based on the Blu-Ray release version 2.22
Evangelion 2.0: You Can (Not) Advance (or 2.22 depending on the version you saw) is the most successful interpretation of Evangelion thus far. While the first remake film 1.0: You Are (Not) Alone felt much like a mere recap of the first six episodes of the series, the second film takes a different approach and reaches a remarkable level of success. Everything is smoother, more refined and simply better.
The animation is gorgeous. The plot is more understandable. The characters are actually all likable this time. Many elements of the story are different, and the pretentious biblical gibberish seems to have taken a back seat. There is also warmth that was largely missing in the series: the characters seem to be genuinely content with their lives. Shinji isn't constantly mumbling about hating himself. Rei isn't a completely emotionless robot. Even Gendo seems more human. As a very small, but important detail we see his eyes through his shades far more than in the series, which may not sound like much, but it really makes a difference if you've watched the series.
The story remains mostly the same. The events cover mostly what happens in the episodes 7-19 of the series, but with all the filler cut out. Only the most meaningful angel battles are left. Instead of feeling episodic like the first film, 2.0 actually feels like a proper movie with appropriate highs and lows and character development, culminating in a huge climax which is one of the most exciting action sequences ever seen in animation.
The animation is top of the class. The level of detail is simply eye- popping, especially when watched in HD. With the help of CGI the angel battles look cooler than ever, and the evas are particularly impressive. The fairly simplistic characters are something of a letdown in comparison, but don't drag the overall presentation down.
The sound is also vastly improved from the series. The music this time is appropriately epic, matching the scale and size of the evas and angels. The voice acting is on par with the series with most of the original cast reprising their roles. The ending song, an acoustic version of Utada Hikaru's "Beautiful World" feels perfect for the film, as if letting out a sigh of relief yet still leaving the feeling there's more to come.
Yet there are still problems Evangelion can't seem to get rid of. The biblical imagery and names, though downplayed in this film, still feel somewhat goofy and superficial. Though the plot is more coherent, it still is very weird and it can be hard to grasp what exactly the big picture is. There is some weird dialogue and lines like "Do you hate pain?". Still, the rest of the film is good enough that the viewer is willing to overlook most of the flaws.
Evangelion 2.0 is the best interpretation of the series thus far, and it left me eagerly waiting for more. I recommend seeing the 2.22 version, as it gives more insight to the characters and story. Highly recommended for both fans of the series and newcomers alike.
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