Under constant attack by Angels, NERV introduces two new pilots: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Parallel to the incursion, Gendo Ikari and ...
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The fate of the world is threatened by seemingly monstrous entities known as Angels. NERV is an organisation set up to counter this threat and it is up to young pilots to protect Earth but exactly what are the real motives behind NERV?
14 years have passed since the near third impact. Most of the world has changed except Shinji Ikari who awakens, unaged in a new and strange environment. Misato has formed a group that has ... See full summary »
The final part of the Remake of the Evangelion franchise. Director Anno Hideaki had announced that he is working hard on the project but did not announce the release date. Fans expected it to be released some time in 2017.
On December 18, Kyon finds that several traces of the SOS Brigade have mysteriously disappeared from his life. Mikuru and Yuki do not seem to recall meeting him, and Haruhi and Itsuki do ... See full summary »
Under constant attack by Angels, NERV introduces two new pilots: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Parallel to the incursion, Gendo Ikari and SEELE proceed the secret project that involves both Rei and Shinji. Written by
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In the many changes that the original plot had, the most dramatic changes are: In the anime, when the girls are in an elevator, Asuka slaps Rei for their passivity, while in this film, she tries to slap her and Rei stops the slap with her hand. In the series, Shinji only threatens to destroy the Geo-front, in the film, he does manage to meet this threat and he is seen destroying part of the Geo-front. Toji's younger sister is seen fully recovered in the film, but in the series, the fate of her is never know. In the film, Asuka is much more open with Shinji. For example, the scene of the series in which she lies beside him, she falls asleep and Shinji moves away, but the film she stays in bed and they counted each other's fears, with greater harmony between them that at other times. In the series, when the EVA-01 match against Zeruel, EVA-01 goes into Berserk mode alone, while in the film, Shinji does so at their own will. In the the series the EVA-01 also rebuilds the lost arm with a piece of Zeruel's ripped body, while in the film, the EVA 01 creates a sort of "condensed energy arm" which is also used as "cannon momentum" against Zeruel. See more »
In the scene where Shinji is with Kaji in the garden of watermelons, Shinji and Kaji don't keep the same position, every camera angle place them in different positions. In the first shots, there is a small dirt path between the two characters, but in subsequent shots, there is no path. And in the same scene, Kaji has dirt stains on his face, which change position between shots. See more »
At the end of the credits, there is a scene where EVA-01 is pierced with the LLance of Longinus, thrown by Kaworu Nagisa piloting the Evangelion Mark.06, who says that he will show Shinji "true happiness." See more »
The first Rebuild Of Evangelion gave audiences and fans just about the first 6 episodes of the original series with some small differences but showed promise and pointed to the fact that Anno might be heading to a different direction with the Rebuild series than his original Anime show.
You Can (Not) Advance does take the series into a completely new direction and actually changes situations that fans of the original series are familiar with for the better and actually drops the angsty over-philosophical dribble that hurt his original engaging creation. Characters develop new relationships and interact differently from the show. The three EVA pilots from the original series get some great development here and differ a lot from NGE in a very good way. New characters are introduced, stakes are raised and the film has a lot of build up which boils down to one hell of a climax.
The film has a more intense tone this time around and is very fast paced. The action is incredibly engaging and the film is the first in a while that has gotten my heart beating like crazy during the intense action on-screen. The film does give you breathing space with lighthearted interactions between characters and humor and thus makes it less heavy overall than NGE and EOE even though it certainly is more gruesome and still has it's moments of pure nightmare fuel.
The Score of Evangelion is at it's best in this film and truly delivers. It varies from beautifully orchestrated racing score to sweet and engaging J-pop and Anno sure makes the out-of-place songs fit as well as he did in the show and EOE. The entire experience watching this addition to the series is unforgettable and gives me much hope for even more improvement in the next two installments.
Overall the film is a vast improvement for the series and hints at better things to come with it's significant changes and has raised the stakes for the Evangelion universe. Anno seems to have gotten over his depression completely and bloomed into a true crafter of worlds and emotionally charged storytelling.
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