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Evangelion: 2.0 You Can (Not) Advance (2009)
"Evangerion shin gekijôban: Ha" (original title)

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Ratings: 8.1/10 from 7,287 users  
Reviews: 16 user | 24 critic

Under constant attack by Angels, NERV introduces two new pilots: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Parallel to the incursion, Gendo Ikari and ... See full summary »

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Title: Evangelion: 2.0 You Can (Not) Advance (2009)

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Cast

Cast overview, first billed only:
Kotono Mitsuishi ...
Megumi Ogata ...
Shinji Ikari (voice)
Megumi Hayashibara ...
Yûko Miyamura ...
Fumihiko Tachiki ...
Gendo Ikari (voice)
Yuriko Yamaguchi ...
Ritsuko Akagi (voice)
Maaya Sakamoto ...
Miki Nagasawa ...
Maya Ibuki (voice)
Kôichi Yamadera ...
Ryoji Kaji (voice)
Motomu Kiyokawa ...
Hiro Yuuki ...
Makoto Hyuga (voice)
Takehito Koyasu ...
Shigeru Aoba (voice)
Tetsuya Iwanaga ...
Kensuke Aida (voice)
Tomokazu Seki ...
Toji Suzuhara (voice)
Mugihito ...
Kiel Lorenz (voice)
Edit

Storyline

Under constant attack by Angels, NERV introduces two new pilots: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Parallel to the incursion, Gendo Ikari and SEELE proceed the secret project that involves both Rei and Shinji. Written by Anime News Network

Plot Summary | Add Synopsis

Taglines:

In The War Between Heaven and Earth, Salvation is Machine.


Certificate:

TV-14 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

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Release Date:

27 June 2009 (Japan)  »

Also Known As:

Evangerion shin gekijôban: Ha  »

Box Office

Opening Weekend:

$1,185 (USA) (11 February 2011)

Gross:

$113,926 (USA) (11 February 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(extended cut) | (theatrical)

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In the many changes that the original plot had, the most dramatic changes are: In the anime, when the girls are in an elevator, Asuka slaps Rei for their passivity, while in this film, she tries to slap her and Rei stops the slap with her hand. In the series, Shinji only threatens to destroy the Geo-front, in the film, he does manage to meet this threat and he is seen destroying part of the Geo-front. Toji's younger sister is seen fully recovered in the film, but in the series, the fate of her is never know. In the film, Asuka is much more open with Shinji. For example, the scene of the series in which she lies beside him, she falls asleep and Shinji moves away, but the film she stays in bed and they counted each other's fears, with greater harmony between them that at other times. In the series, when the EVA-01 match against Zeruel, EVA-01 goes into Berserk mode alone, while in the film, Shinji does so at their own will. In the the series the EVA-01 also rebuilds the lost arm with a piece of Zeruel's ripped body, while in the film, the EVA 01 creates a sort of "condensed energy arm" which is also used as "cannon momentum" against Zeruel. See more »

Goofs

Mari is supposed to be British, but in the scene where she speaks in English, the accent is American. See more »

Quotes

Mari Illustrious Makinami: [She walks over to Shinji and she sniffs him] You smell like LCL, you smell good.
See more »

Crazy Credits

At the end of the credits, there is a scene where EVA-01 is pierced with the LLance of Longinus, thrown by Kaworu Nagisa piloting the Evangelion Mark.06, who says that he will show Shinji "true happiness." See more »

Connections

References Colossus: The Forbin Project (1970) See more »

Soundtracks

Beautiful World -PLANiTb Acoustica Mix
Performed by Hikaru Utada
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
8.5/10 - satisfying
27 June 2010 | by (United Kingdom) – See all my reviews

I watched Evangelion as a teenager and liked many aspects of it. However the series was very weak and repetitive in the middle and clearly suffered production difficulties near the end. The movies didn't do much for me after the initial epic-scope aesthetics of End of Evangelion had worn off. Now more than 10 years later I'm pretty happy that things have been reordered and re-rendered to make the series into what it should really have been in the first place.

I don't like the fact than Anno Hideaki has been able to milk the somewhat unfinished series for so much cash and so many editions (not to mention pachinko machines) so far, but taking 1.0 and 2.0 as stand-alone works (and ignoring their pretentious titles) is pretty satisfying.

Story 8/10 Good: much more than a rehash of the series. The story is fleshed out in some of the most necessary places and feels so much tighter and more concentrated than anything that has come before. Some awesome new snippets of what is to come later in the series add some satisfying excitement.

However, there is still an element of "here comes the next baddie" which gets a little tiresome. It is dealt with much more effectively here than the series, but it's still predictable. Nevertheless, despite giving the impression of being about to enter the full-on "monster of the week" barrage, it never really does, which is a blessed relief. The interactions of the characters are becoming more believable, and individual personalities are being better exposed and explained.

But, and it's a necessary but, what's the deal with the fan-service? Come on, man. Take yourself seriously, won't you? Animation 9/10 Well, it teetered between absolutely superb and a little disappointing. The budget was clearly insanely high. Action sequences are fantastically detailed and choreographed for the main part, although suffer from gratuitous flailing of limbs and ridiculous acrobats which unfortunately dumb it down a little. Backgrounds are simply amazing. The detail and range is incredible. The failings lie in the characters. Sometimes character faces and expressions look out of place by their simplicity. The broad pen pines and over-simple shading are a bit of a let-down.

Sound 7.5/10 Not particularly amazing. Again we see the technique of using a mixture of classical and children's music for depth and vulnerability. I'm surprised at some of the choices though. For example, one of the children's songs used is very popular in Japan and often used in elementary schools. The manner in which it is normally used makes its appearance in the film almost comical; which can't have been the intention. Not really knowing many Japanese people who care that much about anime I haven't been able to ask what they though, but it seemed a bit silly to me.

The Japanese people speaking English throughout the film are incredibly embarrassing. What a huge mis-calculation. How hard is it to train people to say a small number of lines in a natural way? Characters 8.5 Although some of the characters (particularly Asuka) seem to have become even less likable, for the most part the big-hitters have only improved. Although there is little time left for the minor-characters to develop or even really be involved, the well-developed personalities of the leads take somewhat new directions in their relations to one another. The relationship between teen-sap Shinji and his father has a more satisfying and somewhat relatable edge to it now, and Rei's annoyingly hyperbolic meekness has been flatted out to something more forgiving. All in all, satisfying.

And the new lead, Mari, is much better than (at least I) predicted. She has a very interesting relationship with herself, and pain. I am definitely looking forward to her future development.

Eva designs seem to have changed slightly around the waist which was a curious choice, and doesn't add much to their attractiveness. In contrast, the Angels have been changed for the better. The old, sometimes Ultraman-ish designs were sometimes a little... Ultraman-ish. The reduced number and better designs have helped things along well.

Overall 8.5/10 Overall satisfying. For me the film didn't quite have the intensity ascribed to it by others, and the ending I thought actually lacked a little emotional attachment. I also thought that the amazing animation and choreography discussed above wasn't nearly as good near the end as it was earlier in the feature. But despite this, as a whole this movie blows the series out of the water. So much which was unsatisfactory is now shiny and new. Whether or not I would feel this way about the film without having seen the rest of the franchise is anyone's guess, but I really enjoyed it. Good work, keep it up.


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