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Still Life (2006)
"Sanxia haoren" (original title)

7.3
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Ratings: 7.3/10 from 3,594 users   Metascore: 81/100
Reviews: 33 user | 98 critic | 10 from Metacritic.com

Citizens return to a flooded town to salvage what they can and say good-bye to things they lost.

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(screenplay), , 1 more credit »
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Title: Still Life (2006)

Still Life (2006) on IMDb 7.3/10

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Cast

Credited cast:
...
Zhou Lan ...
Huang Mao
...
Sanming
Lizhen Ma ...
Missy Ma
Hongwei Wang ...
Wang Dongming
Rest of cast listed alphabetically:
Kai Chen
Ronghu Chen
Jian Chieng
Chuanan Fang
Zhongming He
Yong Huang
Deping Jiang
Shiping Jiang
Tianyah Lan
Bin Li
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Storyline

Coalminer Han Sanming comes from Fengyang in Shanxi to the Three Gorges town Fengjie to look for his ex-wife whom he has not seen for 16 years. The couple meet on the bank of the Yangtze River and vow to remarry. Nurse Shen Hong also comes to Fengjie from Taiyuan in Shanxi to look for her husband who has not been home for two years. The couple embrace each other and waltz under the imposing Three Gorges dam, but feel they are so apart and decide to have a divorce. The old township has been submerged, while a new town has to be built. Life persists in the Three Gorges - what should be taken up is taken up, what should be cast off is cast off. Written by Perry Yu <perry@pobox.com>

Plot Summary | Add Synopsis

Plot Keywords:

river | yangtze river | nurse | dam | pining | See more »

Genres:

Drama

Certificate:

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Parents Guide:

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Details

Country:

|

Language:

Release Date:

16 November 2006 (Hong Kong)  »

Also Known As:

Still Life  »

Filming Locations:

 »

Box Office

Budget:

CNY 10,000,000 (estimated)

Opening Weekend:

$16,036 (USA) (18 January 2008)

Gross:

$68,236 (USA) (14 March 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2007 (#02, tied with "Inland Empire" and "Death Proof"). See more »

Quotes

Brother Mark: You're a nostalgist.
Shen Hong: We can't forget who we are.
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User Reviews

Jia Zhang-ke continues with his good work while becoming a little more accessible
29 November 2006 | by (Hong Kong) – See all my reviews

China's sixth generation director Jia Zhang-ke's recent Golden Lion winner at Venice is slightly more accessible to the general audience than his previous work, although Shijie (2004) has been heading generally towards that direction. Unlike Xiao Wu (1997), which is completely devoid of story or plot, Still Life at least has a story (in fact two) of sorts but, to Jia credit, stays away from the conventional Hollywood melodrama formula. The last thing we need is another Hollywood-look-alike movie made by a Chinese director who gives up what he is good at to impersonate a Hollywood director. There are already too many.

The story of the Three Gorges Dam begs to be told. Jia tells it from a micro, personal angle, by weaving two separate stories together, with the Three Gorges Dam project not just as a backdrop, but also as a subject of enquiry. In polarized contrast to the gorgeous tourism posters, Jia's camera shows the devastation along the Gorges in a way that almost reminds you of the ruins in Polanski's "The pianist". In the two unrelated stories, two people arrive in the same riverside town, a nurse looking for her husband who seems to have lost interest in her, and a coalminer searching for his wife who left him, taking with her their daughter.

These stories are told in Jia's usual minimalist style, but with pain sticking attention to details. Instead of the dialogue, it's the nuances, the body language, and even the framing of the shot that reveals. New to Jia's screen are moments of playful, surprising touches as if the director is saying "Hey, I can handle surreal too". The appropriate use of pop music from Hong Kong, Taiwan and the Mainland of China adds to the dimension and depth of the film.

True to his tradition, Jia films the life of ordinary people just as it is. The coalminer in Still Life is one in real life, and a relative of Jia. He even uses his real name Han San-ming. True to his tradition again, Jia uses only one professional actor, Zhao Tao, but she is so good that you can't tell her apart from the rest of the "cast" in terms of being an authentic, ordinary person that Jia might have just picked from a crowd in the street.

I miss Jia's earlier work such a Xiao Wu, for its uniqueness and detached, realistic depiction of lives of real people. On the other hand, I don't mind his introduction of conventional "entertaining" elements, so long as he stops before, way before, succumbing to the senseless scramble of the Chinese 5th generation directors to capture the Hollywood market. Many a soul has been sold for fame and fortune.


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