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|Index||15 reviews in total|
I loved this movie! The focus of this heist movie was on the characters' resourcefulness and cleverness, not on special effects. The clever dialogue, plot twists and the wonderful humor reminded me of the great classic "The Sting." I much preferred this film to the big-budget Ocean 11-13 series, which is too self-important, and I found the characters far more charming and easy to root for. While I am not Latina, I am very familiar with the works of the three stars, Varoni, Colunga and Lisazo, and they were the reason I went to see this film. They did not disappoint me. The entire ensemble is great and very believable, although Oscar Torre and Miguel Varoni steal a few scenes. Fernando Colunga always stands out b/c he's so darn HOT! He's also very good here. On the other hand, my friend's heart palpitated every time S. Lisazo and G. Toro came on screen. Ivonne Montero is very funny in a role very different than many of her telenovela ones. All around, definitely worth seeing!
I don't believe that I need to recap the plot of this movie since other
commentators have done so quite clearly. However I would like to expand
on three aspects of the film: the casting, comparable movies, and the
I'm an Anglo and came across the movie by accident on Amazon.com. As such I was totally unfamiliar with the cast of this movie, most of whom appear to have extensive credits in Hispanic television series. When an actor delivers a good performance you can credit the actor. When all the actors fit their roles you have to credit the casting. Saul Lisazo, as the putative villain Moctesuma Valdez, was impressive. Both of the gang leaders, Miquel Varoni as Emilio Lopez and Fernando Colunga as Alejandro Toledo, were in character. While the latter was billed first, I assume he's better known for his television work, I would say the former was more of a standout in this film. Ruben Garfias was expressive as car jockey Rafa and Ivonne Montero was very dynamic as his motor-head daughter Rafaela. Gabriel Soto brought some charm to the usually thankless role of caper muscle man. Julie Gonzalo was attractive in the role of the nanny Gloria but Sonya Smith had little to do as Mrs. Valdez (apparently she was more actively involved in a sub-plot which was cut from the movies to reduce run time). Oscar Torres as Miguelito, a would be actor, and Jon Molerio as a security guard provide standout comedy relief. Only the computer "nerd" role of Julio Miranda was surprisingly under written given that it was played by JoJo Henrickson, the author of the screen play. It is relatively seldom that all major roles in a film are well cast. It is a high compliment when I say it makes me want to go out and look at the other work of these performers.
Commentators have compared this film to Ocean's Eleven (1960/2001) or the The Sting (1973) in terms of where it was derived from and the style of the caper. I don't know who made the first caper film, with people coming together to stage a heist, but I know it definitively precedes Ocean's Eleven (1960). Without even pausing I can think of Jules Dassin's Rafifi (1955), Stanley Kubrick's The Killing (1956) or John Huston's The Asphalt Jungle (1950). In terms of style I think we must remember that this film was apparently made on a budget of US$900,000 over twenty days. Its simply not going to have the high-technology caper of a big budget Ocean's Eleven (2001). The complexity of the caper is more like that of 1960's television series Mission Impossible or Man From U.N.C.L.E. However the director and writer of this film wisely choose to concentrate on character and social commentary rather than complexity of the caper. This fits better within both the budget and the concept of invisible immigrants staging a caper. Part of the emotional satisfaction with the ending is the social commentary embedded within it.
Technical credits are normally taken for granted but deserve comment in this case. The camera work is particularly impressive, with use of continuous takes as the camera moves amongst the participants in the scene. This style binds the characters together and creates both realism and a sense of activity. I was also impressed with some of the framing of the shots, with the main characters bookending the background events. I don't think I've ever commented on subtitles in a movie. Inevitably one senses that the subtitles you are reading are a poor reflection of what's said in the original language. In this case the English subtitles, I presume by the screen writer JoJo Henrickson, are fluid and fully convey the emotions on the screen. The catchy soundtrack also adds to the professionalism of the credits.
WOW! MUST SEE!! Ladrón que roba a ladrón This Gringo felt that this
movie is one of the best this year.. Funny, Clever, Excellent
direction, Very well acted. Four Stars!! This is my first review but I
felt compelled to write it. Ladrón que roba a ladrón was Fantastico!
Muy Bien!! The plot was well developed with a little extra surprise
which pulled it together well. The language was Spanish but easy to
follow with the acting and the subtitles, which were very clear, and I
honestly at the end felt I was watching it in English.
The plot develops well from the beginning and the characters grow on you. The acting was first rate and Dirctor Joe Menendez and Writer JoJo Hendickson put it all together in a tight package without the unnecessary fluff that often take a good story and makes it difficult to follow.
Ladrón que roba a ladrón is a Must See!!
*** This review may contain spoilers ***
Not a deep film, no moral lesson learned (except that Karma is a female
dog with PMS), but entertaining and amusing.
Fernando Colunga and Miguel Varoni are likable and clever as the two master thieves who conspire to steal an ill-gotten fortune. There is almost a Rat-Pack feel to them; they certainly have the attitude. I think sometimes that Miguel Varoni wants to be the Hispanic John Cleese; this must help to explain the contrast between his slightly sleazy look (awkward ponytail and stubble) vs Colunga's perfect grooming and tooth-paste-commercial smile. He has that perfect, ideal masculine face that belongs on a big screen; my one disappointment is that we didn't get to see more of his equally perfect body.
The other actors, especially Gabriel Soto as the muscle-man and the great Saul Lisazo as the greedy villain, are amusing and look like they're having a good time in this film. The Mission-Impossible style heist is not as smooth as in that classic TV program, but clever, amusing, and with more than a few jokes about what it is to be a Latino immigrant in the US.
The early scenes of immigrants falling for the phony products and the TV studio scenes poke fun at the infomercials for sexually-related pills and phony weight-loss products one sees on Telemundo. Every time I see those commercials I always wonder how the actors can get through them with straight faces. There are a few things you're in the dark about on the way to the end (which I won't reveal) but suffice to say that the ending of this picture is very satisfying.
Pasto,Colombia...Via: L.A. CA., CALI, COLOMBIA...and ORLANDO, FL
LADRON was released in August 2007, just before the U.S. economy hit a gigantic speed bump in 2008 If you're over 18, I'm sure you remember what the next couple years were like, right? Well, I remember watching promos for the film some years back and how people involved with the film said, "It was produced in Miami The Capital of Latin America!" Strange Since the big recession, really haven't heard that phrase tossed about anymore! To counter that, however, as an L.A. ex-pat, it sure looks as though a lot of the filming was done in the Hollywood Hills But IMDb said there was no INFO on filming locations, so I can't really be sure!
If you look at the actors and the people involved in making LADRON, it is a sort of an International Hispanic "Who's Who!" In the Director's chair, we have Joe Menendez, born in NYC, Cuban-American; His life-partner, Roni Eguia Menendez is credited as #1 Producer, there is no background on his specific ethnicity, but the surname Eguia seems to be of Basque origin; The principal leads are: Fernando Colunga, born in Mexico City; Miguel Varoni, although born in Buenos Aires, Argentina, he was raised in Colombia and most people consider him as such; Saul Lisazo is from Argentina, but has lived in Spain and now in Mexico City; Gabriel Soto, from Mexico City; Julie Gonzalo was born in Buenos Aires, but has lived in Miami since she was 8; Sonya Smith, of Telenovela Fame, born in Philly, she is Venezuelan-American.
Most of the rest of the cast seem to be of Hispanic origin, but born in the USA! LADRON is done in a style that is quite tongue in cheek. I'd say almost a little too much so at times, making for a rather Cavalier experience for cast and crew, who seem to be having a lot of fun making the film! Does this insider merriment translate into viewer enjoyment? In general, yes, but not always. In any case, I think the vast majority of people will find it breezy, fun and enjoyable! Just under $7 Million Gross for most movies released in the U.S. would be considered dismal Yet, LADRON is the highest grossing film produced and released in Spanish EVER in the U.S.! Well, at least until 2008 I can't be sure about after that.
Yes, the film is in Spanish Well, at least about 98% of the dialog is in Spanish. Would a non-Spanish speaker enjoy the movie as much? The answer to that has to be "NO", of course, but that doesn't mean that it isn't worth seeing just because you don't speak Spanish. In fact, if you are interested in the dynamics of cultural differences, you might find the interaction of Hispanics from many different countries within the U.S. to be rather interesting and amusing.
How well done are the subtitles in English? Since I never pay much attention to them, I'm not really sure But I did notice there did not SEEM to be much in the way of gaps where there were no on screen subtitles! Sorry, but that's about the only help I can provide in that area!
Any comments, questions or observations, in English o en Español, are most welcome!.....
First off, I love when people try and be production critics ("bad direction") when the majority of people just want to know if the film is good. And Ladron que roba a ladron is just that. Who says similar movies, Ocean's 11 and this one, can't coexist? First of all, it's in Spanish, but for me, who only speaks English, it didn't distract from the movie at all. The actors area all great, which is not always true for ensemble casts. The plot isn't necessarily predictable, as there are definitely twists, and the fact that it was filmed in LA really doesn't have any effect on the film, positive or negative. Overall I absolutely recommend this film, especially if you, like me, feel the Matt Damon- George Clooney dynamic getting old.
*** This review may contain spoilers ***
That translation sounds very familiar, Yes, dear readers, we have seen
this type film many times over the years.The Oceans 11-13 series, comes
to mind first.
The film was made by a Mexican-American film company & has a large cast of actors famous on Mexican Television. The cast & crew live in Los Angeles & have their roots either here or in other Latin-American countries. The setting is Los Angeles, most of which was filmed in a beautiful house & grounds in one of the more upscale areas.
The entire cast is excellent,all aspects of the movie are first rate.
The general idea of this tale is we have a villain, a snake-oil salesmen who sells phony health remedies to gullible TV listeners. Enter 2 righteous dudes who form a gang to take this sleaze-ball down
It is a fun ride all the way, with a few surprises.
I was laughing out loud all the way through, I think you all will as well. This movie has none of the phoniness of the Oceans 11-13 series,
Minimum of violence,next to no sexual stuff & no songs to disrupt the comedy.its pure fun. It is in Spanish with excellent closed captioning.
next to no objectionable language as well.
Ratings ***1/2 (out of 4) 94 points (out of 100) IMDb 9 (out of 10)
Ladron Que Roba A Ladron is a good Latino film with a Telenovela cast
(soap opera) Colunga, Lisazo, Montero, Soto and Varoni. The story, the
direction and the acting were good as well with some funny moments. Few
things I like about the film is how the movie begins believe it or not
does things happen.
I was expecting for more and my only complaint about this movie is that the actors need to challenge themselves a little bit more and break up the "Telenovela" type of look they have so that we can see that they are up to something different.
I hope I make myself clear on this, anyways overall they make a good movie made for TV.
I was born in the US to immigrant parents and while I don't care for
telenovelas or the typical overracting that is present in Latin
entertainment, I really enjoyed this movie.
While it may seem to be a wannabe Ocean's 11, you also have to bear in mind that the recent O11 movies are also knockoff's of an original movie made in the 60's. I don't think that this movie is in any way trying to set itself apart or claim complete originality. The formulas have been used in many movies in the past, present and will continue to be used in the future.
What sets this movie apart is how the subject appeals to a broad group of people on a personal level. This is not the type of movie that could truly appeal to non-Latinos because they have no emotional investment in the storyline. While there may have been a few things that others would consider predictable, it was still worthwhile to view. I think that if non-Latinos could understand the struggles that Latinos endure trying to come to the US, they would have a deeper understanding of what it means to get back at someone who robs their own people.
I think that if I did not speak Spanish I would probably not appreciate the film as much. The nuances in tone and inflection by some of the actors, particularly Oscar Torres, are just outstanding. I loved watching him on the screen and hope to see him in more movies. I think that his character alone, led the audience to an uncertainty of the outcome of the heist. The other actors, popular in the world of Telenovelas, still had some very good performances.
Personally , I would not really compare this to Ocean's Eleven, Italian Job or any of those types of heist movies. Those movies had an air of sophistication that is entirely different than LQRL. I would compare LQRL more to the Donal Logue show, Knights of Prosperity. Equally zany, hilarious and in some cases the performances are so nonsensical you can't do anything but laugh your @ss off.
The ending is of a different type than most heist movies in that it circles back and closes well.
*** This review may contain spoilers ***
boy i was over pleased with this(maybe because i did not have high
expectations since never seen an add for it? ) reading the reviews of
how low the budget was and especially 20 days of shooting sound unreal
to me for such a top notch cast and especially directorial credits.
i absolutely love the political undertones such as "oh boy i did not that the united states are not as pro-syndicates as much as i thought", and that coming from a character that is a Cuban political refugee.you will have to see the context in which this happens, i almost fall of the chair laughing on this one.
unlike many action movies this days( or even worse comedy actions)this one has a CLEAR focus without many inner-thoughts and supposable "choices" normal people theoretically have. the movie shows the wonders of "direct action" in a very intelligent, non-violent way.everyone has doubts about getting onto the heist but once the target is reviled as a multimillionaire Argentinian "shark" representing the pro-globalization salesman movement, everyone is willing to take the calculated risk involved.all the team members put effort and especially passion in see the things done right. the bad guy slowly reveals himself as being a pure evil character that indeed feeds on and gets more wealthy from the suffering of others, especially his own Latin group. this guy shows a level of narcissism typical to Latin telenovelas but with tragic social-economic implications in the movie context. the puns taken at Tom Hanks, Julia Roberts and other media made "stars" are very hilarious and witty)))) also this scene show a naivety based on perceptions that are familiar to telenovelas viewers regardless of which country/culture one would be part of.
the character called "primitivo" makes such hilarious scenes sometimes by name alone, and mot just in a "simplistic" approach))), the references to Castro are darn hilarious; the movie does not seem to pick a side even if its intentions are to show insights onto globalization as we feel it, not necessary seeing the whole "details"; and there are many attempts at portrayng those, generally within a very funny framework that not even the "big guy" would resist cracking a few loughs at least)))
i have never seen any of this actors before and i was surprised of how great their chemistry is without "over the top" vibes.the two hit planners have the physical and spiritual appeal of classic revenge movie genre.the female characters are absolutely delightfully and provides excellent Latin type of comic relief that goes both ways.
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