| Wade Davis | |||
| Nikki Kelly | |||
| Kick Kennedy | ... | Herself | |
| Robert Redford | ... | Narrator | |
| Shana Watahomigie |
Directed by | |||
| Greg MacGillivray | |||
Writing credits(WGA) | ||
| Jack Stephens | (written by) and | |
| Stephen Judson | (written by) | |
Produced by | |||
| Anne Marie Hammers | .... | line producer | |
| Mark Krenzien | .... | producer | |
| Greg MacGillivray | .... | producer | |
| Shaun Macgillivray | .... | producer | |
| Basil Moore | .... | co-executive producer (as Basil Moore-Asfouri) | |
| Christopher N. Palmer | .... | executive producer (as Chris Palmer) | |
| Chat Reynders | .... | executive producer | |
Original Music by | |||
| Stefan Lessard | |||
| Steve Wood | |||
Production Management | |||
| Sandra Stokes | .... | production manager | |
Art Department | |||
| Phillip Clarke | .... | construction coordinator | |
Sound Department | |||
| Steve Bartkowicz | .... | sound re-recording engineer | |
| Kerry Ann Carmean | .... | sound editor | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Phil Lee | .... | sound mix technician | |
| Michael Payne | .... | sound effects editor | |
| Greg Steele | .... | adr mixer | |
| Tim Walston | .... | sound designer (sound effects editor) | |
| Greg Zimmerman | .... | adr recordist | |
| David Abrahamsen | .... | sound editor (uncredited) | |
| Rob Walker | .... | dialogue editor (uncredited) | |
Visual Effects by | |||
| Rodrigo Armendariz | .... | digital compositor | |
| Chris Brown | .... | visual effects producer | |
| Colin Feist | .... | compositing supervisor | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Lala Ghukasyan | .... | rotoscope artist: stereoscopic conversion | |
| Paul Haman | .... | matchmove | |
| Moises Jimenez | .... | compositor | |
| Jason Jue | .... | digital compositor | |
| Marios Kourasis | .... | digital effects team: Giant Screen | |
| Alan G. Markowitz | .... | visual effects producer | |
| Josh Mossotti | .... | digital effects team: Giant Screen | |
| Jeremy Nicolaides | .... | stereoscopic supervisor: Sassoon Film Design | |
| John Pierce | .... | stereoscopic compositor | |
| Craig Edward Rogers Jr. | .... | digital compositor | |
| Craig Edward Rogers Jr. | .... | film recording | |
| Lauren van Houten | .... | digital artist (uncredited) | |
Camera and Electrical Department | |||
| Justin Bergler | .... | second assistant camera: "a" camera, IMAX 3D | |
| Zach Grant | .... | camera production assistant | |
| Moises Jimenez | .... | film recordist | |
| Michael Thompson | .... | camera production assistant | |
Editorial Department | |||
| Tim Amick | .... | assistant editor | |
| Todd Baillere | .... | post-production consultant | |
| Jason Stearns | .... | post-production assistant | |
Other crew | |||
| Chip Bartlett | .... | distribution | |
| Doug Lavender | .... | stereographer | |
| Juliet Lopez | .... | river unit | |
Thanks | |||
| Jason Sobczynski | .... | steam locomotive crew | |
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| Grand Canyon: The Hidden Secrets | River Right of Passage | City Swimmers | Dangerous Waters | Surviving the Game |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
We saw this movie at an IMAX. It was amazing to say the least. Whoever calls it "brainwashing" obviously didn't understand the real message, being that the Colorado River must be protected. If not for anything else, this movie is worth your time for the funky Dave Matthews tunes and the stunning scenic cinematography. Whether you get the chance to see this film at an IMAX (preferably), or at a conventional theater, you will, considering you have an open mind and a love for nature and all its amazing wonders like the Grand Canyon, certainly not be disappointed. These film makers are not trying to brainwash anybody. They have a passion for protecting our environment and have expressed that brilliantly through this film. I highly recommend it!