In Manitoba, Hagar Shipley is nearing 90. She has little, she tells us, but her memories. Over several weeks, during which she runs away from her son and daughter-in-law who want to place ... See full summary »
A hate crime on the campus of a New England college puts the school's dean (Parker) in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration's politically correct policies.
Sarah Jessica Parker,
A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's floundering dental practice receives new life when clients seek out his healing touch.
Lawrence Wetherhold is miserable and misanthropic: he's a widower, a pompous professor at Carnegie Mellon, an indifferent father to a college student and a high-school senior, and the reluctant brother of a ne'er-do-well who's come to town. A seizure and a fall send Lawrence to the emergency room where the physician, a former student of his, ends up going on a date with him. His daughter, Vanessa, lonely and friendless, who's been bonding with his brother, tries to sabotage dad and the doctor's relationship, but Lawrence is good at that without help. Is there any way these smart people can get a life? Can happiness be pursued beneath layers of irony? Written by
Crassly opportunistic! It's clear now why they had not released this film before: it's mediocre and depressing.
This movie was made before "Juno," but remained on the shelf. It is clear now why--- it's just not very good. Ellen Page's Oscar nomination, and her incredible performance in "Juno" got some studio to do some thinking. "Aha!" they probably thought,"Here's a way to cash in her new found fame, and unload this turkey." The studio peeps were, in fact very smart people. The movie, however, is rather dull and depressed.
It was interesting to hear Page's perky "smart alec" voice in a character she played before "Juno." It indicates that much of what she showed us in "Juno" was HER, and not mere dialogue or direction.
Alas, the characters in "Smart People," especially Dennis Quaid's, were scruffy dim-bulbs, and not very pleasant, not admirable, nor watchable.
Bottom line, this clunker had sat unreleased and in the warehouse for a reason. It's not pure rubbish, but it comes mighty close. Its release now is pure commercial opportunism. Avoid it if you can!
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