When this year's round of unsuspecting Northerners fail to show up for their annual Guts N' Glory Jamboree, the residents of Pleasant Valley take their cannibalistic carnival on the road ... See full summary »
Based on Ray Manzarek's bestselling novel of the same name, "The Poet in Exile" explores the notion "what if" his former band mate, the iconic rock and roll poet and legend Jim Morrison, ... See full summary »
Riddled with guilt over the loss of his rock star older brother, 16-year-old David Forrester becomes obsessed with death, leading his misguided parents to send him to Driftwood, an ... See full summary »
A boy declares his love for his girlfriend, only to die the same night. He is brought back to life by his mother as a flesh-craving zombie, who sires more teen undead while trying to control his, er, appetite for his beloved.
A hip hop horror anthology of three tales of terror told by the Hound of Hell (Snoop Dogg) that revolve around the residents of an inner-city neighborhood whose actions determine where they will go in the afterlife.
When this year's round of unsuspecting Northerners fail to show up for their annual Guts N' Glory Jamboree, the residents of Pleasant Valley take their cannibalistic carnival on the road and head to Iowa where they encounter spoiled heiresses Rome & Tina Sheraton and the cast and crew of their "Road Rascals" reality show. Performing "The Bloodiest Show on Earth", our Southern Maniacs prove more than ratings killers. Written by
George W. Buckman
The previous 2001 Maniacs was pretty good. I was surprised that the parts between the murders were just as fun the deaths themselves (unlike HG Lewis's original). This sequel to the remake, however, is an absolute travesty where NOTHING works.
I'm all for a bad movie, but this one made me angry. The characters are the definition of cliché, the dialog is miserable, and the actors do nothing to even slightly improve upon the crap they're given to work with. Everyone puts on an accent or persona they simply can't pull off. Even Bill Moseley stinks. Every one of his lines comes off as something you'd find on the gag reel. He laughs through each line as though he no longer wants to laugh.
The worst part of this wreck is the merciless attempt at comedy. Trust me, there is nothing funny about this movie! When one joke fails, the viewer moves on. When every joke fails, the viewer gets enraged, especially when each stone aged joke relies too heavily upon multicultural racism and flamboyant homosexuality.
This movie is worse than bad. This movie is, by and large, a sheer waste of time and energy.
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