| Videos (see all 2) |
| Michel Joelsas | ... | Mauro | |
| Germano Haiut | ... | Shlomo | |
| Paulo Autran | ... | Mótel, Mauro's grandfather | |
| Simone Spoladore | ... | Bia - Mauro's mother | |
| Eduardo Moreira | ... | Daniel, Mauro's father | |
| Caio Blat | ... | Ítalo | |
| Daniela Piepszyk | ... | Hanna | |
| Liliana De Castro | ... | Irene (as Liliana Castro) | |
| Rodrigo dos Santos | ... | Edgar | |
| rest of cast listed alphabetically: | |||
| Felipe Hanna Braun | ... | Caco | |
| Gabriel Eric Bursztein | ... | Bóris | |
| Abrahão Farc | ... | Anatol | |
| Haim Fridman | ... | Duda | |
| Edu Guimarães | ... | Alfredo | |
| Gérson | ... | Himself (archive footage) | |
| Jairzinho | ... | Himself (archive footage) | |
| David Kullock | ... | Haza | |
| Sérgio Mastropasqua | ... | Man #2 | |
| Pelé | ... | Himself (archive footage) | |
| Rivelino | ... | Himself (archive footage) | |
| João Saldanha | ... | Himself (archive footage) | |
| Alex Sander | ... | Aaron | |
| Hugueta Sendacz | ... | Dona Eidel | |
| Tostão | ... | Himself (archive footage) | |
Directed by | |||
| Cao Hamburger | |||
Writing credits(in alphabetical order) | ||
| Adriana Falcão | script collaborator | |
| Claudio Galperin | ||
| Cao Hamburger | ||
| Bráulio Mantovani | ||
| Anna Muylaert | ||
Produced by | |||
| Daniel Filho | .... | co-producer | |
| Caio Gullane | .... | executive producer | |
| Caio Gullane | .... | producer | |
| Fabiano Gullane | .... | executive producer | |
| Fabiano Gullane | .... | producer | |
| Cao Hamburger | .... | producer | |
| Sônia Império Hamburger | .... | executive producer (as Sônia Hamburger) | |
| Débora Ivanov | .... | associate producer | |
| Fernando Meirelles | .... | co-producer | |
| Paulo Eduardo Ribeiro | .... | associate producer | |
| Carlos Eduardo Rodrigues | .... | associate producer | |
| Patrick Siaretta | .... | associate producer | |
Original Music by | |||
| Beto Villares | |||
Cinematography by | |||
| Adriano Goldman | |||
Film Editing by | |||
| Daniel Rezende | |||
Casting by | |||
| Patricia Faria | |||
Production Design by | |||
| Cassio Amarante | |||
Makeup Department | |||
| Anna Van Steen | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Kity Féo | .... | first assistant director | |
| Carol Lutz Setubal | .... | third assistant director (as Carol Lutz Klachoun) | |
Art Department | |||
| Kapel Furman | .... | props (as André Kapel) | |
| Fábio Goldfarb | .... | set designer | |
| Bia Pessoa | .... | art painter | |
| Ana Lucia Valentim | .... | painter | |
Sound Department | |||
| Fabio Abu-Jamra | .... | assistant sound editor | |
| Luis Bourscheidt | .... | foley assistant | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Henri Siro Evrard | .... | assistant sound editor | |
| Roger Hands | .... | foley artist | |
| Carlos Klachquin | .... | sound consultant: Dolby | |
| Juliana Lago | .... | assistant sound editor | |
| Alessandro Laroca | .... | supervising sound editor | |
| Eduardo Virmond Lima | .... | sound effects editor | |
| Fernando Lobo | .... | foley mixer | |
| Antonio Mac-Dowell | .... | foley editor | |
| Débora Opolski | .... | dialogue editor | |
| Romeu Quinto | .... | sound mixer | |
| Armando Torres Jr. | .... | sound re-recording mixer | |
Special Effects by | |||
| Sergio Farjalla Jr. | .... | prop builder | |
Visual Effects by | |||
| Marcelo Ferreira PeeJay | .... | digital effects artist | |
| Fabian Gamarra | .... | data manager | |
| Rogério Marinho | .... | visual effects | |
| Robson Sartori | .... | visual effects coordinator | |
| João Theodoro | .... | 2k scan | |
| Karina Vanes | .... | post-production coordinator | |
| Ricardo Imbelloni Vitor | .... | film recording | |
| Ariel Wollinger | .... | digital intermediate supervisor | |
| Ariel Wollinger | .... | film recording supervisor | |
| Mariana Zdravca | .... | post-production coordinator | |
Camera and Electrical Department | |||
| Israel Basso | .... | grip | |
| Rodrigo Carvalho | .... | camera operator | |
| Claudino Guzula | .... | key grip | |
| Carol Minêm | .... | video assist operator | |
| Marcelo 'Marcelinho' Oliveira | .... | gaffer | |
Animation Department | |||
| Rafael Terpins | .... | animation director | |
Editorial Department | |||
| Alex Ferreira Barreiro | .... | assistant editor | |
| Alessandra Casolari | .... | post-production coordinator | |
| Fábio Fatorelli | .... | assistant editor | |
| Patrícia Nelly | .... | post-production assistant | |
Music Department | |||
| Thacio Palanca | .... | music production assistant | |
| Fil Pinheiro | .... | composer assistant | |
| Fil Pinheiro | .... | music editor | |
| Fil Pinheiro | .... | musician | |
| Patrícia Portaro | .... | music clearance | |
Other crew | |||
| Manuela Mandler | .... | production assistant | |
| Florence Narozny | .... | press attache: Frfance | |
| Jair Neto | .... | production assistant | |
| Christiane Riera | .... | consultant | |
| Leticia Tauffenbach | .... | script supervisor | |
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| Persepolis | Everything Is Illuminated | David | The Best of Youth | Catch a Fire |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Brazil section |
In 1970, near the World Cup, Daniel Stern (Eduardo Moreira) and his wife Miriam (Simone Spoladore) leaves Belo Horizonte in a hurry and scared with their ten years old son Mauro (Michel Joelsas) in their Volkswagen. While traveling to São Paulo, the couple explains Mauro that they will travel on vacation and will leave Mauro with his grandfather Mótel (Paulo Autran). Daniel promises to return before the first game of the Brazilian National Soccer Team in the Cup. The boy is left in Bom Retiro, a Jewish and Italian neighborhood, and waits for Mótel in front of his apartment. When the next door neighbor Shlomo (Germano Haiut) arrives, he tells the boy that Mótel had just had a heart attack and died. Alone and without knowing where his parents are, the boy is lodged by Shlomo and the Jewish community. Through the young neighbor Hanna (Daniela Piepszyk), Mauro makes new friends, cheers for the Brazilian team and sees the movement of the police and militaries on the streets while waiting for his parents.
In 1970, 90 millions of Brazilians were cheering for the National Soccer Team in the World Cup while the dictatorship had the toughest and cruelest moment against the opposition. I found this touching and sensitive movie amazing, since the director Cao Hamburger was able to brilliantly work with amateurish children and achieve outstanding performances, exposing the political situation of that milestone of Brazilian contemporary history through the eyes of a middle-class boy of ten years old. For me, it is absolutely impressive because I had approximately the same age of Mauro in 1970 and I lived that moment going to school, playing soccer and buttons, going to the beach and to the movie theater and cheering for our National Soccer Team without knowing or understanding clearly what was happening. The story is very simple and dramatic, but never corny, and the very convincing performances of the cast is awesome and touching. Michel Joelsas and Daniela Piepszyk have key roles in the story and I dare to write that two stars are born. My vote is ten.
Title (Brazil): "Ano em Que Meus Pais Saíram de Férias, O" ("The Year When My Parents Went on Vacation")