During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.
Set in 1960 London, where a soon to retire caretaker convinces a glass-ceiling constrained American executive to help him steal a handful of diamonds from their employer, the London Diamond Corporation.
Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
Two extremely clever British men are in a game of trickery and deceit. Andrew Wyke, an aging famous author who lives alone in a high-tech mansion, after his wife Maggie has left him for a younger man; and Milo Tindle, an aspiring actor, equipped with charm and wit, who demonstrates both qualities once again. When Wyke invites Tindle to his mansion, Tindle seeks to convince the former into letting his wife go by signing the divorce paper. However, Wyke seems far more interested in playing mind games with his wife's new lover, and lures him into a series of actions he thoroughly planned in seeking revenge on his unfaithful spouse. Written by
Postalj (Taken from Sa'ar Vardi's post)
Although the basic situations in this film and the original 1972 "Sleuth" are frequently very similar, all of the dialogue has been completely changed (from both the 1972 film and the original play). See more »
When Andrew and Milo are in the guest bedroom and Maggie calls, the phone is not picked up and the illuminated blue display fades once the call ends. In the next shot, the display is illuminated again. See more »
The most important thing when you watch this film is to avoid any comparison with the 1972 classic. Not easy I grant you but essential if you want to enjoy this film on any level. Any comparison will not be favourable to this version.
There is an obvious attempt to give this film an ultra modern feel by employing huge amounts of high-tech gadgets and having sleek metal and chrome surfaces on display throughout the house. Kenneth Branagh has made use of various techniques such as showing the action through security cameras and filming from different angles to give this film a unique look. However, none of these things are a problem. There is a slightly excessive use of swear words which does give the impression that the writer was trying desperately to engage a younger audience through any means necessary.
The first half of this film is engaging enough and follows the plot of the original pretty closely. However, the second half is a bit of a mess. Jude Law's performance is laughable and there is a homosexual undercurrent that has no place in the plot and is in fact very damaging to the credibility of the film. The ending is abrupt and totally devoid of tension.
This film is worth a look but don't expect too much. Michael Caine takes on the role of the rich and bitter Andrew Wyke and plays it very well with no attempt to copy Olivier in any way. Jude Law is adequate but not outstanding. This film might be better suited to people who have not seen the original but in its own right this film is still not a classic of our time.
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