During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.
Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent ... See full summary »
Rosalind, the daughter of Duke Senior (the banished duke), is raised at the court of Duke Frederick (who is younger brother to Duke Senior and took over his dukedom), with her cousin Celia ... See full summary »
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
Two extremely clever British men are in a game of trickery and deceit. Andrew Wyke, an aging famous author who lives alone in a high-tech mansion, after his wife Maggie has left him for a younger man; and Milo Tindle, an aspiring actor, equipped with charm and wit, who demonstrates both qualities once again. When Wyke invites Tindle to his mansion, Tindle seeks to convince the former into letting his wife go by signing the divorce paper. However, Wyke seems far more interested in playing mind games with his wife's new lover, and lures him into a series of actions he thoroughly planned in seeking revenge on his unfaithful spouse. Written by
Postalj (Taken from Sa'ar Vardi's post)
Although the basic situations in this film and the original 1972 "Sleuth" are frequently very similar, all of the dialogue has been completely changed (from both the 1972 film and the original play). See more »
The jewels that Milo puts onto Andrew disappear after Milo tells Andrew that it is just a game. See more »
A remake that adds, not subtracts, from the remarkable experience of the original drama or first motion picture production.
Luckily for me, I saw the original 1972 version of Sleuth. That production has remained among my all-time favorite pictures, and when I am called upon to list my personal top-ten, Sleuth 1972 is on it.
Branaugh's new take on this exciting, captivating story is a thrilling, intellectually engaging motion picture. Michael Caine's return to the project in the role of his 1972 opposite gives the picture a haunting quality that I found mesmerizing. I couldn't take my eyes and ears away from the screen, because I didn't want to miss a frame or a sound. I was delighted at seeing a remake (as a film historian, archivist, and movie fanatic, I HATE remakes!) that was just as glorious for me as the original.
I now consider the 1972 version and this re-interpretation to work together as a single remarkable cinematic experience. I was fascinated by the different designs, time-periods, and techniques juxtaposed by the two films working side-by-side. If you appreciate great cinema, and have a hunger to devour only he best movies, I recommend that you see this picture, and run right out to the video store to get the earlier version, too. Don't compare and contrast the two movies, Just sit back, surrender, and be carried away by great dialog, images, sounds, and all of the other things about movies that both of these pictures present and that makes you love them.
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