In Connecticut, lonely widowed Professor Walter Vale has a boring life. He teaches only one class at the local college and is trying to learn how to play the piano, despite not having the necessary musical talent. Walter is assigned to attend a conference about Global Policy and Development at New York University, where he is to give a lecture about a paper on which he is co-author. When he arrives at his apartment in New York, he finds Tarek Khalil, a Syrian musician, and Zainab, a Senegalese street vendor, living there. He sympathizes with the situation of the illegal immigrants and invites the couple to stay with him. Tarek invites him to go to his gig at Jules Live Jazz. Walter is fascinated with his African drum and Tarek offers to teach Walter to play the drum. However, after an incident in the subway, Tarek is arrested by the police and sent to a detention center for illegal immigrants. Walter has just hired a lawyer to defend Tarek when, out of the blue, Tarek's mother Mouna ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During Walter's drum lesson(s), he is told to forget about 4/4 time as the African beat is 3/4. He plays in 3/4 with his friend throughout most of the film and in his final scene in the subway, he is playing in 4/4 time. See more »
There is a drop-bolt lock on the inside of the entrance door to Walter's apartment building, but there is no corresponding latch on the door frame. See more »
Thomas McCarthy's second film, after the charming Station Agent, is a quiet, hard look at several different aspects of humanity. The Visitor centers on Walter Vale, masterfully portrayed by Richard Jenkins. A solemn economics teacher, he spends his time pretending to write on his book and learn piano. Walter finds himself in New York on business and runs into two illegal immigrants, Tarek (Haaz Sleiman) and Zainab (Danai Jekesai Gurira who were tricked into renting his apartment. Tarek and Walter strike up an unusual friendship when Tarek begins to teach Walter how to play the drums. This is interrupted by Tarek's arrest and detention while it is decided whether he will be deported or not. Soon Walter is joined by Tarek's mother Mouna.
The Visitor is a wonderful piece that brings together some of the best performances I have seen this year. McCarthy disarms us with wry humor, quiet wit, and a meditative pace and before we know it we've found ourselves immersed. When the credits have rolled, however, it's not so much the plot that stays with us as the characters. The most perplexing and fascinating character is Walter Vale. The transformation undergone by his character is done perfectly, the changes are noticeable but not intrusive. Tarek and Zainab who have only a handful of scenes together, manage to share incredible chemistry. Hiam Abbass, as Tarek's mother, deepens the connection between the characters, almost filling in the cracks to complete a whole.
At first glance, the Visitor seems political in nature. Thomas McCarthy has actually said that was not true, the deportation aspect of the film actually came into the script later in the process. The Visitor, instead of political aspirations, merely seeks to show us that anyone can change your life and that change is all around us and is indeed a good thing.
In the end, Thomas McCarthy succeeds in bringing capturing the humor, tragedy, and change of the human experience in his new film. Brought to life by incredibly stirring performances, particularly Richard Jenkins, the Visitor is the most emotionally powerful film to light up the big screen in a while.
90 of 114 people found this review helpful.
Was this review helpful to you?