Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows ... See full summary »
In Connecticut, lonely widowed Professor Walter Vale has a boring life. He teaches only one class at the local college and is trying to learn how to play the piano, despite not having the necessary musical talent. Walter is assigned to attend a conference about Global Policy and Development at New York University, where he is to give a lecture about a paper on which he is co-author. When he arrives at his apartment in New York, he finds Tarek Khalil, a Syrian musician, and Zainab, a Senegalese street vendor, living there. He sympathizes with the situation of the illegal immigrants and invites the couple to stay with him. Tarek invites him to go to his gig at Jules Live Jazz. Walter is fascinated with his African drum and Tarek offers to teach Walter to play the drum. However, after an incident in the subway, Tarek is arrested by the police and sent to a detention center for illegal immigrants. Walter has just hired a lawyer to defend Tarek when, out of the blue, Tarek's mother Mouna ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The parking lot in which Walter parks his car after arriving in New York - on East 11th Street between 1st and 2nd Avenue - was torn down shortly after the film was released. See more »
When the student comes to Walter's office to hand in his assignment, the first shot of the student standing in the doorway next to the bookshelves shows a book called "Numerical Recipes," which is a well-known text in computer science and, thus, rather out-of-place in Walter's office. Next to it are both editions of a distinctly esoteric book called "Applied Cryptography" which definitely do not belong. In all subsequent shots these books have been removed, suggesting a re-shoot of the first scene. See more »
Oh shit! We have to get home! Zainab's gonna kill me, I'm on Arab time again.
Prof. Walter Vale:
What is "Arab time"?
It means I'm late by an hour. All Arabs are late by an hour, it's genetic, we can't help it.
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The Visitor strings together unlikely events in the lives of a professor and his visitors. Remarkably sincere and touching, the unimaginable events feel natural.
Awkward Connecticut economics professor Walter Vale (Richard Jenkins) has essentially checked out from his job, his personality and his life. Walter is forced by circumstance to return to his abandoned New York City apartment. When he returns he meets Tarek (Haaz Sleiman) and Zainab (Danai Jekesai Gurira), who have taken up unauthorized residence in his apartment. Tarek and Zainab teach Walter to live again, to come out of his shell and remind him how unfair life can be.
Writer and director Thomas McCarthy wrote all of the characters in The Visitor with almost contradictory personality attributes which gives them each a complex humanity.
McCarthy wrote Walter Vale painfully dull and bumbling but it was Richard Jenkins who also makes Walter charming and heart breaking. In nearly every setting, Jenkins both makes the audience scrunch their faces at Walter's social inadequacies while simultaneously bringing out our Florence Nightingale instincts. As Walter changes in the course The Visitor, Jenkins keeps the essential qualities of Walter but changes him in surprising ways.
The supporting cast isn't any less remarkable in The Visitor. There is a master of life, a vision of unabashed sadness and an embodiment of sensual motherly warmth. Haaz Sleiman, who plays Tarek, is (damn foxy) full of life as Tarek. His esprit fills Tarek, the audience, the other characters and actors with such vitality. Danai Jekesai Guria plays Zainab, Tarek's girlfriend. So much of Zainab is forlorn despondent dejection. Rich with beautiful hardness and unnaturally attractive pain, Danai Jekesai Guria made Zainab so hard to watch but impossible to pull your eyes away from. Hiam Abbass plays Mouna, Tarek's mother. Her fear is palpable but she never loses her intangible sensuality.
The most remarkable part of The Visitor is the way it organically shows the way life can change un-expectantly, unfairly and without warning and does it with real, raw emotion. Just when you think you've figured out what the movie is about, you slapped with a new reality. It is frightening, timely and angering. Even the ending, which is not the typical movie ending, is emotive in a subtle and realistic way. I was not overwhelmed or underwhelmed by the movie, I was perfectly whelmed; a task indeed.
The pacing is the one complaint I have with The Visitor. The editing could have been much better. There are beautiful scenes sometimes drawn out to boredom. Scenes that were the actors' timing is slightly off are only highlighted by the shoddy editing. The Visitor is an artsy movie but Tom McArdle checked out completely in a few of the scenes.
Slow bits aside, The Visitor is a rewarding film with rich characters, beautiful acting and complexities that might make those people who are quick to tears, cry.
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