Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running ... See full summary »
HOW ABOUT YOU tells the story of Ellie, a young woman left in charge of the residential home run by her older sister, over the Christmas period. Whilst most of the residents have left to ... See full summary »
Jack Regan is a slobbish, old style cop whose unsubtle methods usually get results, to the annoyance of internal affairs officer Lewis, who would be even more annoyed if he knew that Regan was having an affair with his young wife, policewoman Nancy. After Regan disobeys orders and a shoot-out in central London following a bank hold-up ends in carnage, he is stripped of office and briefly imprisoned. However, thanks to the loyalty of his young protege George Carter and a little string pulling from his superior Frank Haskins, Regan is released to bring down the villains in a gun battle at Gravesend marina, ensuring the continued existence of his department - the Sweeney. Written by
don @ minifie-1
In the gun fight outside the private bank, the rear window of the Volvo that Jack Regan is crouching behind keeps reverting back to intact glass between shots, repeatedly shattering in the same place after being fired at. See more »
[Carter chases an armed robber and, after grappling with him, slams him against a partition wall in an office. As the robber draws a knife, two arms suddenly punch through the wall and grab the robber by the neck. Cut to a shot of Regan on the other side of the wall]
DI Jack Regan:
We're the Sweeney, shithead. You're nicked!
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The dialogue was fine and the acting was fine, but I don't believe that an elite police squad, even London police, can be so incompetent.
Is it realistic that a group of police trained in the use of firearms should not actually be any good in shooting those firearms? The action scenes remind me of the old TV show, "The A-Team", where guns are blazing but no one seems to get hurt. Or, rather, it would, except that the bad guys have apparently been paying attention at the firing range. Surely in a real police organization, people who couldn't shoot straight, whose tactics were amateurish, who had no regard for public safety, and who had difficulty with the idea of calling for backup, should not be allowed out on the streets. More than that, I find it incomprehensible that a training program would be allowed to exist that produced such people as the end result.
As fine as the actors are, this movie does no credit to the UK police service.
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