| Photos (see all 1 | slideshow) |
| Isabelle Huppert | ... | Pascale | |
| Jérémie Renier | ... | Thierry | |
| Yannick Renier | ... | François | |
| Kris Cuppens | ... | Jan | |
| Patrick Descamps | ... | Luc | |
| Raphaëlle Lubansu | ... | Anne | |
| Sabine Riche | ... | Gerda | |
| Dirk Tuypens | ... | Dirk | |
| Philippe Constant | ... | Ami de Jan | |
| Catherine Salée | ... | Amie de Jan | |
| Delphine Bibet | ... | Karine | |
| rest of cast listed alphabetically: | |||
| Anton Biral | ... | Gerda as a child | |
Directed by | |||
| Joachim Lafosse | |||
Writing credits(in alphabetical order) | ||
| Joachim Lafosse | writer | |
| François Pirot | writer | |
Produced by | |||
| Martine de Clermont-Tonnerre | .... | associate producer | |
| Donato Rotunno | .... | associate producer | |
| Joseph Rouschop | .... | producer | |
| Arlette Zylberberg | .... | associate producer | |
Cinematography by | |||
| Hichame Alaouie | |||
Film Editing by | |||
| Sophie Vercruysse | |||
Production Design by | |||
| Anna Falguère | |||
Costume Design by | |||
| Nathalie du Roscoat | |||
Makeup Department | |||
| Thi-Loan Nguyen | .... | key makeup artist | |
| Antonella Prestigiacomo | .... | key hair stylist | |
Production Management | |||
| Vincent Canart | .... | production manager | |
Sound Department | |||
| Benoît Biral | .... | sound re-recording mixer | |
| Quentin Collette | .... | boom operator | |
| Benoît De Clerck | .... | sound | |
| Ingrid Simon | .... | sound editor | |
| Philippe van Leer | .... | foley artist | |
Camera and Electrical Department | |||
| Nicolas Boucart | .... | key grip | |
| Jean-François Metz | .... | camera operator | |
Editorial Department | |||
| Emilien Lazaron | .... | first assistant editor | |
|
|
|
|
|
| La fidélité | Lady Chatterley | La science des rêves | The Dreamers | Unfaithful |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Luxembourg section | Add this title to MyMovies |
Isabelle Huppert, who has A-list directors standing in line to work with her is celebrated for her willingness to help new writer-directors by lending her name to attract finance and her presence on set to attract audiences. This can, of course, prove embarrassing - Josie Balasko's first directorial effort Sac de Noeuds didn't exactly set the screen alight but Huppert was right to see the promise which has since been kept over and over - but on the other hand it can result in something as delightful as Aleandra Leclerc's Les Soeurs fachees (Huppert has a new film with Leclerc, Les Mediaturs, in post-production even as we speak). She got it right this time, too, with Joachim Lafosse who probably wouldn't have got this one off the ground without Huppert. Real-life brothers Jeremie and Yannick Renier play Huppert's twin sons who live with her in what was the family home til Huppert divorced their father Patrick Descamps, who has remarried and lives within driving distance with his new wife and child. The French title Nue Propriete, is more specific, a French legal term in which a family member, usually an ex-spouse, is allowed to live in a house but has no legal right to ownership so that they cannot, for example, sell it or take in lodgers. This, in fact is the position in which Huppert finds herself and as it happens she does want to sell, move away with a neighbour/lover and open a B&B. This brings us to the twins, neither of whom appears to have any friends although one has a girl he uses as a sex-object. Long before we, the audience, enter the scene, the boys have become dominant, especially Jeremie Renier who thinks nothing of interrogating his mother daily, verbally abusing her and going through her bag. It goes without saying that her attempt to introduce her lover to the twins is a disaster. This is a cloistered, unhealthy family with Huppert thinking nothing of taking a shower openly whilst one son cleans his teeth two or three feet away; a great deal of screen time is given over to meals, traditionally a time when families come together in harmony but not, of course, here. As usual Huppert gives a Master-Class in Screen acting but there isn't really a bad performance throughout. It's not exactly Feelgood but it is a fine film and worth anyone's time.