Ginko seems to be living the good life: She's the respectable owner of a neighborhood drug store in Tokyo, and her daughter Koharu is about to get married to a doctor. However, Koharu's ... See full summary »
During the time of change of the mid-19th Century, Yaichiro is bid farewell by his fellow samurai friends Munezo and Samon as he leaves their clan's fiefdom on the northwest coast of Japan ... See full summary »
A woman looks back on her family's life in Tokyo before and during WWII. A maid arrives from the countryside to work for an upper middle class family. She fits in well, but everyone's emotions are stirred up with the arrival of a student.
Set in post-World War II Japan, midwife Nobuko is resolved to move on as she stands at the grave of her son Koji who died, alongside thousands of others, when the Americans dropped an ... See full summary »
Kanichiro Yoshimura is a Samurai and Family man who can no longer support his wife and children on the the low pay he receives from his small town clan, he is forced by the love for his ... See full summary »
A husband (Isao Hashizume) and wife (Kazuko Yoshiyuki) have been married for 50 years. For her birthday, the husband asks the wife what she wants for her birthday present. She replies that ... See full summary »
A talented but troubled Edo Period swordsman, Kanemi Sanzawmon. Three years earlier, Kanemi killed a woman, Renko, the corrupt mistress of the powerful daimyo Tabu Ukyou. Unexpectedly, ... See full summary »
Yoji Yamada is one of today's most brilliant directors. I have really enjoyed his period pieces, which have brought back fun memories of classic Samurai movies. Yamada has a subtle and quiet voice which he usually uses well. Kabei: Our Mother seemed like it came from a different director altogether. Set out like a series of memoirs, the film relied heavily on an intrusive narration and episodic structure. I never felt at ease, or intrigued, by the films pace. There were segments I enjoyed, most involving Asano, who kept his emotions in the open without making them obvious. The end was also very melodramatic, with screaming and crying forcing their way in. It was all very 'bitty', but each individual 'bit' had something to enjoy.
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