Maicling pelicula nañg ysañg Indio Nacional (2005)

Director:

Raya Martin

Release Date:

2005 (Philippines)

Genre:

Drama | History

Plot Keywords:

Symbolism | Eclipse | Dream | Young Man | Revolution

Cast

The Barasoain Kalinangan Theater Group
Lemuel Galman
Mark Joshua Maclang
Russell Ongkeko
Bodjie Pascua
Suzette Velasco

Also Known As:

A Short Film About the Indio Nacional (International: English title)
A Short Film About the Indio Nacional (or the Prolonged Sorrow of the Filipinos) (International: English title) (complete title)
Maicling pelicula nañg ysañg Indio Nacional (O ang mahabang kalungkutan ng katagalugan) (Philippines: Tagalog title) (complete title)

Runtime:

96 min

Country:

Philippines

Language:

Filipino

Color:

Black and White

Certification:

Singapore:PG

Filming Locations:

Philippines

Company:

Atopic films

Interesting experimental movie

This experimental Filipino movie is far from a total success, but at least its in-your-face strangeness will make it somewhat interesting for those interested in seeing films of a different sort. The start is akin to a test of endurance for cinephiles, as the camera stands still showing nothing but a couple sleeping in the floor of a hut for the first 15 minutes (I'm not making this up, I looked at my watch). Eventually, the woman, who is unable to sleep, wakes up the man at her side, telling him to tell her a story so she can sleep. He complies with a rambling monologue about the suffering of the Filipino people. The film then moves on to the better second part, where fake footage in the style of silent movies is shown. This shows life in the Philippines supposedly during the end of the colonial period through a series of vignettes. These vignettes are mildly humorous (one shows a number of children looking at an eclipse with gaping mouths). Eventually, something akin to a story comes out of the movie, as revolutionaries meet to plan rebellion from Spanish rule. It's hard to compare this movie with other films, though its fetishism of silent movies recalls the work of Guy Maddin. I found it also reminiscent of a better movie, "Moeder Dao" in which real documentary footage of colonial life in Indonesia was shown.