While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Finding family. Shelley Darlingson was raised in an orphanage, finally happy when she blossoms into a fox and moves into the Playboy Mansion. Unfortunately, she's summarily expelled on her 27th birthday(she's now too old). In desperation she takes a job as house mother for a sorority of misfits losing their house for lack of members. They have but a few months to find 30 pledges, or a sorority of mean girls will take over their place. Shelley figures that girls will pledge a house that boys find interesting, so she sets out to make the Zetas alluring, not act too smart, and host great parties. Can she succeed, and what about her own makeover? Sabotage is everywhere, plus it's hard to be one's self. Written by
When the girls from the Phi Iota Mu Sorority release the pig into the Zeta's house Joanne, Rumer Willis' character, falls off her chair 2 or 3 times without ever been seen getting back onto the chair. See more »
No, it's for senior citizens, you know, an old folks... for old people.
I know lots of old men - hairy and not-hairy. But I don't mean to brag.
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Anna Faris makes this movie watchable, likable, and enjoyable for anyone, even guys.
Let me just say that I'm 19, a guy, and straight, and DAMN was I having a great time watching The House Bunny. To sum it up, THB is basically an Adam Sandler movie for girls, with Anna Faris breathing life into an otherwise flat movie with her uncanny comic ability and unbeatable charm. In short, she makes the movie watchable, and in some moments, likable and entertaining.
I see this film as one that most will easily dismiss without a second look, and I really discourage you from doing that. Anna Faris alone deserves your attention in this movie, as she is brilliant. I even heard a few people in my theater say that she could get a Golden Globe nomination for Best Actress in a Comedy. I honestly wouldn't be surprised. She's lovable, adorable, intelligently stupid, and of course, roll on the floor hilarious. She's the reason the Scary Movie series is so much 'better' than the other movies in that series (Date, Superhero, Epic Movies), and her charm and charisma carries over here.
In addition to Faris, the strength of the film is the supporting cast (except Hugh Hefner, who gets a pass for simply being Hugh Hefner). The funny thing is, most of the performers aren't even actors. I'm not going to lie and say Rumer Willis is brilliant, because she's not, but she's funny and is good looking enough to surprise us. Katharine McPhee doesn't get enough screen time, but she does do a great job with what she's given. The last of the 'non-actors' is the frontman for The All American Rejects, Tyson Ritter, who is tolerable in a bit part.
Now, unsurprisingly, the best supporters are Kat Dennings and the WONDERFUL Emma Stone (Jules from Superbad). Stone is so likable and adorable that she's the best character in the movie after Faris. Colin Hanks is...well, I for one was surprised that he did this movie, but he was an asset nonetheless.
I'll go ahead and get my complaints out now. First and foremost, whoever edited this movie is absolutely terrible. Whether it be changing hairstyles, continuity errors, or bad cuts, the editing is noticeably bad, especially towards the end. I also didn't like the direction the script took in the end, as it turned the film into a parody of itself (which was weird considering the entire film was a parody of stupid girls and stupid men), and displayed several out of character moments. The jokes were a tad lame and predictable outside of Faris's character (there was NOTHING bad about her), but it was okay. There were some smart jokes that actually took some time to get.
The final plus for this movie is that it is LOADED with cameos. Since you know who the production company is, you already know the group that will be appearing, plus a surprise appearance from 2 NFL quarterbacks (one retired QB, and one current) in the beginning. All in all, The House Bunny is surprisingly funny, all because of Anna Faris and Emma Stone, both of whom have very bright futures ahead of them. Faris is definitely one of the funniest ladies alive.
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