While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Finding family. Shelley Darlingson was raised in an orphanage, finally happy when she blossoms into a fox and moves into the Playboy Mansion. Unfortunately, she's summarily expelled on her 27th birthday(she's now too old). In desperation she takes a job as house mother for a sorority of misfits losing their house for lack of members. They have but a few months to find 30 pledges, or a sorority of mean girls will take over their place. Shelley figures that girls will pledge a house that boys find interesting, so she sets out to make the Zetas alluring, not act too smart, and host great parties. Can she succeed, and what about her own makeover? Sabotage is everywhere, plus it's hard to be one's self. Written by
The actor who played "Colby" is Tyson Ritter, who is also the lead vocalist for the rock band The All-American Rejects. If you listen closely you'll hear one of his band's songs playing in the background of nearly every scene he appears in. See more »
When Joanne (Rumer Willis) starts running towards Steve (Tyler Spindel) with her brace on, it breaks off and you can see it behind her. When she finally catches up to Steve the brace it is no longer behind her. Then when it zooms up to Shelly, you cannot see the brace in the direction she's looking. See more »
Shelley knows how to meet guys, hence, we will learn how to meet guys.
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Anna Faris makes this paper thin attempt at comedy overwhelmingly worthwhile. She is an original that reminded me of some other glories, from Carole Lombard to Goldie Hawn. Her innocence is so believable that we go with her wherever she decides to go. I wish the producers and responsible for this movie getting made had gone all the way and provided this extraordinary comic talent with a more substantial script and direction giving her the opportunity to shine even more than she shines here and here shine she does, big time. Just look at her listening, trying to make sense of what's happening around her. Deeply moving, very funny, kind of unique. I hope she soon finds her Garson Kanin and her George Cukor. I have the feeling we ain't seen nothing yet
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