When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
Finding family. Shelley Darlingson was raised in an orphanage, finally happy when she blossoms into a fox and moves into the Playboy Mansion. Unfortunately, she's summarily expelled on her 27th birthday(she's now too old). In desperation she takes a job as house mother for a sorority of misfits losing their house for lack of members. They have but a few months to find 30 pledges, or a sorority of mean girls will take over their place. Shelley figures that girls will pledge a house that boys find interesting, so she sets out to make the Zetas alluring, not act too smart, and host great parties. Can she succeed, and what about her own makeover? Sabotage is everywhere, plus it's hard to be one's self. Written by
In the sorority car wash scene, Natalie deliberately turns the water hose on her shorts. At first, the wet area is very large and soaked but when the camera cuts away for a fraction of a second and cuts back to her, the wet area shows just a few traces. See more »
Brains do not need to be engaged for this movie. But it does produce a few wonderful - and hilarious - surprises that make it a very enjoyable 90 minutes.
One is Anna Farris, who does a great twist on the archetypal dizzy blonde beloved of Hollywood since time immemorial.
But the real kickers are the jarring one-liners that pepper an otherwise sweet and predictable film. Several reduced this viewer to paroxysms of laughter, tears rolling down cheeks, beverage spurting across the room.
These moments, when they arrive, are so unexpected that the effect is one of firmly-flicked kipper on unprotected jowl. And none are in the "gross-out" style that one might have expected in a film of this genre.
Very bunny indeed.
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