Critic Reviews



Based on 26 critic reviews provided by Metacritic.com
Fantasy leaks into reality.
Someone walking cold into a movie theater showing Paprika might be excused for thinking the screen was having a Technicolor seizure. Fans of Japanese anime and filmmaker Satoshi Kon will simply feel dazzlingly at home.
While I liked the film's aesthetics and its futurist imaginings, its most important attraction is how it engages. Some movies massage you; others tickle you. This one jacks you into cyberspace, involving you psychically and physically.
Whatever it is you're looking for - comedy, horror, parades of singing frogs and dancing kitchen appliances - you'll find it in Satoshi Kon's anime adventure, a jaw-dropping feat of imagination.
Paprika ain't no kiddie 'toon, even if its thumpin' techno-pop and bubble-gum thrills have the same splashy palette as an episode of "Pokémon" or "Dragon Ball Z."
Satoshi Kon, whose previous film was the remarkable "Tokyo Godfathers," uses the complex plot as a pretext for joyous psychedelia.
Fiercely provocative, Paprika shames Hollywood's use of animation as a kiddie pacifier.
It's not a film for children, and it's not even something children would like. It's challenging and disturbing and uncanny in the ways it captures the nature of dreams -- their odd logic, mutability and capacity to hint at deepest terrors.
Chicago Tribune
We've gotten perhaps too used to the computerized wizardry of our own cartoon features; Kon, like Miyazaki shows us some older ways that can still transfix us.
I can't claim to have followed the story line of Paprika any better than I did "Pirates of the Caribbean," but this mind-blowing, adult animated adventure from Japan is half the length and maybe five times as much fun.
The Hollywood Reporter
It is an intelligently written piece that only falters during the finale.

More Critic Reviews

See all external reviews for Paprika (2006) »

See also

Awards | FAQ | User Reviews | User Ratings | External Reviews | Message Board