| Photos (see all 17 | slideshow) | Videos (see all 2 videos ) |
| Megumi Hayashibara | ... | Paprika / Chiba Atsuko (voice) | |
| Tôru Furuya | ... | Tokita Kohsaku (voice) | |
| Kôichi Yamadera | ... | Osanai Morio (voice) | |
| Katsunosuke Hori | ... | Shima Tora-taroh (voice) | |
| Toru Emori | ... | Inui Sei-jiroh (voice) | |
| Akio Ôtsuka | ... | Detective Kogawa Toshimi (voice) | |
| Hideyuki Tanaka | ... | Guy (voice) | |
| Satomi Koorogi | ... | A doll (voice) | |
| Daisuke Sakaguchi | ... | Himuro Kei (voice) | |
| Mitsuo Iwata | ... | Tsumura Yasushi (voice) | |
| Rikako Aikawa | ... | Kakimoto Nobue (voice) | |
| Shinichirô Ôta | ... | Reporter (voice) | |
| Satoshi Kon | ... | Jin-nai (voice) | |
| Yasutaka Tsutsui | ... | Kuga (voice) | |
| rest of cast listed alphabetically: | |||
| Brian Beacock | ... | Hajime Himuro / Kuga (voice: English version) | |
| Doug Erholtz | ... | Dr. Morio Osanai (voice: English version) | |
| Michael Forest | ... | Dr. Seijiro Inui (voice: English version) | |
| David Lodge | ... | Dr. Torataro Shima (voice: English version) | |
| Yuri Lowenthal | ... | Dr. Kosaku Tokita (voice: English version) | |
| Ethan Murray | ... | Konakawa's Old Friend (voice: English version) | |
| Cindy Robinson | ... | Dr. Atsuko Chiba / Paprika (voice: English version) | |
| Paul St. Peter | ... | Detective Toshimi Konakawa (voice: English version) | |
Directed by | |||
| Satoshi Kon | |||
Writing credits | ||
| Yasutaka Tsutsui | (novel) | |
| Seishi Minakami | (screenplay) & | |
| Satoshi Kon | (screenplay) | |
Produced by | |||
| Jungo Maruta | .... | executive producer | |
| Masao Takiyama | .... | executive producer | |
Original Music by | |||
| Susumu Hirasawa | |||
Cinematography by | |||
| Michiya Katou | |||
Film Editing by | |||
| Takeshi Seyama | |||
Art Direction by | |||
| Nobutaka Ike | |||
Art Department | |||
| Satoshi Hashimoto | .... | color designer | |
Sound Department | |||
| Masafumi Mima | .... | sound director | |
Animation Department | |||
| Masashi Ando | .... | animation director | |
| Masashi Ando | .... | character designer | |
| Hisashi Eguchi | .... | animator | |
| Hideki Hamazu | .... | animator | |
| Shinji Hashimoto | .... | animator | |
| Kaichi Honma | .... | animator | |
| Ei Inoue | .... | animator | |
| Ei Inoue | .... | assistant animation director | |
| Toshiyuki Inoue | .... | animator | |
| Toshiyuki Inoue | .... | assistant animation director | |
| Yoshimi Itazu | .... | animator | |
| Takashi Kawaguchi | .... | animator | |
| Kumiko Kawana | .... | animator | |
| Ken'ichi Konishi | .... | animator | |
| Tetsuya Kumagai | .... | animator | |
| Michio Mihara | .... | animator | |
| Michio Mihara | .... | assistant animation director | |
| Yasunori Miyazawa | .... | animator | |
| Mitsunori Murata | .... | animator | |
| Hiroyuki Okiura | .... | animator | |
| Yasumitsu Suetake | .... | layout artist | |
| Michiyo Suzuki | .... | animator | |
| Norimoto Tokura | .... | animator | |
Editorial Department | |||
| Mathieu Reid | .... | color timer | |
Other crew | |||
| Masao Maruyama | .... | development | |
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| Minority Report | Total Recall | Maquinista, El | A Scanner Darkly | King of the Rocket Men |
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| Full cast and crew | Company credits | External reviews |
| IMDb Animation section | IMDb Japan section | Add this title to MyMovies |
What happens when you see a wonderful film, a truly wonderful one, and you are disappointed because the very last one you saw was from the same filmmaker and was very much better? I should have watched some trash first.
The better film I'm alluding to is "Millennium Actress," a wonderful slippery glide through a shifting of life, movies and personal memory. Several things made that great: the drawings were in some places marvelous; the reason for the slips was never explained; and the "wrapping" story was incredibly thin, just barely enough. It was clearly a movie about movies and how life and film make each other.
This one conflates life, dreams and movies in much the same way, and goes further by merging individual lives and dreams. But it is burdened by two things. The first is that the wrapping story is large, heavy. The second is that we have a tedious explanation about why the slips occur: some invented device. And it adopts the Godzilla/Transformers model where two giants fight, towering over the city. Jees.
Two things are superior, however. One is that the dreamworlds give the artist freedom to depart from the constraints of the real. It isn't surreal: that's a very specific thing. But you do have dancing refrigerators leading a parade to hell. You may not appreciate the visuals here, in fact I suspect most won't think them special. But I did.
But the main thing is the title character, a lovely redheaded virtual soul who lives in the dreamworld. She's the pinnacle of girl fantasy: capable, not real, fairy-like but strong, desirable but forceful, following the rules of the world sometimes and writing the rules at other. She's woven from something deep in the psyche, our usually unfound soulmate who writes our dreams that spill into our lives.
But her appearance and character isn't what amazes here. Its how many different ways the filmmaker has her interact with the dream world. I stopped noting them because they were so varied and clever. She flies of course, she morphs. She shares a body in the real world of a woman scientist. (There's a truly remarkable dream scene when a vagina is "unzipped" to the forehead to reveal the true woman within.) She merges with shadows, reflections, light and shadow. She appears from dolls and billboards, clouds. From cracks and folds. Its as if there was a list of all possibilities that is being exhausted.
I will suggest that you see this before "Millennium Actress." Then both will blow you away.
Ted's Evaluation -- 3 of 3: Worth watching.