Rachel is a quick-witted and lovable stay-at-home mom. Frustrated with the realities of preschool auctions, a lackluster sex life and career that's gone kaput, Rachel visits a strip club to... See full summary »
A high-school girl's first sexual experience is with another girl, and, along with her first broken heart, she must deal with her mother's reaction to her revelation that she is a lesbian and with ostracism at school.
It is 1950s Nevada, and Professor Vivian Bell arrives to get a divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly... See full summary »
Two young actresses fall in love with each other while filming a lesbian love scene, then break up months later, and then are forced to reunite in order to re-shoot the love scene for the movie's distribution.
Jack and Diane, two teenage girls, meet in New York City and spend the night kissing ferociously. Diane's charming innocence quickly begins to open Jack's tough skinned heart. But, when Jack discovers that Diane is leaving the country in a week she tries to push her away. Diane must struggle to keep their love alive while hiding the secret that her newly awakened sexual desire is giving her werewolf-like visions. Written by
An Interesting take on the Female coming of Age Movie
Writer/director Bradley Rust Gray's debut feature "The Exploding Girl" was a mild indie success with its star Zoe Kazan, a twenty-something girl dealing with life and relationship issues. It's a slow burn character study that felt very real and relatable and looked to be a good starting point for the young filmmaker. His follow up film "Jack and Diane" is here and it has taken a pretty vicious critical beating. It stars current "It" girl Juno Temple and Riley Keough in a brief but intense affair, that includes metaphoric intercuts with a werewolf like beast. The film also features brief stop motion tidbits from the brilliant Quay Brothers. In some ways I think it has been unfairly picked on and doesn't deserve such a thrashing.
Diane (Temple) is a British girl in New York City who while trying to find a phone runs into Jack (Keough) the stereotypical tomboy. The two girls are complete opposites. Diane is tiny, meek and insecure. While Jack puts up a tough and rigid exterior, full of false self confidence. After partying the night before, Jack is hit by a car while on her skateboard and for the rest of the film she has a nasty scrape on the side of her face. We find out both characters are caring around some heavy emotional baggage.
Diane has frequent nosebleeds and strange dreams about a big nasty beast ripping people apart, but this is by no means a horror movie. The animated sequences are thick strands of hair moving around the inside of a persons body like a rope tightening around a heart. It's sticky, grimy and a little gross, but then again so are some of the critics. Early on in their relationship Jack finds out that Diane is leaving for Paris in a few weeks and she tries to distance herself and forget everything about her, but she can't. Eventually they start to embrace the time they have left together. The film does feel a little awkward and strange but then again this is what the characters are feeling. The story also meanders and goes in a few different directions but overall I didn't find it annoying. Towards the end of their time together Jack starts getting the nose bleeds and having these awful visions almost like Diane infected her with something.
I know I'm in the minority on this but I kind of dug the film. It's currently available on Netflix watch instantly, so take a chance and give it a watch.
5 of 7 people found this review helpful.
Was this review helpful to you?