Dean Teaster's GHOST TOWN "The Movie", is a unique "Eastern" Western. It is N.C. native Dean Teaster's tribute to his father Robert Doyle Teaster and "Ghost Town In The Sky" theme park. The... See full summary »
Dean Teaster's GHOST TOWN "The Movie", is a unique "Eastern" Western. It is N.C. native Dean Teaster's tribute to his father Robert Doyle Teaster and "Ghost Town In The Sky" theme park. The theme park was a large piece of the childhood happiness for Dean's family and many families since its opening in 1961. This story combines actual family facts of the Teaster family fictionalized into a story that encompasses the best elements of the staged gunfights performed by the Legendary "Ghost Town Gunfighters" throughout the years at the park. Many of the original actors have returned for roles in the film. Former "Ghost Town Gunfighters" Robert Bradley once known as "The Apache Kid," Herbert Cowboy Coward "GrandPappy," and Harry Valentine "The Golden Voice of Ghost Town" play pivotal roles in the film as does Alaska Presley who was one of the original park founders. Dean Teaster reprises the role of "Digger" made famous by his father. This movie was created to offset many of the "Hillbilly"... Written by
By DJ Perry, Screenwriter "Ghost Town the movie"
Went to see this one at the film festival the other night. First of all let me say I'm a huge fan of westerns. I like to think I've seen enough to know what I'm talking about. I have to say Ghost Town was beautifully filmed. The shots, while somewhat limited, take me back to some of the classic westerns like High Noon and Winchester 73. In general, it has the feel of those old westerns, both in the characters and in the pacing. The characters are truly straight out of the old school of westerns. The good guys are good, the bad guys are bad, and there are no in between shades of gray. It was nice to see Bill Mckinney again. He has to be one of the greatest villains of all time, and has cemented his legend in the western genre. The proble4ms with Ghost Twon are found in the telling of the story. It needs serious reediting. I can see the story, right beneath the surface, but it gets lost in a bewildering series of out of context flashbacks, and numerous confusing cuts back to an "native American woman" that is not central to the tale. If this problem was fixed with a bit of judicious editing I think you would have a much better example of the classic western updated to the 21st century.
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