A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
While filming a horror movie of mummy in a forest, the students and their professor of the University of Pittsburgh hear on the TV the news that the dead are awaking and walking. Ridley and Francine decide to leave the group, while Jason heads to the dormitory of his girlfriend Debra Monahan. She does not succeed in contacting her family and they travel in Mary's van to the house of Debra's parents in Scranton, Pennsylvania. While driving her van, Mary sees a car accident and runs over a highway patrolman and three other zombies trying to escape from them. Later the religious Mary is depressed, questioning whether the victims where really dead, and tries to commit suicide, shooting herself with a pistol. Her friends take her to a hospital where they realize that the dead are indeed awaking and walking and they need to fight to survive while traveling to Debra's parents house. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
First of all, this film tried the already-proved-to-fail camcorder approach. Guess what! It failed. I have to give credit where it's due, because the lighting and scene construction were done pretty well.
Generally speaking, a film can please a large audience by combining excessive foul language with gratuitous drug use, sex, or violence, but this film doesn't have anything other than cursing.
Over the years, George Romero has been pivotal in the specific sub-sect of horror that focuses on the idea of a zombie apocalypse. I have come to enjoy a lot of Romero's works, and that's why this befuddles me. Night of the Living Dead was ground-breaking, and Diary of the Dead should have stayed dead.
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