A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
While filming a horror movie of mummy in a forest, the students and their professor of the University of Pittsburgh hear on the TV the news that the dead are awaking and walking. Ridley and Francine decide to leave the group, while Jason heads to the dormitory of his girlfriend Debra Monahan. She does not succeed in contacting her family and they travel in Mary's van to the house of Debra's parents in Scranton, Pennsylvania. While driving her van, Mary sees a car accident and runs over a highway patrolman and three other zombies trying to escape from them. Later the religious Mary is depressed, questioning whether the victims where really dead, and tries to commit suicide, shooting herself with a pistol. Her friends take her to a hospital where they realize that the dead are indeed awaking and walking and they need to fight to survive while traveling to Debra's parents house. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the scene with the zombie doctors, a voice can be heard on the radio inviting people to aim for the head. This is the voice of Tom Savini, a longtime friend of George A. Romero. In fact, this audio is lifted directly from the bonus features of the remake of Dawn of the Dead. See more »
At one point a radio report says that deaths will rise at four times the rate in eight days, and by a hundred percent after ten days, as if this is even more. However, to rise by a hundred percent only means that it doubles. See more »
628 Tremont. 6-2-8. Three dead. No, just the usual. Fuck. Usual. It's no big deal these days, right?
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Alright, well I'll start right off the bat with, I loved this movie. I will bore you with a synopsis of the movie, cause you can read the plot somewhere else, and I am pretty sure most of you know the plot already. Instead of the movie starting off with saying "George A. Romero's DIARY OF THE DEAD", it begins as a fully cut together documentary about what these students went through for the first few days of the outbreak. The movie has narration, and is told through a variety of cameras, security cameras, self phones, news footage this makes for an already very interesting watch.
The movie starts out with a great opening scene which grabs you right from the get go, and already you can tell that this is not some Blair Witch knock off. Comparisons to Blair Witch will be thrown right out the window. In DIARY the camera acts as a character in the film, a lot of time I forgot I was watching a documentary esquire movie, and thought I was just watching a film. Instead of shaky cameras, off the cuff improv dialogue, we get a full more theatrical sort of experience. We still watch the whole movie through the POV of the cameras, and this never changes which leads to some terrifying scenes. I have never found zombie movies scary, but this was quite a creepy film in parts. Most notably the "Hospital Scene", talk about a perfect creep fest great location, great build up great pay off.
From the get go, I can assume that this will be a movie that either fans or going to love or hate. It's very much the Romero world; there are little nods to Night and Day. But the overall feeling is something new all to itself, obviously one can compare it to Night, but even that would be a very loose comparison. What really makes this movie work is what you don't see. The film is not a zombie gore fest by any means, not by comparison to Land anyways (But don't worry, DIARY still holds a great deal of signature Romero moments that had the audience up and cheering). There are no huge crowds of zombies roaming around, they are here and there and they still very much are a threat, but still not the scariest. Radio reports and peoples actions really up the paranoia level of the movie, and make it a scarier experience. This is by far the scariest Romero Dead film of the series; it holds a great sense of dread with it.
In the negative department, of which I have very few complaints, I think some of delivery of lines where a little camp. And the staging of a couple scenes definitely played cheesy in a few parts where it should have been serious. Also, there were only a couple CGI moments that took me out of the movie (don't worry, there is no priest zombie in the movie, the CGI is very subtle). But all these complaints are few and far between each other.
All together, DIARY was a very impressive achievement for Mr. Romero, and I hope this film sees the light of day soon, cause I know I can't wait to see it again. I think the social commentary in this movie played stronger and better then it did in the other films. This was a nice touch; it really added to the overall experience, it brought a sense of reality to the whole concept more so then the other films in my opinion. In conclusion, Romero fans won't be disappointed, the film has his dark humor and great zombie moments laced through out the film. And people looking for more then just cheap thrills, should also leave the theater feeling satisfied.
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