IMDb > Eyforiya (2006)
Videos
Eyforiya (2006) -- Movieplayer.it - Trailer (Flash)

Overview

User Rating:
6.7/10   478 votes
MOVIEmeter: ?
Down 29% in popularity this week. See why on IMDbPro.
Director:
Writer:
Ivan Vyrypayev (writer)
Contact:
View company contact information for Euphoria on IMDbPro.
Release Date:
5 October 2006 (Russia) more
Genre:
Awards:
5 wins & 3 nominations more
User Comments:
A very poetic experience more (4 total)

Cast

  (Cast overview, first billed only)
Polina Agureyeva ... Vera
Maksim Ushakov ... Pavel
Mikhail Okunev ... Valeri
Yaroslavna Serova ... Masha
Vitali Romanyuk ... Neighbour's boy
Vyacheslav Kokorin ... Mitrich
Zoya Zadorozhnaya ... Grandma Nadya
Maksim Litovchenko ... Andryukha
Madlen Dzhabrailova ... Mida
Yevgeniya Dmitriyeva ... Galya
Olga Balandina ... Lenka
Tatyana Ufimtseva ... Lyuba
Aleksandr Suchkov ... Grigori
Yegor Golovenkin ... Sanya
Aleksandr Shein ... Mishka
more
Create a character page for: ?

Additional Details

Also Known As:
Эйфория (Russia)
Don (Russia) (working title)
Euphoria (International: English title)
more
Runtime:
74 min
Country:
Language:
Color:
Sound Mix:
Certification:
Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva)

FAQ

This FAQ is empty. Add the first question.
9 out of 18 people found the following comment useful.
A very poetic experience, 12 October 2006
8/10
Author: WRFan from Germany

As the name of the film implies, it is very poetic. There is hardly any plot, instead, it is carried by the major characters' emotions, manifesting themselves in depictions of a beautiful landscape largely untouched by civilisation and the film's music, which is at the same time sublime and calming.

Slowly, yet inevitably, outward reality is permeated by the characters' inner sensations, the secluded landscape devoid of human presence metaphorically representing the characters' constant and persistent departure from reality into an inner unreal and irrational world where feelings and emotions are substituted for reason, the regulating force of the rational world, abandoned by the protagonists.

Yet the calming removal from outward reality turns out to be just momentary and illusive. Reality, allegorised by the female protagonist's deceived husband, stalks its prey, eager to destroy the fleeting quietude of the unstable and unreal metaphorical space.

Unfortunately, being rather a rational than poetic person, I cannot help but to additionally interpret the film in a rational way. Interpreted in rational terms, there is a major flaw at the core of the film. In order to avoid any spoilers, it will suffice to say that the female character's child as well as male protagonists have to suffer for the woman's adultery.

This is a very misogynous perception, which used to be typical for the pre-1960s society. Prior to the feminist movement in the 1960s onward, patriarchal societies around the globe aimed at presenting the world in male terms, reducing women to mere objects who have to obey and to behave in accord with the patriarchal norms and regulations. Obviously, this perception neglects female desires and aspirations, which have to be sacrificed in order to maintain the patriarchal status quo.

Thus, an incredible amount of films was produced prior to 1960s, whose aim it was to present the alleged horrendous consequences of female behaviour that deviated from the norms as set by patriarchal society. In most cases, already a mere consideration of abandoning the husband sufficed to cause havoc in the family, damaging the children and husband alike. I have not, however, seen any recent films communicating this flawed, archaic, and anti-feminist message, and, therefore, hoped that this kind of anti-feminist films has gone for good.

Unfortunately, this film has proved me wrong. The female protagonist appears insecure, unable to make decisions for herself and to abandon her family to start her life anew. Instead, she is persistently dragged away by her lover, eventually resigning to her fate. At a closer look her lover appears as an alter ego of her husband, yet another representative of the male society, eager to protect and to own the female, without making any attempts at understanding the female nature.

At one point in the film one of the protagonists says, "Don't think. Contemplation just makes things worse." This may be a guideline to watching this film - don't think about it. Let yourself be carried away by its poetic qualities. Don't try to interpret the film in rational terms, it was not meant to be interpreted in such a way by the director. A rational interpretation would violate the film's poetic nature and inevitably ruin the experience

Was the above comment useful to you?
more (4 total)

Message Boards

Discuss this movie with other users on IMDb message board for Eyforiya (2006)
Recent Posts (updated daily)User
subtitles wanted IvetteB
quite bad rating - why? (6.3 atm) bukkake
Showing in London at the Russian Film Festival ian-powell-2
more

Recommendations

If you enjoyed this title, our database also recommends:
- - - - -
Korotkoe zamykanie Kislorod Progulka Franz + Polina Mify moego detstva
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
Show more recommendations

Related Links

Full cast and crew Company credits External reviews
IMDb Drama section IMDb Russia section Add this title to MyMovies

You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Update' button will take you through a step-by-step process.