| Isabelle Huppert | ... | Danielle | |
| Greta Scacchi | ... | Dr. Dubois | |
| Mélanie Laurent | ... | Sophie | |
| Olivier Gourmet | ... | Morris | |
| Jean-Michel Larre | ... | Luc | |
| Giorgio Lupano | ... | Sébastien | |
| rest of cast listed alphabetically: | |||
| Tonino Accolla | ... | Gentleman caller | |
| Marc Brun | |||
Directed by | |||
| Alessandro Capone | |||
Writing credits(in alphabetical order) | ||
| Alessandro Capone | ||
| Luca D'Alisera | ||
| Danièle Girard | book | |
Original Music by | |||
| Riccardo Fassi | |||
| Butch Morris | (as Lawrence 'Butch' Morris) | ||
Cinematography by | |||
| Luciano Tovoli | |||
Film Editing by | |||
| Roberto Perpignani | |||
Production Design by | |||
| Marta Zani | |||
Set Decoration by | |||
| François Dickes | |||
Costume Design by | |||
| Uli Simon | |||
Makeup Department | |||
| Antonella Prestigiacomo | .... | key hair stylist | |
| Katja Reinert-Alexis | .... | makeup artist: Greta Scacci | |
Second Unit Director or Assistant Director | |||
| Alessandro Palestro | .... | third assistant director | |
| Alessandro Sanacore | .... | assistant director | |
Art Department | |||
| Alexandre Brown | .... | art department coordinator | |
| Manuel Demoulling | .... | property master | |
| Milo Geleng | .... | assistant art director | |
| Milo Geleng | .... | painter | |
| Annett 'Gogo' Golinski | .... | draper | |
| Marc Ridremont | .... | painter | |
Sound Department | |||
| Guadalupe Cassius | .... | assistant sound editor | |
| Ricardo Castro | .... | sound | |
| Dumont Jean-Philippe | .... | sound trainee | |
| Bridget O'Driscoll | .... | sound editor | |
| Francesco Tumminello | .... | sound re-recording mixer | |
| Jérôme Wiciak | .... | foley mixer | |
| Jérôme Wiciak | .... | sound re-recording mixer | |
| Carine Zimmerlin | .... | boom operator | |
Visual Effects by | |||
| Andrea Baracca | .... | digital artist | |
| Andrea Baracca | .... | digital color timing | |
| Andrea Cavallini | .... | scanning operator | |
| Fabrizio Cucinotta | .... | scanning and recording operator | |
| Marco Geracitano | .... | digital artist: Proxima | |
| Dionisio Greco | .... | I/O manager | |
| Lorenzo Moneta | .... | main titles design | |
| Gian Luca Rizzo | .... | visual effects producer | |
| Marco Ruggieri | .... | scanning & recording | |
Camera and Electrical Department | |||
| Timothée Anciaux | .... | grip | |
| Loïc Andrieu | .... | Steadicam operator | |
| Tanguy Boulanger | .... | video assist operator | |
| Gilbert Degrand | .... | best boy | |
| Vania Guinsbourg | .... | clapper loader: "b" camera | |
| Graham Johnston | .... | focus puller: "a" camera | |
| Helder Loureiro Alves Da Silva | .... | lighting technician | |
| Aleks Sandrine Neumuller | .... | location grip | |
| Maurizio Piano | .... | camera operator: "a" camera | |
| Ferencz Radnai | .... | gaffer | |
| Jean-Marc Selva | .... | camera operator: "b" camera | |
| Théodore Theodorides | .... | focus puller: "b" camera | |
| Wolfgang Wesemann | .... | clapper loader: "a" camera | |
Editorial Department | |||
| Irma Misantoni | .... | assistant editor | |
| Linda Taylor | .... | assistant editor | |
| Danilo Torre | .... | first assistant editor | |
Transportation Department | |||
| Gaby Meyers | .... | truck driver | |
| Francois Muller | .... | truck driver | |
| Olivier Printz | .... | picture car coordinator | |
| Amaury Serieye | .... | transportation coordinator | |
| Hrouchoff Svet | .... | additional driver: costume/make-up department | |
Other crew | |||
| Joe Kotroczo | .... | location assistant: daily | |
| Roberto Ornaro | .... | account administrator | |
| Gregor Rudolph | .... | assistant location manager | |
| Iwona Sellers | .... | production executive | |
| Hrouchoff Svet | .... | additional groupman | |
| Anne Van Hove | .... | script supervisor | |
| Gilles Waterkeyn | .... | production executive | |
| Recent Posts (updated daily) | User |
|---|---|
| A Difficult Film | samuelloveshuppert |
| in USA? | samuelloveshuppert |
|
|
|
|
|
| Gilles' Wife | Don't Look Back | The School of Flesh | The Concert | The Kid with a Bike |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
It is impossible not to be shocked by this movie, focused on a very delicate theme, and on three female characters. An over the top (and very courageous) Isabelle Huppert plays the main role of Danielle, a mother who hates her daughter in a visceral way, and has spent her whole life between indifference and sense of guilt, but incapable of elaborating her suffering condition. Her interpretation is devastating, her face is completely blank and the camera focused on it underlines the void of her inner world, still more underlined by the aseptic, white, impersonal environment surrounding her. Her troubled relationship with motherhood is probably part of a mental disorder, since also the relation with her good husband has always been difficult, as she has often felt disgusted by him, and she feels in general incapable of experiencing any human feelings. Mélanie Laurent plays Sophie, the hated daughter, she shifts from total inexpressiveness when she is with Danielle (although she feels some kind of love for her), to tender maternal love when she is with her own daughter. Greta Scacchi plays the analyst and is the only soothing and positive human female figure, trying to elaborate some sense and to assert the value of human sympathy.
The atmosphere throughout the movie never ceases to be tense, sometimes too tense, the moments of "dialogue" between Danielle and Sophie convey such anger, rage, hate that they are almost unbearable. The final outcome tries to offer some relief, although not too convincing, as if a backwards step seemed to be necessary in order to bring all the hate we have perceived to a more humanly-acceptable dimension, as if some kind of rescue were to be found, but it seems too a hasty ending, which leaves many unsolved, but probably unsolvable questions (above all, the only hinted reference by Danielle to the possibility that every mother could have negative feelings for a child, that you cannot enforce yourself to love someone, not even your own child). Undoubtedly, a very well interpreted movie, but, obviously, very sad and depressing, you need to be prepared and be in the right mood to see it.