Enduringly traumatized by the disappearance of her 3-year-old daughter 15 years ago, Julia Sandburg has cut herself off from anyone once near and dear to her, including her husband Doug and... See full summary »
In Germany, as graduate student Katie Armstrong researches cannibal killer Oliver Hagen for her thesis, she becomes obsessed with her subject and ultimately plunges into a lifestyle similar to Hagen's and the thousands of people like him.
When Erica French opts to keep the baby she conceived in high school, she never dreamed that one day she would be fighting for custody against the child's father, Scott Stone. Scott Stone ... See full summary »
An ad executive (Weaver) impersonates an archeology professor (Westheimer) to avoid a situation with an obsessed former lover. She enlists the help of a hapless archeologist (Depardieu) who... See full summary »
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Enduringly traumatized by the disappearance of her 3-year-old daughter 15 years ago, Julia Sandburg has cut herself off from anyone once near and dear to her, including her husband Doug and her son Chris, who tried for years to penetrate her wall of isolation and despair, without success. But when Julia meets Louise, a troubled young woman with a checkered past, all Julia's old psychic wounds painfully resurface, as does her illogical and increasingly irrational hope that Louise may be the daughter she lost so long ago. Written by
Official Press Release
When Julia's co-worker brings her a coffee to try out from his new coffee machine, he places it on her desk. The shot changes to him a few seconds later. When back to her, the coffee cup is turned 180 degrees - the handle is on the other side, the computer mouse is moved, and a stack of papers near her planner is moved. She did not move all of these things in those few seconds because she is holding some papers that she was reading when he walked into her office. See more »
Written by Stan Getz and Al Haig
Performed by Stan Getz
Published by Prestige Music (BMI)
Courtesy of Prestige Records
Used by permission of Concord Music Group, Inc. See more »
My only criticism of this film is in the casting of the son, Chris. He is shorter than Sigourney Weaver and this is genetically impossible. That said, all the actors did a great job. And just HOW did SW look so convincing as both a thirty and a fifty-year old? Some credit to the make up department, sure - but it was the subtle change in the set of her jaw, the rigidity of her body vs fluidity in the early scenes ... The fact that the secondary characters aroused curiosity added to the atmosphere - someone els has complained that their potential stories were not developed. But this was all part of Julia's withdrawal from the World, her loss of interest in anyone after she lost her child.
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