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"Sense & Sensibility"
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"Sense & Sensibility" (2008) More at IMDbPro »TV mini-series 2008-

Sense & Sensibility: Season 1: Episode 1 -- Rich Mr. Dashwood dies, leaving his second wife and her daughters poor by the rules of inheritance. Two daughters are the titular opposites.


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8.2/10   6,291 votes »
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Release Date:
30 March 2008 (USA) See more »
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance... See more »
Nominated for 2 Primetime Emmys. Another 2 wins & 4 nominations See more »
User Reviews:
My favorite version, especially for Elinor and Marianne See more (36 total) »


 (Series Cast [22])

Hattie Morahan ... Elinor Dashwood (3 episodes, 2008)

Charity Wakefield ... Marianne Dashwood (3 episodes, 2008)

David Morrissey ... Colonel Brandon (3 episodes, 2008)

Janet McTeer ... Mrs. Dashwood (3 episodes, 2008)

Dan Stevens ... Edward Ferrars (3 episodes, 2008)

Dominic Cooper ... Willoughby (3 episodes, 2008)

Lucy Boynton ... Margaret Dashwood (3 episodes, 2008)

Mark Williams ... Sir John Middleton (3 episodes, 2008)

Linda Bassett ... Mrs. Jennings (3 episodes, 2008)

Claire Skinner ... Fanny Dashwood (3 episodes, 2008)

Rosanna Lavelle ... Lady Middleton (3 episodes, 2008)

Mark Gatiss ... John Dashwood (2 episodes, 2008)

Caroline Hayes ... Eliza (2 episodes, 2008)
David S. Glover ... Foot (2 episodes, 2008)

Daisy Haggard ... Miss Steele (2 episodes, 2008)
Anna Madeley ... Lucy Steele (2 episodes, 2008)

Leo Bill ... Robert Ferrars (2 episodes, 2008)
Morgan Overton ... Little Henry (2 episodes, 2008)
Tim McMullan ... Mr. Palmer (2 episodes, 2008)

Tabitha Wady ... Charlotte Palmer (2 episodes, 2008)
Roy Holder ... Thomas (2 episodes, 2008)
David Glover ... Foot (2 episodes, 2008)

Series Directed by
John Alexander (3 episodes, 2008)
Series Writing credits
Jane Austen (3 episodes, 2008)
Andrew Davies (3 episodes, 2008)

Series Produced by
Vanessa De Sousa .... associate producer (3 episodes, 2008)
Rebecca Eaton .... executive producer: WGBH (3 episodes, 2008)
Anne Pivcevic .... producer (3 episodes, 2008)
Jessica Pope .... executive producer (3 episodes, 2008)
Series Original Music by
Martin Phipps (3 episodes, 2008)
Series Cinematography by
Sean Bobbitt (3 episodes, 2008)
Series Film Editing by
Roy Sharman (3 episodes, 2008)
Series Casting by
Kate Rhodes James (3 episodes, 2008)
Series Production Design by
James Merifield (3 episodes, 2008)
Series Art Direction by
Paul Ghirardani (3 episodes, 2008)
Series Costume Design by
Michele Clapton (3 episodes, 2008)
Series Makeup Department
Zoe Clare Brown .... hair artist / makeup artist (3 episodes, 2008)
Carolyn Cousins .... hair supervisor / makeup supervisor (3 episodes, 2008)
Karen Hartley .... hair designer / makeup designer (3 episodes, 2008)
Lois McIntosh .... hair artist / makeup artist (3 episodes, 2008)

Louise Coles .... makeup trainee (unknown episodes)
Series Production Management
Alice Greenland .... post-production supervisor (3 episodes, 2008)
Darin McLeod .... unit manager (3 episodes, 2008)
Series Second Unit Director or Assistant Director
Angharad Jones .... third assistant director (3 episodes, 2008)
Nige Watson .... first assistant director (3 episodes, 2008)
Paula Turnbull .... second assistant director (2 episodes, 2008)

Matt Alder .... first assistant director: second unit (unknown episodes)
Series Art Department
Garry Dawson .... dressing props (3 episodes, 2008)
Shane Harford .... dressing props (3 episodes, 2008)
Joe Hawthorne .... construction manager (3 episodes, 2008)
Toni Kelly .... stand-by rigger (3 episodes, 2008)
Kat Law .... art department assistant (3 episodes, 2008)
Louis Turner .... standby props (3 episodes, 2008)
Paul Turner .... standby props (3 episodes, 2008)
Kellie Waugh .... stand-by art director (3 episodes, 2008)
Steve Wheeler .... property master (3 episodes, 2008)
Deborah Wilson .... production buyer (3 episodes, 2008)
Jeff Woodbridge .... stand-by carpenter (3 episodes, 2008)

Graham Caulfield .... drapesmaster (unknown episodes)
Camise Oldfield .... trainee props (unknown episodes)
Series Sound Department
Chris Ashworth .... sound recordist (3 episodes, 2008)
Steve Hancock .... sound assistant (3 episodes, 2008)
Stuart Hilliker .... dubbing mixer (3 episodes, 2008)
Mike Reardon .... boom swinger (3 episodes, 2008)
Lee Crichlow .... sound effects editor (2 episodes, 2008)
Alex Ellerington .... dialogue editor (2 episodes, 2008)
Steve Little .... dialogue editor (2 episodes, 2008)
Series Visual Effects by
Michelle Martin .... visual effects producer (unknown episodes)
Series Stunts
Gary Connery .... stunt coordinator (1 episode, 2008)
Morgan Johnson .... fight coordinator (1 episode, 2008)
Series Camera and Electrical Department
Ian Adrian .... camera operator (3 episodes, 2008)
Natasha Back .... clapper loader (3 episodes, 2008)
Ben Battersby .... focus puller (3 episodes, 2008)
Peter Davies .... genny op (3 episodes, 2008)
Ian Glenister .... best boy (3 episodes, 2008)
Trevor Hale .... electrician (3 episodes, 2008)
Steve Pugh .... grip (3 episodes, 2008)
Suzanne Sanders .... electrician (3 episodes, 2008)
Mark Thornton .... electrician (3 episodes, 2008)
Brian Beaumont .... gaffer (2 episodes, 2008)
Rob Gilmour .... camera assistant (2 episodes, 2008)

Nick Cooke .... daily camera trainee (unknown episodes)
Alex Hudson .... grip: second unit (unknown episodes)
Series Costume and Wardrobe Department
Sally Davis .... costume assistant (3 episodes, 2008)
Alex Fordham .... assistant costume designer (3 episodes, 2008)
Katie Hill .... wardrobe supervisor / costume supervisor (3 episodes, 2008)
Cristy Watson .... costume assistant (3 episodes, 2008)

Sheara Abrahams .... costume trainee (unknown episodes)
Series Editorial Department
Amar Ingreji .... assistant editor (3 episodes, 2008)
Vincent Narduzzo .... telecine colorist (3 episodes, 2008)
Series Music Department
Rael Jones .... musician: guitar (3 episodes, 2008)
Series Other crew
Peter Anderson .... title designer (3 episodes, 2008)
Stephen Bradbury .... assistant production accountant (3 episodes, 2008)
Rupert Bray .... location manager (3 episodes, 2008)
Surian Fletcher-Jones .... script editor (3 episodes, 2008)
Michelle Franklin .... production secretary (3 episodes, 2008)
Crispin Hardy .... assistant location manager (3 episodes, 2008)
Josie Kelly .... production accountant (3 episodes, 2008)
Tamara King .... stand-in (3 episodes, 2008)
Tim Leith .... picture publicity (3 episodes, 2008)
Alison Liddle .... production coordinator (3 episodes, 2008)
Tess Malone .... script supervisor (3 episodes, 2008)
Adam Olley .... assistant production accountant (3 episodes, 2008)
Michelle Osborn .... publicist (3 episodes, 2008)
Thalia Reynolds .... talent rights executive (3 episodes, 2008)
Gordon Ronald .... production consultant (3 episodes, 2008)
Sam Rook .... floor runner (3 episodes, 2008)
Rory Shaw .... stand-in (3 episodes, 2008)
Julia Walsh .... script editor (3 episodes, 2008)
Alex Grasham .... production runner (2 episodes, 2008)

Vicky Cole .... script supervisor daily (unknown episodes)

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Russia:180 min (2 parts) | 180 min (3 parts)
Aspect Ratio:
1.78 : 1 See more »
Sound Mix:
Filming Locations:

Did You Know?

The aqua pelisse worn by Anna Madeley (Lucy Steele) at Fanny's London house is the same costume previously worn by Emilia Fox (Georgiana Darcy) at Ramsgate in "Pride and Prejudice" (1995), again by Emilia Fox (Clara Copperfield) in "David Copperfield" (1999), by Olivia Williams (Jane Fairfax) at Box Hill in Emma (1996) (TV), and by Julie Cox (Annabella Milbanke) at the London party where she meets Byron in Byron (2003) (TV).See more »
Continuity: The scene: Elinor finds Edward chopping wood in the rain. We see Elinor approaching with her arms holding the shawl over her head and shoulders. When the shot shifts and we see Elinor from her back, the shawl is covering only her head, with arms over the shawl.See more »
Movie Connections:
Version of "Sense and Sensibility" (1981)See more »
Hey, Ho, the Wind and the RainSee more »


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37 out of 45 people found the following review useful.
My favorite version, especially for Elinor and Marianne, 11 April 2008
Author: galensaysyes

This serial, like Pride and Prejudice and Emma by the same scriptwriter, is my favorite rendition of its novel. In the first hour it's my favorite by far; in the rest, just my favorite.

The first part, which required the most invention, introduces the protagonists and unfolds the story quite compellingly; later the pace and the choice of incident become more iffy, as though the intended runtime had been shortened during shooting: some closely spaced scenes have a similar tone, without enough contrast between, and some minor characters are introduced and then abandoned. Why the ocean is there, I don't know; it points up the two sisters' different moods but has a way of making some scenes seem like Emily Bronte. I also don't understand why the families are introduced in poses as for portraits; this tends in the opposite direction from the seascapes, towards satire, which seems out of keeping with the general approach.

I take it the scriptwriter has adopted a darker view of the period since his earlier Austen dramatizations; those were charming and merry; the latest two leave out the funniest lines, turn the funny characters into unfunny ones, and seem bent on pointing up the sad plight of women in men's toils. This of course is one of Austen's subjects, but I believe her characters never say outright, as Marianne does here (in some such words), "Are we only men's playthings?" The sentiment is apt, but the perspective seems a little awry .

In any case, where this production exceeds its predecessors is in the casting, especially of the Dashwood family. Its Elinor is the only one I've found right, and Marianne, who has been done well by before, is conveyed more fully here. And they're just extremely likable; by the end I was ready to marry both of them myself. Also, the family seems a real family, with relationships that could only be products of having lived under the same roof for years. And the production is sensitive to the qualities of the actresses cast: e.g. having Janet McTeer as the mother, it gives her credit for more sense than the novel does. This elides the point that she's the person from whom Marianne inherits her romanticism; on the other hand, this is clearly portrayed as a byproduct of her youth, and so no further excuse is needed.

The male principals, I thought better cast also. The best of all is Willoughby, although until his last scene with Elinor I didn't see where the production was heading with him. Always before, he's seemed like another Wickham, but here he isn't; he's well-meaning in his own mind, but too weak to carry out his better intentions. Marianne practically throws herself at him, and from our one look at Brandon's ward we can imagine she did the same; he plainly doesn't have the strength of character to have rejected them. The novel gives him a break the serial doesn't: he says he didn't know about his ex-girlfriend's indigency because he'd forgotten to give her his address but she could have gotten it if she'd tried, and Elinor believes him. Perhaps the scriptwriter didn't, or thought the audience wouldn't; anyhow, in the novel Elinor's final judgment on him is more severe: that his only motive throughout has been selfishness. I was sorry this speech was eliminated, but it would have been superfluous, since one infers the same from the actor's reading of the scene. As for the other beaux, this Colonel Brandon comes nearer the mark than the others, in being younger and more reserved; Edward is better, too, but not so much so: he's like a synthesis of the former Edwards and another actor I can't place; rather in the Hugh Grant line, but more skillful at it. I don't fully get the character; but then I didn't in the book either.

The sisters, however, are something else again. Here at last is an Elinor I can believe in--about the right age, long used to being the voice of reason in her family and of being accepted as such, from necessity rather than choice; practical, circumspect, long-suffering, but with her spirit alive and unspoiled. A nice touch is the indication at one point that someone so unfailingly right in her advice can sometimes be a drag to live with.

Of the prior Elinors, I thought Emma Thompson's was an expert portrayal, as one would expect, but the actress's core character--the one all her characters are built around--is a mild neurotic of a type I don't see as having existed before the 1920s, and certainly not in Austen's time. Moreover, the rhythm of that character is a distinctively 20th-century rhythm, and Austen's prose had to be wrenched to make it fit; Thompson did so with considerable skill. but the result was a translation more than an interpretation. Then there was the age issue: Thompson's Elinor was a middle-aged spinster; Austen's wasn't. The Elinor of the earlier BBC serial seemed closer in some ways but still not right; she looked rather like a clumpish Cinderella, and gave some of her lines inflections that sounded cold and cutting in a way not the character's.

Yet as impressed as I was by the new Elinor, by the end I was even more impressed with Marianne. She's played as young (until she grows up), with all the silliness, stubbornness, and excess that are part of the baggage of that time of life. And of course the sexuality. Few scenes have been more erotic, with less "happening" in them, than her forbidden tour of the house she imagines will be hers. Both of the prior Mariannes were fairly accurate (except for the air that Kate Winslet's characters always have of being spoiled university girls), and both quite alike in being romantic above all; this Marianne has more dimension, as well as more suggestion, about her, and reminds me of girls I've known.

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