Sense & Sensibility (2008)

TV Mini-Series  -   -  Drama | Romance
8.2
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 8.2/10 from 4,936 users  
Reviews: 35 user | 7 critic

Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »

Watch Trailer
0Check in
0Share...

On Disc

at Amazon

Editors' Spotlight

Live Chat with Keanu Reeves

We conducted a Live Chat with Keanu about his upcoming film John Wick.


User Lists

Related lists from IMDb users

a list of 44 titles
created 24 Jul 2011
 
a list of 46 titles
created 11 Jul 2012
 
a list of 33 titles
created 20 Jul 2012
 
a list of 34 titles
created 6 months ago
 
a list of 43 titles
created 4 months ago
 

Related Items


Connect with IMDb


Share this Rating

Title: Sense & Sensibility (2008– )

Sense & Sensibility (2008– ) on IMDb 8.2/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Sense & Sensibility.

User Polls

Episodes

Seasons


Years



1  
2008  
Nominated for 2 Primetime Emmys. Another 2 wins & 4 nominations. See more awards »

Videos

Learn more

People who liked this also liked... 

Emma (TV Mini-Series 2009)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »

Stars: Romola Garai, Michael Gambon, Jonny Lee Miller
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Rich Mr. Dashwood dies, leaving his second wife and her three daughters poor by the rules of inheritance. The two eldest daughters are the titular opposites.

Director: Ang Lee
Stars: Emma Thompson, Kate Winslet, James Fleet
Persuasion (TV Movie 2007)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »

Director: Adrian Shergold
Stars: Sally Hawkins, Alice Krige, Rupert Penry-Jones
Northanger Abbey (TV Movie 2007)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.

Director: Jon Jones
Stars: Geraldine James, Michael Judd, Julia Dearden
Persuasion (1995)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »

Director: Roger Michell
Stars: Amanda Root, Ciarán Hinds, Susan Fleetwood
Jane Eyre (TV Mini-Series 2006)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

A young governess falls in love with her brooding and complex master. However, his dark past may destroy their relationship forever.

Stars: Ruth Wilson, Toby Stephens, Lorraine Ashbourne
Pride and Prejudice (TV Mini-Series 1995)
Romance | Drama
    1 2 3 4 5 6 7 8 9 10 9.2/10 X  

Jane Austen's classic novel about the prejudice that occurred between the 19th century classes and the pride which would keep lovers apart.

Stars: Colin Firth, Jennifer Ehle, Susannah Harker
Mansfield Park (TV Movie 2007)
Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  

At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but... See full summary »

Director: Iain B. MacDonald
Stars: Julia Joyce, Douglas Hodge, Maggie O'Neill
North & South (TV Mini-Series 2004)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 9/10 X  

North and South is a four part adaptation of Elizabeth Gaskell's love story of Margaret Hale, a middle class southerner who is forced to move to the northern town of Milton.

Stars: Daniela Denby-Ashe, Richard Armitage, Tim Pigott-Smith
Little Dorrit (TV Mini-Series 2008)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »

Stars: Claire Foy, Matthew Macfadyen, Tom Courtenay
Wives and Daughters (TV Mini-Series 1999)
Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.

Stars: Francesca Annis, Justine Waddell, Bill Paterson
Sense and Sensibility (TV Series 1971)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  
Stars: Michael Aldridge, Sheila Ballantine, Esme Church
Edit

Cast

Series cast summary:
...
 Elinor Dashwood (3 episodes, 2008)
...
 Marianne Dashwood (3 episodes, 2008)
...
 Colonel Brandon (3 episodes, 2008)
...
 Mrs. Dashwood (3 episodes, 2008)
...
 Edward Ferrars (3 episodes, 2008)
...
 Willoughby (3 episodes, 2008)
...
 Margaret Dashwood (3 episodes, 2008)
...
 Sir John Middleton (3 episodes, 2008)
...
 Mrs. Jennings (3 episodes, 2008)
...
 Fanny Dashwood (3 episodes, 2008)
...
 Lady Middleton (3 episodes, 2008)
...
 John Dashwood (2 episodes, 2008)
...
 Eliza (2 episodes, 2008)
David S. Glover ...
 Foot (2 episodes, 2008)
...
 Miss Steele (2 episodes, 2008)
...
 Lucy Steele (2 episodes, 2008)
...
 Robert Ferrars (2 episodes, 2008)
Morgan Overton ...
 Little Henry (2 episodes, 2008)
Tim McMullan ...
 Mr. Palmer (2 episodes, 2008)
...
 Charlotte Palmer (2 episodes, 2008)
Roy Holder ...
 Thomas (2 episodes, 2008)
David Glover ...
 Foot (2 episodes, 2008)
Edit

Storyline

Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in Devonshire. There, the prevailing ambition is to find suitable husbands for the girls. With help from wealthy neighbor Sir John Middleton, suitors for Elinor and Marianne are soon found, but not landed. They include dashing Willoughby, future vicar Edward Ferrars and retired colonial gentleman Colonel Brandon. Written by KGF Vissers

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

|

Country:

Language:

Release Date:

30 March 2008 (USA)  »

Also Known As:

Logiki kai synaisthima  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(2 parts) | (3 parts)

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
See  »
Edit

Did You Know?

Trivia

The scene of Col. Brandon shooting with Sir John Middleton was not in Andrew Davies's script. It was added at the suggestion of Mark Williams (Sir John), who was keen to include a scene between the two men, and being a historical gun enthusiast, wanted an opportunity to showcase his expertise. See more »

Goofs

The scene: Elinor finds Edward chopping wood in the rain. We see Elinor approaching with her arms holding the shawl over her head and shoulders. When the shot shifts and we see Elinor from her back, the shawl is covering only her head, with arms over the shawl. See more »

Connections

Version of Scents and Sensibility (2011) See more »

Soundtracks

Hey, Ho, the Wind and the Rain
Traditional
Words by William Shakespeare
Performed by Charity Wakefield
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
My favorite version, especially for Elinor and Marianne
11 April 2008 | by See all my reviews

This serial, like Pride and Prejudice and Emma by the same scriptwriter, is my favorite rendition of its novel. In the first hour it's my favorite by far; in the rest, just my favorite.

The first part, which required the most invention, introduces the protagonists and unfolds the story quite compellingly; later the pace and the choice of incident become more iffy, as though the intended runtime had been shortened during shooting: some closely spaced scenes have a similar tone, without enough contrast between, and some minor characters are introduced and then abandoned. Why the ocean is there, I don't know; it points up the two sisters' different moods but has a way of making some scenes seem like Emily Bronte. I also don't understand why the families are introduced in poses as for portraits; this tends in the opposite direction from the seascapes, towards satire, which seems out of keeping with the general approach.

I take it the scriptwriter has adopted a darker view of the period since his earlier Austen dramatizations; those were charming and merry; the latest two leave out the funniest lines, turn the funny characters into unfunny ones, and seem bent on pointing up the sad plight of women in men's toils. This of course is one of Austen's subjects, but I believe her characters never say outright, as Marianne does here (in some such words), "Are we only men's playthings?" The sentiment is apt, but the perspective seems a little awry .

In any case, where this production exceeds its predecessors is in the casting, especially of the Dashwood family. Its Elinor is the only one I've found right, and Marianne, who has been done well by before, is conveyed more fully here. And they're just extremely likable; by the end I was ready to marry both of them myself. Also, the family seems a real family, with relationships that could only be products of having lived under the same roof for years. And the production is sensitive to the qualities of the actresses cast: e.g. having Janet McTeer as the mother, it gives her credit for more sense than the novel does. This elides the point that she's the person from whom Marianne inherits her romanticism; on the other hand, this is clearly portrayed as a byproduct of her youth, and so no further excuse is needed.

The male principals, I thought better cast also. The best of all is Willoughby, although until his last scene with Elinor I didn't see where the production was heading with him. Always before, he's seemed like another Wickham, but here he isn't; he's well-meaning in his own mind, but too weak to carry out his better intentions. Marianne practically throws herself at him, and from our one look at Brandon's ward we can imagine she did the same; he plainly doesn't have the strength of character to have rejected them. The novel gives him a break the serial doesn't: he says he didn't know about his ex-girlfriend's indigency because he'd forgotten to give her his address but she could have gotten it if she'd tried, and Elinor believes him. Perhaps the scriptwriter didn't, or thought the audience wouldn't; anyhow, in the novel Elinor's final judgment on him is more severe: that his only motive throughout has been selfishness. I was sorry this speech was eliminated, but it would have been superfluous, since one infers the same from the actor's reading of the scene. As for the other beaux, this Colonel Brandon comes nearer the mark than the others, in being younger and more reserved; Edward is better, too, but not so much so: he's like a synthesis of the former Edwards and another actor I can't place; rather in the Hugh Grant line, but more skillful at it. I don't fully get the character; but then I didn't in the book either.

The sisters, however, are something else again. Here at last is an Elinor I can believe in--about the right age, long used to being the voice of reason in her family and of being accepted as such, from necessity rather than choice; practical, circumspect, long-suffering, but with her spirit alive and unspoiled. A nice touch is the indication at one point that someone so unfailingly right in her advice can sometimes be a drag to live with.

Of the prior Elinors, I thought Emma Thompson's was an expert portrayal, as one would expect, but the actress's core character--the one all her characters are built around--is a mild neurotic of a type I don't see as having existed before the 1920s, and certainly not in Austen's time. Moreover, the rhythm of that character is a distinctively 20th-century rhythm, and Austen's prose had to be wrenched to make it fit; Thompson did so with considerable skill. but the result was a translation more than an interpretation. Then there was the age issue: Thompson's Elinor was a middle-aged spinster; Austen's wasn't. The Elinor of the earlier BBC serial seemed closer in some ways but still not right; she looked rather like a clumpish Cinderella, and gave some of her lines inflections that sounded cold and cutting in a way not the character's.

Yet as impressed as I was by the new Elinor, by the end I was even more impressed with Marianne. She's played as young (until she grows up), with all the silliness, stubbornness, and excess that are part of the baggage of that time of life. And of course the sexuality. Few scenes have been more erotic, with less "happening" in them, than her forbidden tour of the house she imagines will be hers. Both of the prior Mariannes were fairly accurate (except for the air that Kate Winslet's characters always have of being spoiled university girls), and both quite alike in being romantic above all; this Marianne has more dimension, as well as more suggestion, about her, and reminds me of girls I've known.


36 of 43 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
The lessening of Austen's contrasts in S+S 2008 webrowser
Marianne's despoiled reputation locusnola
Where can you watch this? MissElizabeth810
Elinor is Pathetic.... super_saiyan_girl_2000
Discuss Sense & Sensibility (2008) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?