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Mio fratello è figlio unico (2007)

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Two brothers come of age in a small Italian town in the '60s and '70s.

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(novel), (story and screenplay) | 2 more credits »
20 wins & 28 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Ascanio Celestini ...
Padre Cavalli
...
...
Vittorio Emanuele Propizio ...
Accio adolescent
Claudio Botosso ...
Prof. Montagna
...
Segretario Bombacci (as Ninni Bruschetta)
...
...
Pasquale Sammarco ...
Padre Tosi
Lorenzo Pagani ...
Bertini
Matteo Sacchi ...
Ragazzo Biliardino
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Storyline

Two brothers come of age in the 1960s in a town south of Rome. Manrico is handsome, sometimes feckless, a leftist making the revolution. His younger brother Accio ("Bully") is a seminarian when the story beings, soon home studying Latin and joining the Fascists. Francesca, an aristocratic student, becomes Manrico's lover and Accio's friend. Over the next ten years, these three experience family, love, attraction, politics, and the challenges of adult responsibility. Subplots include Nastri, a father figure and political guide to Accio, Nastri's wife Bella who guides Accio in other ways, and the brothers' parents and sister, who are dazzled by Manrico's charm while depending on Accio. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Comedy | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »
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Details

Country:

|

Language:

Release Date:

20 April 2007 (Italy)  »

Also Known As:

Mi hermano es hijo único  »

Filming Locations:

 »

Box Office

Budget:

€5,000,000 (estimated)

Opening Weekend:

$9,357 (USA) (28 March 2008)

Gross:

$251,004 (USA) (18 July 2008)
 »

Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Daniele Luchetti: Silent priest. See more »

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User Reviews

 
Enough already....
20 April 2007 | by (Italy) – See all my reviews

The first 30 minutes or so made me hope for the best. Elio Germano is an actor with an extraordinary power to grab his audience and make us care, plus, the film seemed to move away from the (very good) book it is based on and go for the most engaging comedic aspects of the story. I knew it was too good to be true. Shortly after the film falls in a series of common places robbing us from the possibility to be surprised, engaged or even care. I wonder why it is that we - in Italy I mean - feel the need to visit the past though the same identical paths. To tell you the truth, I'm sick and tired of it. Can we tell stories that live out of its own strength. Politics, intellectual reflections without any, real, base on reality. We are known for protesting at a bar table, maybe go to a demonstration but at the end of the day we are going to do what we're told. Honestly or dishonestly. Could it be that, this relentless film revisions, is a tacit way to justify the fact that we've been so ineffectual in real life. We've been through everything and more but nothing has really changed. We're better identified by the Alberto Sordi characters like the one in "La Grande Guerra" by the great Mario Monicelli. My question is: If I, as an Italian, couldn't care less about the political mismatch of two Italian brothers, imagine the rest of the world. How confusing and ultimately annoying way to tell a story. There was a sort of uproar today, knowing that this film had not been selected for the official selection at the Cannes Film Fest. Hey, come on, think again. Why should it be? There is absolutely nothing new in it. Nothing! Riccardo Scamarcio continues to sleep walk through his film roles. He is beautiful but not nearly as magnetic as Elio Germano. I hope we'll wake up soon and realize that we won't change the past by revisiting it. That we are who we are and should look ahead to see what happens.


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