On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. Rouhi, spending her first day at a new job, finds herself in the midst of a different kind of fireworks -- a domestic dispute between her new boss and his wife.
Leila and Reza meet in a kind of celebration and fall for each other. Having discovered their love, they get married soon only to find out the infertility of Leila. That's when Reza's ... See full summary »
Hamoon's wife is leaving him. He is also unsuccessfully trying to finish his Ph.D. thesis. He is forced to reexamine his life. In a series of flashbacks and dreams, Hamoon tries to figure ... See full summary »
An Iranian man deserts his French wife and her two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.
Mohammad is sent to an apartment situated in uptown Tehran to install their satellite dishes, while having satellite TV is illegal in Iran. He arrives there with a girl named Shirin who ... See full summary »
Just a few hours to his wedding, Amir, a lad from the south of Tehran, receives a call from his closest friend Habib who insist on meeting him to speak about an urgent issue. He rushes to ... See full summary »
Mina has decided to leave her older husband Morteza after ten years of marriage. Next Monday will be her divorce date, which means her first step towards her goal; immigration. However, the... See full summary »
Mohammad Reza Forutan
Ali is son of a well-off family who plays santoor (an Iranian instrument like dulcimer) and has earned some reputation through his concerts and teaching music but is rejected by his family ... See full summary »
Fifteen year old Taraneh, whose widowed father is in jail, refuses the unwanted attentions of carpet salesman Amir - until Amir's mother talks Taraneh into accepting Amir's marriage ... See full summary »
On the day before their holiday trip to Dubai, a wife who believes her husband is unfaithful enlists the help of Roohi, a young women sent by an agency to clean the house. She asks Roohi to make an appointment and gather information at the salon of the woman she suspects. Roohi is betrothed, innocent of marital discord. Over the course of the day, she, the couple, their small son, the wife's sister and husband, and the beautician engage in a series of exchanges, confrontations, and prevarications. Are the wife's suspicions unwarranted; is her behavior imperiling her marriage? Acts of kindness may go awry. And the trip to Dubai? Written by
This film by Iranian director Asghar Farhadi (A Separation, About Elly) is well made, though in my opinion he has done better. There are elements in this movie you see in other films of the director: heated marital discussions, secrets and lies coming to the light, cultural differences between the middle class and the working class. However, the end result is not as compelling as in other of his movies.
The action transpires on a single day in Tehran during the celebration of the Iranian new year (a holiday where a lot of fireworks are thrown). The young Rouhi (played by the pretty and talented Taraneeh Alidosti, who was in About Elly), is a working class woman that will soon marry her boyfriend. She gets a temporary job cleaning a apartment in a middle class neighborhood. Upon arriving at the apartment she finds herself in the middle of a heated domestic dispute between Mojdeh and Morteza. Mojdeh (Heyde Tehrani, who's great) suspects that her husband Morteza is cheating on her with the next door neighbor Simin, a woman who set up a beauty salon there after her own marriage broke up. Over the course of the day, Rouhi, the fighting couple, their small son, the wife's sister and husband, and the beautician engage in a series of exchanges and confrontations, as the truth unfolds.
Of course, the central conceit of the film, that the residents of the apartment complex would trust this cleaning lady they barely know so much they would confide to her all their problems, is absurd. At one point, Mojdeh even asks Rouhi to pick her young son at school (she has only known her for a few hours, and already trusts her to fetch her son, whom Rouhi has never met!)
Not knowing much about Iranian culture, I was intrigued by the relationship between Rouhi and her boyfriend. I suppose Iran being a culturally conservative country their relationship before marriage is non sexual, yet they seem so close and loving, especially at the opening scenes of the movie. But the movie doesn't dwell too much in this, a pity since you don't see much about young love in Iranian movies.
0 of 0 people found this review helpful.
Was this review helpful to you?