SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Set on a long English summer in the early '80s, SON OF RAMBOW is a comedy about friendship, faith and the tough business of growing up. We see the story through the eyes of Will, the eldest son of a fatherless Plymouth Brethren family. The Brethren regard themselves as God's 'chosen ones' and their strict moral code means that Will has never been allowed to mix with the other 'worldlies,' listen to music or watch TV, until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and maker of bizarre home movies. Carter exposes Will to a pirate copy of Rambo: First Blood and from that moment Will's mind is blown wide open and he's easily convinced to be the stuntman in Lee Carters' diabolical home movie. Will's imaginative little brain is not only given chance to flourish in the world of film making, but is also very handy when it comes to... Written by
Hammer & Tongs
Director Garth Jennings says that the round yellow sticker on the back seat of the bicycle Will Proudfoot rides to take Lee Carter home from school was used by the studio Props Department to designate that this prop was reserved for a shoot, but the film crew had neglected to remove it. See more »
When Will watches the pirated version of First Blood, the cinema curtains open on the film's opening credits. In 1983, all films screened in British cinemas started with the British Board of Film Classification's certificate just before the start of the film. If Lee started recording after the certificate was displayed, the curtains would've been open when the opening credits began. See more »
Brother William, would you like to read today?
[apprehensively carries Bible into middle of the street and reads]
"O God, our Heavenly Father, who has commanded us to love one another as thy children."
See more »
Mack is listed last among the "Special Thanks To" names and refers to a dog mentioned at 94:45 on the DVD commentary. See more »
Performed by Jonathan Richman and the Modern Lovers
Written by Jonathan Richman / Earl Anthony Johnson
Published by Modern Love Songs/Snapping Turtle/Hornall Brothers Music Ltd/Soul Syndicate Music/Bug Music Ltd.
(P) 1977 Sanctuary Records Group Ltd.
Licensed courtesy of Sanctuary Records Group Ltd See more »
I recently took this movie in at the 2007 Sundance film festival and am quite glad that I made the effort to sneak this little gem in. The movie was made by the very talented Garth Jennings of the famed music video production team Hammer and Tongs known for their visionary music videos and previously Hitcherhiker's Guide to the Galaxy. Set in an average English town in 1982 the movie revolves around the interesting life of a 12-13 year old boy named Will whose family is part of a strict religious group that prohibits him from having any friends outside the group and strictly forbids him from watchings any TV or Movies. Without these usual sources of childhood entertainment Will finds other ways to pass the time, namely in drawing out his flourishing imagination that he scribbles and doodles all over the pages of his bible. One day Will unexpectedly crosses paths with the school terror Carter who also happens to be an amateur bootlegger at the local movie theater. Will, whose never seen a movie before is caught off guard when at Carters home he sees Rambo playing on the TV, the visuals of the movie explode in Will's imaginative mind and from there on out Will is forever changed. An unlikely friendship begins between Will and Carter as they begin production on Carter's home movie masterpiece, Son of Rambow. The two children begin coming closer before their friendship is tested by a new-wave French exchange student Didier Revolve. As the friendship between Will and Carter begins getting twisted so does his relationship with his family, as the church group starts taking notice of Wills more worldly interests. In the end Will must stay true to himself and the film must go on.
The performances by all the children were exceptional, especially Carter who is the movie's sparkplug and provides comic relief frequently. As well as Didier the french exchange student who is a text book example of how absurd the whole new wave trends of the day were, his appearances are all wildly amusing. The movie also has a fair amount of quirky animations and dream sequences that offer visual pleasures for the eyes and bring childhood doodles to life. The movie is just a brilliant little idea and it plays out so very well in all the settings and the characters are extremely likable in all manners, the movie should play great for almost all ages
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