Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Set on a long English summer in the early 80's, SON OF RAMBOW is a comedy about friendship, faith and the tough business of growing up. We see the story through the eyes of Will, the eldest son of a fatherless Plymouth Brethren family. The Brethren regard themselves as God's 'chosen ones' and their strict moral code means that Will has never been allowed to mix with the other 'worldlies,' listen to music or watch TV, until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and maker of bizarre home movies. Carter exposes Will to a pirate copy of Rambo: First Blood and from that moment Will's mind is blown wide open and he's easily convinced to be the stuntman in Lee Carters' diabolical home movie. Will's imaginative little brain is not only given chance to flourish in the world of film making, but is also very handy when it comes to... Written by
Hammer & Tongs
Director Garth Jennings says that the round yellow sticker on the back seat of the bicycle Will Proudfoot rides to take Lee Carter home from school was used by the studio Props Department to designate that this prop was reserved for a shoot, but the film crew had neglected to remove it. See more »
Didier Revol rides a skateboard that was first sold in England in the early 1990s. See more »
Brother William, would you like to read today?
[apprehensively carries Bible into middle of the street and reads]
"O God, our Heavenly Father, who has commanded us to love one another as thy children."
See more »
At the very end of the closing credits Carter's voice-over says, "By the way, you spelled the title slightly wrong; there's no 'w' in Rambo". Will replies, "Oh, okay" and Carter then says, "It's still good though". See more »
A fairly straightforward story of friendship, rebellion, and creativity becomes an outlandish ride through comic absurdity thanks to a bevy of inventively eccentric characters clashing with the notions of order. A kid's movie with a mix of laugh-out-loud moments and weirdly clever ones, Son of Rambow plays out like an Eagle and Shark vs. Terabithia where unconventional morals collide with redeeming themes and several overactive imaginations.
Sheltered to the point of solitude by an overprotective mother and a smothering religion, young William (Bill Milner) resorts to expressing his creativity in elaborate illustrations in unlikely places. His diminutive world is forever changed when he crosses paths with school troublemaker Lee Carter, who bullies him into helping film an amateur action movie. Initially reluctant, his outlook changes after unintentionally viewing a bootlegged tape of First Blood. The explosive violence and unrestrained mayhem ignites Will's imagination, and an unlikely friendship forms when the mismatched duo set about making "Son of Rambow." The storyline follows a rather predictable progression, but what makes the film unique is the multitude of exaggerated stereotypes and off-the-wall characters. Will's heavily sheltered childhood has created an introvert desperate to escape the confines of his lifestyle, and he is alternately eccentric and sweetly innocent. Conniving and obnoxious terror Carter is contrary to Will in almost every way. Clearly a product of his disruptive upbringing, he rebels against authority as often as possible and scoffs at the idea of order. Both boys suffer from a common ailment the lack of a father figure and a stable home, and watching their friendship grow is easily the most entertaining aspect of the film. Complementing these two are several conflicted characters whose eccentricities easily rival their own. Most notably is Didier, a French foreign exchange student whose outrageous style and attitude awes the English boys into forming a cult of followers. Even many of the teachers and the no-nonsense Brother Joshua seem infused with peculiar traits in their personalities.
While the most recognizable themes of staying true to one's heart and the bonds of friendship readily exist on the surface, more unconventional morals frequent the underlying story. In this offbeat tale of growing up, rebellion is viewed as comical and a necessary implement for combating the evils of order. Religion is shown as a suppressing tool of control, confining both creativity and imagination, as well as forbidding socializing with those outside the faith. Rarely in kid's movies do we see religion as the villain and rebellion the key to success.
Paralleling the overactive imaginations of youth, the fantastical characters and events are both the highlight of the film and it's only downside. So often the visuals and madcap occurrences will leave you torn between laughing out loud and raising an eyebrow in bewilderment. In the end, this refreshingly bizarre take on the delirium of growing up entertains with its unconventional characters and antics plus, seeing a dead crow knock a kid off his bike never fails to amuse.
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