SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Set on a long English summer in the early '80s, SON OF RAMBOW is a comedy about friendship, faith and the tough business of growing up. We see the story through the eyes of Will, the eldest son of a fatherless Plymouth Brethren family. The Brethren regard themselves as God's 'chosen ones' and their strict moral code means that Will has never been allowed to mix with the other 'worldlies,' listen to music or watch TV, until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and maker of bizarre home movies. Carter exposes Will to a pirate copy of Rambo: First Blood and from that moment Will's mind is blown wide open and he's easily convinced to be the stuntman in Lee Carters' diabolical home movie. Will's imaginative little brain is not only given chance to flourish in the world of film making, but is also very handy when it comes to... Written by
Hammer & Tongs
Director Garth Jennings's wife plays the nurse stitching Will Proudfoot's arm in the hospital scene. See more »
The ambulance that brings Lee Carter to the movie theatre has a Road Tax disc, valid for 1 year, that expires in February 2008, and an E registration number plate (license plate) from 1987-88. Many modern cars are in the background, including a 1990's Renault Laguna and a 2001 Vauxhall Combo van. See more »
Brother William, would you like to read today?
[apprehensively carries Bible into middle of the street and reads]
"O God, our Heavenly Father, who has commanded us to love one another as thy children."
See more »
At the very end of the closing credits Carter's voice-over says, "By the way, you spelled the title slightly wrong; there's no 'w' in Rambo". Will replies, "Oh, okay" and Carter then says, "It's still good though". See more »
Much better than the trailer - heart warming and lovable
When I saw the trailer for this film, it looked like another corny British comedy. The film itself is much, much better than that, as someone else has said it feels more like a Michael Gondry film. Very idiosyncratic, quirky and confident in what it does, with many laugh-out-loud moments. What I enjoyed most of all was how some really nice themes and subplots started to innocently dovetail with the story, never feeling contrived, or overly sentimental. There were some great touches where the writer/director chose to imply or suggest something without going overboard - which makes for a much more warming experience than the usual obvious and clunky approach in British screen writing. The acting was superb. This film will appeal to many, many people for different reasons - I just hope they are encouraged and inspired enough to go and see it. I hope that word of mouth does this film the justice it deserves. Go see it!!
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