Son of Rambow (2007)

User Rating:

7.3/10   

Director:

Garth Jennings

Writer:

Garth Jennings (written by)

Release Date:

4 April 2008 (UK)

Genre:

Comedy

Tagline:

Make Believe. Not War.

Plot:

Set on a long English summer in the early 80's, Son Of Rambow is a comedy about friendship, faith and the weird business of growing up.

Plot Keywords:

Party | England | Gift | Friendship | Flip Book

Cast

Neil Dudgeon	...	Brother Joshua
Bill Milner	...	Will Proudfoot
Jessica Hynes	...	Mary Proudfoot (as Jessica Stevenson)
Anna Wing	...	Grandma
Will Poulter	...	Lee Carter
Tallulah Evans	...	Jess Proudfoot
Emilie Chesnais	...	French Teacher
Paul Ritter	...	Geography Teacher
Finola McMahon	...	Gail Graham
Rachel Mureatroyd	...	Marie Plante
Taylor Richardson	...	David Smart
Peter Robinson	...	Lucas Dupont
Charlie Thrift	...	Duncan Miller
Jules Sitruk	...	Didier Revol
Sam Kubrick-Finney	...	Danny

Also Known As:

Sohn von Rambow, Der (Germany)

MPAA:

Rated PG-13 for some violence and reckless behavior.

Runtime:

96 min

Country:

France | UK | Germany

Language:

English | French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS | SDDS

Certification:

Canada:PG | Ireland:12A | Australia:PG | UK:12A | Finland:K-11 | USA:PG-13 (certificate #43681) | Sweden:7

Filming Locations:

Ashlyns School, Berkhamsted, Hertfordshire, England, UK

Company:

Hammer & Tongs

Goofs:

Anachronisms: The skateboard that Didier Revol is seen riding is of a design not found in England until the early 1990s.

Quotes:

[last lines]
Lee Carter: This has been my best day ever.

Movie Connections:

References The Outsiders (1983)

Son of Rambow Movie Review

A fairly straightforward story of friendship, rebellion, and creativity becomes an outlandish ride through comic absurdity thanks to a bevy of inventively eccentric characters clashing with the notions of order. A kid's movie with a mix of laugh-out-loud moments and weirdly clever ones, Son of Rambow plays out like an Eagle and Shark vs. Terabithia where unconventional morals collide with redeeming themes and several overactive imaginations.

Sheltered to the point of solitude by an overprotective mother and a smothering religion, young William (Bill Milner) resorts to expressing his creativity in elaborate illustrations in unlikely places. His diminutive world is forever changed when he crosses paths with school troublemaker Lee Carter, who bullies him into helping film an amateur action movie. Initially reluctant, his outlook changes after unintentionally viewing a bootlegged tape of First Blood. The explosive violence and unrestrained mayhem ignites Will's imagination, and an unlikely friendship forms when the mismatched duo set about making "Son of Rambow." The storyline follows a rather predictable progression, but what makes the film unique is the multitude of exaggerated stereotypes and off-the-wall characters. Will's heavily sheltered childhood has created an introvert desperate to escape the confines of his lifestyle, and he is alternately eccentric and sweetly innocent. Conniving and obnoxious terror Carter is contrary to Will in almost every way. Clearly a product of his disruptive upbringing, he rebels against authority as often as possible and scoffs at the idea of order. Both boys suffer from a common ailment – the lack of a father figure and a stable home, and watching their friendship grow is easily the most entertaining aspect of the film. Complementing these two are several conflicted characters whose eccentricities easily rival their own. Most notably is Didier, a French foreign exchange student whose outrageous style and attitude awes the English boys into forming a cult of followers. Even many of the teachers and the no-nonsense Brother Joshua seem infused with peculiar traits in their personalities.

While the most recognizable themes of staying true to one's heart and the bonds of friendship readily exist on the surface, more unconventional morals frequent the underlying story. In this offbeat tale of growing up, rebellion is viewed as comical and a necessary implement for combating the evils of order. Religion is shown as a suppressing tool of control, confining both creativity and imagination, as well as forbidding socializing with those outside the faith. Rarely in kid's movies do we see religion as the villain and rebellion the key to success.

Paralleling the overactive imaginations of youth, the fantastical characters and events are both the highlight of the film and it's only downside. So often the visuals and madcap occurrences will leave you torn between laughing out loud and raising an eyebrow in bewilderment. In the end, this refreshingly bizarre take on the delirium of growing up entertains with its unconventional characters and antics – plus, seeing a dead crow knock a kid off his bike never fails to amuse.

- Joel Massie