In this documentary, the show's emcee, Vince Vaughn, and four stand-up comedians hand-picked by Vaughn, travel the country and perform in 30 cities. This film documents the interactions on and off stage along the way.
The director takes us on a hilarious tour from Dubai to Beirut, Riyadh to New York with a gaggle of other stand-up talent. Along the way, taboos of culture and geopolitics are exploded, and... See full summary »
As Colonel Kadaffi hides in a bunker, he realizes his career is in shambles. An assistant recommends he find a Hollywood Agent to rebuild his career, so they take to the internet to ... See full summary »
On September 12, 2005 in Hollywood, California, Vince Vaughn took the stage at the Music Box Theater in Hollywood, California and began a comedy tour featuring four stand-up comedians. In the spirit of the old west variety shows, Vaughn played host to the ensemble of comedians and performed improvisational sketches with surprise celebrity and musical guests. The film chronicles the journey of Vaughn and the comedians as travel over 6,000 miles and perform 30 shows in 30 consecutive nights in cities across the nation. Through on-stage performances and behind-the-scenes interviews, the grass roots documentary breaks down each comedian's life-altering experiences and the personal and professional challenges that unite four comics, one movie star and fans from Hollywood to the Heartland. Written by
In Vince Vaughn's Wild West Comedy Show: 30 Days & 30 NightsHollywood to the Heartland, if the four relatively unknown comics (a "Guido," an Ohio rube, an Arab, and a non-descript guy) accompanying Vaughn on a 30 day tour of 30 cities had been better, the documentary would have been better as well. Sadly this tepid montage of the trip is rarely funny, rarely imaginative, although the infectious good will of Vaughn saves it from total banality.
Jerry Seinfeld's Comedian (2002) and the arch Aristocrats (2005) have far more humorous moments while also revealing the humanity of the performers. Vaughn tries with limited success to show the heart of the comics between acts, but, alas, not one is interesting enough to have more than a beer with.
As with most of these documentaries, there are only snippets of the acts and then cutting to another performer or a personal note. Thus, we can never understand fully why a comedian will or will not make the big time. One thing I do know, this January graveyard toss off will not make it big time. I'll ask you in December if you think it should be nominated for best documentary; you'll haveto research it on IMDb to remember.
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